Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 21,72
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Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 22,29
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EUR 23,14
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New. pp. 258 423:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on White w/Matte Lam.
Da: Midway Book Store (ABAA), St. Paul, MN, U.S.A.
Hardcover. Condizione: very good/very good. A very nice copy in dust jacket. No markings. Foxing to top edge of pages, not effecting interior.
Lingua: Inglese
Editore: Norhtwestern University Press, Evanston, 1989
ISBN 10: 0810105918 ISBN 13: 9780810105911
Da: Underground Books, ABAA, Carrollton, GA, U.S.A.
Paperback. Condizione: Very good. Paperback. 9" X 6". lxvii, 578pp. Mild wear to pictorial paper wraps with light ribbing to covers and edges. Light dust-spotting to top edge of text block. Pages are clean and unmarked. Binding is firm and sound. Part of the NorthwesernUniversity Studies in Phenomenology and Existential Philosophy. ABOUT THIS BOOK: The Phenomenology of Aesthetic Experience (Fr. Phénoménologie de l'expérience esthétique) was first published in 1953. In the first of four parts, Dufrenne distinguishes the "aesthetic object" from the "work of art." In the second, he elucidates types of works of art, especially music and painting. He devotes his third section to aesthetic perception. In the fourth, he describes a Kantian critique of aesthetic experience. A perennial classic in the SPEP series, the work is rounded out by a detailed "Translator's Foreword" especially helpful to readers in aesthetics interested in the context and circumstances around which the original was published as well as the phenomenological background of the book.(Publisher).
Condizione: New. pp. 258.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 22,12
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Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 25,41
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Lingua: Inglese
Editore: Ridinghouse London, United Kingdom, 2009
ISBN 10: 1905464096 ISBN 13: 9781905464098
Da: Specific Object / David Platzker, New York, NY, U.S.A.
388 pp.; 15.5 x 21 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Anthology of critical texts on Robert Ryman written from 1967 on, edited by Vittorio Colaizzi and Karsten Schubert. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. "This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman''s radical painting has fundamentally shifted the definitions and boundaries of art. Spanning four decades, this book charts the gradual evolution of consensus about the meaning of his painting. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics. . Some essays appear here in English for the first time. With an introductory essay by Vittorio Colaizzi." -- publisher''s statement. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. NEW. Fine. New, as issued, in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.
Editore: Artforum New York, NY, 1972
Da: Specific Object / David Platzker, New York, NY, U.S.A.
94 pp.; 27 x 26.5 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; January 1972 issue of Artforum, edited by John Coplans. Contents include: "On Albers' Color," by Margit Rowell; "A Note on Dan Flavin," by Kenneth Baker; "A Better World in Birth," by Joseph Masheck; "Chuck Ginnever," by Kenneth Baker; "Boston Painting 1880-1930," by Jerrold Lanes; "Cork: Irish Painting in the 19th Century," by John Elderfield; "New Work of Helen Frankenthaler," by Kermit S. Champa; "Problems of Representation," by Jerrold Lanes; "Meaning in the Art of Duchamp, Part II," by Willis Domingo; "'This Is Not Here' (A Report on the Yoko Ono Retrospective at Syracuse) by Emily Wasserman; "Los AngeIssue edited by John Coplans. Essays "On Albers' Color," by Margit Rowell; "A Note on Dan Flavin," by Kenneth Baker; "A Better World in Birth," by Joseph Masheck; "Chuck Ginnever," by Kenneth Baker; "Boston Painting 1880-1930," by Jerrold Lanes; "Cork: Irish Painting in the 19th Century," by John Elderfield; "New Work of Helen Frankenthaler," by Kermit S. Champa; "Problems of Representation," by Jerrold Lanes; "Meaning in the Art of Duchamp, Part II," by Willis Domingo; "'This Is Not Here' (A Report on the Yoko Ono Retrospective at Syracuse) by Emily Wasserman; "Los Angeles: Barbara Munger," by Jane Livingston; "Los Angeles: The Market Street Program," by Peter Plagens and "New York reviews," by Robert Pincus-Witten, Joseph Masheck, Kenneth Baker, Lizzie Borden. Cover: Josef Albers. Good. Dusting and rubbing of covers, edge wear, handling wear and light creasing. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 77,51
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Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 79,67
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Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 72,15
Quantità: Più di 20 disponibili
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Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 79,52
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Editore: Ediciones Robel, 2003
Da: Libros del Reino Secreto, Valverde del Majano, SG, Spagna
EUR 45,00
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Bueno. 12 x 22 cm. Contiene: El color de los ojos del neanderthal - La plaga de Midas - La soledad de la máquina - Territorio de pesadumbre - El último de los Winnebago - Enemigo mío - Rumbo a Bizancio - Bailando en el aire - La flor de cristal - Musgo de vida.