donin nicolas (25 risultati)

Softcover. Condizione: Bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condizione: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condizione: Neuf.

Soft cover. Condizione: Fine. Large format stiff pictorial card covers FINE condition.

soft cover. Condizione: fine. Grand in-8° broché. C est certainement une des plus grandes revues de cinema de la fin du XXeme siecle. La revue Trafic s'est éteinte, après 30 ans d'existence et 120 numéros. Fondée en 1991 par Serge Daney, quelques mois avant sa mort, et Jean-Claude Biette, elle était reconnaissable grâce à sa couverture en papier Kraft et son absence totale d'illustrations. L'omniprésence du texte et la qualité de son comité de rédaction - parmi lesquels Raymond Bellour, Sylvie Pierre, Patrice Rollet ou encore Marcos Uzal qui a rejoint la revue en 2016 - en ont fait une référence en matière de réflexion critique et de pensée sur le cinéma.En plus du comité fixe, la revue est assortie d'un conseil de rédaction, comprenant en 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer et Marcos Uzal. - - - - Large in-8° paperback. It is certainly one of the greatest film reviews of the end of the 20th century. The magazine Trafic has died out, after 30 years of existence and 120 issues. Founded in 1991 by Serge Daney, a few months before his death, and Jean-Claude Biette, it was recognizable thanks to its Kraft paper cover and its total absence of illustrations. The omnipresence of the text and the quality of its editorial board - including Raymond Bellour, Sylvie Pierre, Patrice Rollet and Marcos Uzal who joined the journal in 2016 - have made it a reference in terms of critical reflection and thought on the cinema. In addition to the fixed committee, the review is accompanied by an editorial board, including in 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer and Marcos Uzal. - - - - - Rústica grande en 8°. Sin duda es una de las mejores críticas cinematográficas de finales del siglo XX. La revista Trafic se ha extinguido, después de 30 años de existencia y 120 números. Fundado en 1991 por Serge Daney, unos meses antes de su muerte, y Jean-Claude Biette, era reconocible gracias a su cubierta de papel Kraft y su ausencia total de ilustraciones. La omnipresencia del texto y la calidad de su consejo editorial -incluidos Raymond Bellour, Sylvie Pierre, Patrice Rollet y Marcos Uzal que se incorporaron a la revista en 2016- la han convertido en un referente en términos de reflexión crítica y pensamiento sobre el cine. al comité fijo, la revista está acompañada por un consejo editorial, que incluye en 2020 a Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer y Marcos Uzal. SOMMAIRE : - Lettre aux amis du Brésil par Sylvie Pierre - Greed en vidéo interactive par Jonathan Rosenbaum - DeMille, vers la fiction pure par Luc Moullet - L'obscurité du sujet par Anne-Marie Garat - Temps - Image - Terreur par Peter Wollen - Docteur Loach et Mister Hill par Michael Lavin - Du bon usage des imitations par Patrice Blouin - L'avant-goût de l'épilepsie par Marcos Uzal - Dans les interstices des films par Olivier Gallon - Violence et passion, expérimental par Jean-François Buiré - Quand un regard nous atteint par Yvette Bíró - Eisler et Hölderlin à Hollywood par Albrecht Betz - Note anachronique sur Du jour au lendemain par Nicolas Donin - Le cinéma et les chômeurspar Roberto Arlt par null.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. In.

Condizione: New.

Condizione: New.

Condizione: New.

Hardcover. Condizione: Brand New. 308 pages. 9.25x6.25x0.75 inches. In Stock.

Condizione: New.

Condizione: Gut. Zustand: Gut | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condizione: Hervorragend. Zustand: Hervorragend | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Hardcover. Condizione: new. Hardcover. Music and the Performing Arts in the Anthropocene offers a series of thought-provoking chapters about music and the performing arts viewed from current Anthropocene-aware perspectives. From the use of gas, water and air in 19th-century stage practices to the ecology of musical instruments and sound reproduction technologies, waste and carbon print in experimental music and theatrical production, knowledge of precariousness and empowerment through music in a changing world, each chapter aims at highlighting an issue that has always been here but never looked at thoroughly, due to the divides and hierarchies of the modern cosmogony.Gathering 16 scholars from a variety of disciplinary backgrounds (history of literature, opera and theatre studies, musicology, sound studies, sociology, information science, etc.), this volume reflects on the relationships between the performing arts, music and environmental issues. It also explores a number of tools for changes and sketches how we will understand the arts, their history and their future beyond ecocriticism.This book will be of great interest to students and scholars in the humanities and social sciences, as well as a broader readership involved in art and environment policies. This book offers a series of thought-provoking essays about music and the performing arts viewed from current Anthropocene-aware perspectives. It will be of great interest to students and scholars in the humanities and social sciences, as well as a broader readership involved in art and environment policies. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Music and the Performing Arts in the Anthropocene offers a series of thought-provoking chapters about music and the performing arts viewed from current Anthropocene-aware perspectives. From the use of gas, water and air in 19th-century stage practices to the ecology of musical instruments and sound reproduction technologies, waste and carbon print in experimental music and theatrical production, knowledge of precariousness and empowerment through music in a changing world, each chapter aims at highlighting an issue that has always been here but never looked at thoroughly, due to the divides and hierarchies of the modern cosmogony.Gathering 16 scholars from a variety of disciplinary backgrounds (history of literature, opera and theatre studies, musicology, sound studies, sociology, information science, etc.), this volume reflects on the relationships between the performing arts, music and environmental issues. It also explores a number of tools for changes and sketches how we will understand the arts, their history and their future beyond ecocriticism.This book will be of great interest to students and scholars in the humanities and social sciences, as well as a broader readership involved in art and environment policies. 322 pp. Englisch.

Hardcover. Condizione: new. Hardcover. Music and the Performing Arts in the Anthropocene offers a series of thought-provoking chapters about music and the performing arts viewed from current Anthropocene-aware perspectives. From the use of gas, water and air in 19th-century stage practices to the ecology of musical instruments and sound reproduction technologies, waste and carbon print in experimental music and theatrical production, knowledge of precariousness and empowerment through music in a changing world, each chapter aims at highlighting an issue that has always been here but never looked at thoroughly, due to the divides and hierarchies of the modern cosmogony.Gathering 16 scholars from a variety of disciplinary backgrounds (history of literature, opera and theatre studies, musicology, sound studies, sociology, information science, etc.), this volume reflects on the relationships between the performing arts, music and environmental issues. It also explores a number of tools for changes and sketches how we will understand the arts, their history and their future beyond ecocriticism.This book will be of great interest to students and scholars in the humanities and social sciences, as well as a broader readership involved in art and environment policies. This book offers a series of thought-provoking essays about music and the performing arts viewed from current Anthropocene-aware perspectives. It will be of great interest to students and scholars in the humanities and social sciences, as well as a broader readership involved in art and environment policies. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Music and the Performing Arts in the Anthropocene offers a series of thought-provoking chapters about music and the performing arts viewed from current Anthropocene-aware perspectives. From the use of gas, water and air in 19th-century stage practices to the ecology of musical instruments and sound reproduction technologies, waste and carbon print in experimental music and theatrical production, knowledge of precariousness and empowerment through music in a changing world, each chapter aims at highlighting an issue that has always been here but never looked at thoroughly, due to the divides and hierarchies of the modern cosmogony.Gathering 16 scholars from a variety of disciplinary backgrounds (history of literature, opera and theatre studies, musicology, sound studies, sociology, information science, etc.), this volume reflects on the relationships between the performing arts, music and environmental issues. It also explores a number of tools for changes and sketches how we will understand the arts, their history and their future beyond ecocriticism.This book will be of great interest to students and scholars in the humanities and social sciences, as well as a broader readership involved in art and environment policies.

Hardcover. Condizione: new. Hardcover. Music and the Performing Arts in the Anthropocene offers a series of thought-provoking chapters about music and the performing arts viewed from current Anthropocene-aware perspectives. From the use of gas, water and air in 19th-century stage practices to the ecology of musical instruments and sound reproduction technologies, waste and carbon print in experimental music and theatrical production, knowledge of precariousness and empowerment through music in a changing world, each chapter aims at highlighting an issue that has always been here but never looked at thoroughly, due to the divides and hierarchies of the modern cosmogony.Gathering 16 scholars from a variety of disciplinary backgrounds (history of literature, opera and theatre studies, musicology, sound studies, sociology, information science, etc.), this volume reflects on the relationships between the performing arts, music and environmental issues. It also explores a number of tools for changes and sketches how we will understand the arts, their history and their future beyond ecocriticism.This book will be of great interest to students and scholars in the humanities and social sciences, as well as a broader readership involved in art and environment policies. This book offers a series of thought-provoking essays about music and the performing arts viewed from current Anthropocene-aware perspectives. It will be of great interest to students and scholars in the humanities and social sciences, as well as a broader readership involved in art and environment policies. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.