Dominik janet (82 risultati)

Soft cover. Condizione: Very Good. No Jacket. 1st Edition. Christian Von Schneidau (1893-1976) by Janet Dominik SC 1986 Petersen Publishing Company VG fine art monograph Christian von Schneidau was a well known California portrait painter who was recognized for his paintings of Hollywood stars and the Los Angeles elite. Born in Smoland, Sweden on March 24, 1893 of noble birth. Von Schneidau received his early education from private tutors and studied at the Stockholm Academy of Fine Art. He immigrated to the U.S. in 1906 and spent the first ten years as a resident of Minnesota. He continued his art studies at the AIC under Reynolds and Buehr, and in the East under H. M. Walcott, C. W. Hawthorne, and Richard Miller. After settling in Los Angeles in 1917, he operated the Von Schneidau School of Fine Art. Married twice, he was the husband of musician Esther Bergman during 1923-31 and in 1938 married one of his pupils, Signe Larson Nelson. During the 1940s he taught at the Businessmen's Art Institute in Los Angeles and in the 1950s spent two years in Source: Edan Hughes, "Artists in California, 1786-1940" Southern California Artists (Nancy Moure); City Directory; American Art Annual 1917-33; California Arts and Architecture list, 1932; California Impressionism (Wm. Gerdts & Will South); Who's Who in American Art 1936-76; Who's Who in California 1942; Who's Who on the Pacific Coast 1949; The Californians magazine, October 1988. BOT-B.…

Hardcover. Condizione: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. Condizione sovraccoperta: Includes dust jacket. The pages are tanned at the edges. The copy shows minor external wear, but is in otherwise good condition.

hardcover. Condizione: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. Edition not stated. Minor shelf wear to binding. Light wear & soiling on edges of text block. Text and images unmarked. Dj shelf worn around edges with scuffs, creases, scratches, sun faded spine & small tears in a mylar cover.

Oversize Paperback. Condizione: Near Fine. No Jacket.

Wrappers. Condizione: Good. Arti Grafiche Il Torchio, Published 1988. Wraps, 105 pp.; 27 cm; text in French, English, and Italian; illustrated throughout with full-page color plates of paintings by Marco Sassone. Catalog published in conjunction with a preview exhibition at the Los Angeles Municipal Art Gallery, March 19, 1988. Text by Janet B. Dominik; photography by Phyllis S. Barton. One of 2000 paperback copies printed on the occasion of the exhibition; 300 hardcover copies were also issued. In Good condition with a Good dust jacket. Cream card stock covers with brown lettering to front; light bumping to edges and mild overall shelfwear. Binding tight. Interior pages lightly toned but otherwise unmarked. Dust jacket illustrated with a color reproduction of a Sassone cityscape painting on front; three-inch tear to top edge of rear panel, repaired with clear tape; a few other nicks and tears and creasing to edges; mild overall shelfwear to jacket. [From jacket flap] This catalogue has been published to accompany the Premier Exhibition of Marco Sassone's work at Bernheim-Jeune, Paris from April 13 to May 4, 1988. One of the foremost colorists working in America today, Sassone is an artist who developed his own personal, expressive vision early in his career, who has steadfastly remained faithful to it while refining and developing it to the full power and mastery that is seen in his works today. These works are rich in coloration and filled with radiant, vibratory light. He is a gestural painter, an artist who becomes totally absorbed in the act of painting. The result is work that is fully expressive, evocative, and sometimes haunting in its beauty. Photos (illustratore).…

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condizione: As New.

Single Issue Magazine. Condizione: Very Good.

Single Issue Magazine. Condizione: Very Good.

Hardcover. Condizione: Used - Very Good. Condizione sovraccoperta: Very Good.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. American Scene Painting: California, 1930s and 1940s Standish Bachus, Jr. Lee Blair, Rex Brandt, Tom Craif, Phil Dike, Hardie Gramarky, Emil J. Kosa, Jr, Dan Lutz, Fletcher Martin, Barse Miller, Phil Paradise, James Patrick, Chalres Payzant, Paul Sample, Millard Sheets, Milford Zornes, Raymond Wilson, John Haley, John Langley Howard, Dong Kingman, Tom E Lewis, Erle Loran, Alexander Nepote, Otis Oldfield, George Post. Twenty-five artists are profiled in this beautifully designed book in individual sections, accompanied by photos and a generous number of color reproductions. There are four excellent essays by the leading experts on the subject. Susan M. Anderson discusses the American Scene movement in Southern California, where the cultural climate, and especially the presence of the film industry and the Chouinard Art Institute, encouraged the marriage of "high" and "low" art that developed into one of the most distinctive art movements in the country. Donelson Hoopes essay places the California watercolor painters within the larger historical context of the medium, while Janet Blake Dominik shows how the California Water Color Society acted as a vehicle to promote its members work into the national limelight. Finally, the "Northern Scene" is discussed by Raymond L. Wilson. Out of the nation's worst economic downturn, the Great Depression, came a new American resolve and a reversal of foreign influence. One aspect of this trend was a uniquely American artistic output. the common-place activities and environments of Americans at work and at play became the inspiration for and the subject matter of artwork produced across the nation. The movement was referred to as "American Scene" or "Regionalism" and took the form of murals, oil paintings , and watercolors. This book concentrates on California's contribution to that era of American art. Both in Northern and Southern California the work that gained the majority of critical acclaim and drew national attention was overwhelmingly in the medium of watercolor, which is therefore the emphasis here. Twenty-five of the leading painters of the period are profiled in richly illustrated individual sections, and four essays by the nation's leading authorities on this genre explore the phenomenon and place it in a national context. included are full color reproductions of paintings from museums throughout the United States, among which are: the hood Museum of Art, the Laguna Art Museum, the Los Angeles County Museum of Art, the Museum of modern Art, the National Academy of Design, The Oakland Museum, the San Diego Museum of Art, the San Francisco Museum of Modern Art, the Santa Barbara Museum of Art, and the Whitney Museum of American Art. Both beautiful and absorbing, this book is also a comprehensive, scholarly reference source, valuable for the neophyte as well as the sophisticated collector, curator, or art historian. 10 1/4 x 11 1/2 in., 238 pages, hardcover. Published by Westphal Publishing, 1991.BX18.…

Condizione: Very Good. First Edition, First Printing. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Condizione: Good. First Edition, First Printing. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Unread. No markings in book. Binding is fine. DJ is fine. 128pp.

Trade Paperback. Condizione: Used - Very Good. Book was signed by the previous owner. Used copy with light wear.

Hardcover. Condizione: Very Good. No Jacket. 1st Edition. First edition, large format trade paperback edition, published by Peterson Publishing, 1986. 8-3/4" X 11", 63 pages, illustrated throughout with black and white and color reproductions of the artist's work. Included is a critical essay on the artists work and biographical details. This copy has a slight impression to the front cover, not very noticeable, appears to be the results of having a heavy book squeezed next to this copy on a shelf. No former ownership marks. Christian Von Schneidau was one of a group of artists who worked in California in the early 20th Century, along with Alson Clark, Sam Hyde Harris and Franz Bischoff. A popular portrait painter in the 1920's and 1930's, he also painted seascapes an landscapes as well. Part of a series of title published by Petersen on California artists. As is the case for all of our listings, the attached photos are of the copy we have in our inventory, not stock photos.…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First edition. First edition. Hardcover. Quarto.238pp. Incl. index. Profusely illustrated in color and b&w; contains biographical information on the artists. "The commonplace activities and environments of Americans at work and at play became the inspiration for and the subject matter of artwork produced across the nation. The movement was referred to as "American Scene" or "Regionalism".…

Soft cover. Condizione: Fine. Condizione sovraccoperta: Fine D. J. First Edition. CLEAN Fine 1988 first edition soft cover with fine dust jacket. Photos (illustratore).

softcover. Condizione: Collectible; Very Good. First Edition; First Printing. Numerous color plates. With an essay by Janet B. Dominik, who curated the exhibition at the Laguna Art Museum, Laguna Beach, CA, May 18 - July 23, 1989. ; Tight, clean and crisp. A hint of light handling wear to wraps, otherwise a gently read book in excellent condition. No inscriptions. No marks. Not ex-library. …

Hardcover. Condizione: Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Good. No Statement of Printing. Fine copy with no markings, no bookplate, no remainder mark. In a very good dust jacket with some odd discolorations of what almost looks like stray spray paint, but more likely is a defect in the lamination the publisher placed on the dust jacket. No jacket chips or tears.…

Single Issue Magazine. Condizione: As New.

Paperbound. No. Demy folio, [27.75cm/11inches], paperbound with pictorial covers, pp. 74 w/ artist index. Fully illustrated with colour plates. Please feel free to inquire as to particulars and/or additional photographs. . Features: Theodpre Wores, Robert Gonzales, A, Sheldon Pennoyer, John Grillo. . When the San Francisco School of Design opened in 1874, Wores was one of the first pupils to enroll. After one year he continued his art education at the Royal Academy in Munich where he spent six years. He also painted with William Merritt Chase and Frank Duveneck. Wores returned to San Francisco in 1881. He went to Japan for two extended visits and had successful exhibitions of his Japanese paintings in New York City and London, where he became friends with James Abbott McNeill Whistler and Oscar Wilde. He visited Hawaii and Samoa in 1901-1902 and established a home in San Francisco about 1906. He visited Hawaii for a second time in 19101911. In exceptionally good condition. …

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. 1st edition fine in a fine jacket with no wear or markings. Looks new. Also includes a publisher prospectus inside. This price includes the extra cost of safe USPS media shipping.

Hardcover. Condizione: Good. Irvine, California: Westphal Publishing, 1991. First edition. Hardcover. 10 x 11". 238 pp. Good in a good dust jacket. Moderate rubbing and creases to the dust jacket. Contains underlining, marks and notes in red ink up to page 27. The rest of the text appears unmarked. The binding is solid. …