Dostoievsky fyodor (35 risultati)

Paperback. Condizione: Poor. No Jacket. Staple binding Ex-Libris and is stamped as such. Moderate shelf wear. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.

Soft cover. Condizione: Near Fine. Trs. by David McDuff. nice condition modern paperback no inscription.

Soft cover. Condizione: Near Fine. Trs. by David McDuff. nice condition modern paperback no inscription.

Soft cover. Condizione: Near Fine. Nice condition. Trs by D McDuff.

Condizione: New.

Condizione: New.

Condizione: New.

Hardback or Cased Book. Condizione: New. The Idiot. Book.

Condizione: New.

Condizione: New.

Couverture rigide. Condizione: Bon. 434 p. owner's ex-libris. Back flyleaf torn. Code 1316.

Condizione: New.

Hardcover. Condizione: Good. no dust cover. light cloth wear, scratch patch in rear. interior 126 pages clean, light aging, no marksI ship Worldwide from Puerto Rico, USA.Listing Includes Books Image . Please email me if you need to see more pictures! The orders are processed promptly, carefully packaged and shipped within 1 day of purchase. PLEASE NOTE! if you need the book quickly, please Purchase Priority Shipping. Media will not show updates in mail confirmation till reaches continental U.S.…

Paperback. Condizione: Good. Good Condition. A few pages have staining. Five star seller - Buy with confidence.

1st edition. 1st UK edition, translated with an introduction by Kyril Fitzlyon; red cloth with gilt; illustrations by Philippe Jullian. Free end papers browned; page fore-edge foxed; dust jacket not price-clipped, but worn at edges, & foxed Used - Good. Good hardback in Good dust jacket.

Hard. Condizione: Good. Condizione sovraccoperta: Fair. First Edition. Pages clean and bright, foxing on endpapers, boards tidy, wear to dust jacket edges with chipping and some closed tears. Size: 8vo. Jullian, Philippe (illustratore).

Buch. Condizione: Neu. Neuware - 'The Idiot' is a masterpiece of psychological fiction and a cornerstone of 19th-century world literature. The narrative follows the life of Prince Lev Nikolayevich Myshkin, a man of pure heart and childlike simplicity who returns to the complex, cynical world of Saint Petersburg high society after years of medical treatment in Switzerland. Often described as Fedor Dostoieffsky's attempt to portray a 'wholly good man,' Myshkin's innocence and lack of guile stand in stark contrast to the greed, obsession, and moral decay of those around him.As the Prince becomes entangled in a volatile web of relationships, most notably with the tragic Nastasya Filippovna and the proud Aglaya Yepanchina, the work explores profound themes of spirituality, suffering, and the struggle for human redemption. Dostoieffsky masterfully examines whether a person of Christ-like compassion and radical honesty can truly survive in a society driven by material gain and ego. 'The Idiot' remains an essential exploration of the human soul, celebrated for its intense character studies and its timeless inquiry into the nature of goodness and the tragic consequences of misplaced virtue.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Hardcover. Condizione: Very Good. 1st Edition. First UK Edition, First Print. Pp.xx,192, 16.adverts. In original publisher's yellow cloth with title page image repeated on front cover. Dulling and streaks to boards, internally clean, owner book plate to verso of front board, loss to bottom of blank rear page Association copy signed by the publisher to Mrs Hinkson ( Who was Katharine Tynan ) [ Mrs Hinkson, With the publisher's compliments , For the Irish Daily Independent] A solid example with a nice Irish association. Aubrey Beardsley (illustratore). Signed by Author(s).…

Mass Market Paperback. Condizione: Good. Book.

Hardcover. Condizione: Very Good. 1st Edition. Paris, Plon, Nourrit et Cie, s.d. (1887). 2 volumes, in-12, reliure demi-percaline bleu de l'époque, dos lisses ornés, pièces de titre de cuir havane, 398 pp. + 400 pp.; bon exemplaire, petits manques aux coiffes, fente de 4 cm a un mors du volume 2. Édition originale française, traduite par Victor Derély, préfacée par le Vicomte E. Melchior de Vogüé. C'est l'une des premières introductions majeures de ce chef-d'œuvre de Dostoïevski (publié en russe en feuilleton entre 1868 et 1869) auprès du public français. …

First edition. Small octavo. pp 380, [4]. Full leather with gilt rules to spine. The fourteenth of these Pléiade albums and, as with all the others, packed with meticulously curated illustrations.Fine in fine acetate and paper dustwrapper. Lacks the flimsy card slipcase.

Condizione: Very Good. limited to 750 numbered copies; 162 pp., plates; rebound in full leather with the original paper wrappers retained; spine faded, dry and chipped, else very good in a worn slipcase. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

Hardcover. Condizione: Good. No Dust Jacket. I believe this to be the first edition of this translation, although exactly how to determine this I do not know. A statement on the copyright page avers that this volume has been registered with the Minister of the Interior. library section, in April 1896. The book certainly looks old enough. The text was printed on medium-grade stock, which has markedly age-toned around the page edges, but which is quite sound. The binding is quite delightful--a lively marbled paper, with green buckram and a leather label. The book was withdrawn from a college library, and a library call number defaces the spine. Otherwise, the binding is sound, with only slight edgewear. There is a pretty library bookplate on the front endpaper. There is a card pocket and blank call slip at the back. The name of the library is stamped on the bottom edge of the textblock. Fast shipping, careful packing.; Ex-library.…

Hardcover. Condizione: Fair. 1st Edition. Covers marked, heavy wear to spine at various points, top & tail also worn through the cloth, corners rubbed & bumped, inner hinges reinforced with old hessian tape, ink stamp of Karo Library, rear inner hinge cracking/sprung, contents slightly shaken, light wear & marks, ink stamp of Karo library on various pages throughout, photos available on request.…

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condizione: Very Good (Plus). No Jacket. First American Edition. Boston & London: Roberts Brothers & Elkin Mathews and John Lane, 1894. First published in 1846, this is the great Russian writer's first book, an epistolary novel dealing with the effects of poverty. This is a Very Good (Plus) copy of the First American Edition, published in the same year as the English version. A scarce title. Blue/gray cloth binding, decorated on the front cover with a drawing by Aubrey Beardsley (which is also reproduced on the Title Page). Gilt lettering on the spine. Clean text; xvi, 187 pages, with eight pages of publisher adverts in the rear. The Preface is by the Irish "realistic" novelist George Moore. Very mildly bumped (really just a touch). Darkened on the spine and around the margins. There is a contemporary bookplate on the front paste-down; the endpapers have some tears that have been repaired with paper tape. First American Edition. Decorative Cloth. Very Good (Plus)/No Jacket. Illus. by Aubrey Beardsley. 12mo - over 6¾" - 7¾" tall. Aubrey Beardsley (illustratore).…

Hardcover. Condizione: As New.

Condizione: Very Good. 1st Edition. The first French translation of the 1864 novel (the first English not appearing until 1913), translated and adapted by E. Halpérine et Ch. Morice. (4), 298 pp. Rebound in modern morocco over marbled boards. Occasional minor blemishes to the text block; corner repair to the half-title. Largely unknown outside of Russia at the time of publication, this translation was famously discovered by Frederick Nietzsche, who became a champion of Dostoevsky's work.…

HRD. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condizione: Very Good. First Edition. London: Elkin Mathews and John Lane, 1894. First English Language Edition. Octavo (20cm); publisher's yellow pictorial cloth blocked in black from a design by Aubrey Beardsley; xx,191,[1],15pp. Cloth a bit dust-soiled and toned at margins, especially spine, corners bumped, textblock a bit brittle due to inferior paper quality, contemporary ex libris and bookseller ticket to front pastedown. Very Good, bright and sound overall. The first English language translation of Dostoevsky's first novel, originally published in Russian in 1846. The work is told through a series of letters between two impoverished distant cousins and is today deemed Russia's first "social novel." According to legend, Dostoevsky's friend Dmitri Grigorovich read the manuscript in one sitting, "then rushed out into the middle of the night to proclaim to the world the advent of a new Gogol" (Carol A. Flath, "Dostoevsky's Secrets" (2009), pp. 3, 13). …