Dr danilo udovicki selb (12 risultati)

Paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: New. 2022. NIP. Paperback. . . . . .

Condizione: New. 2022. NIP. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condizione: New.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. InhaltsverzeichnisDedication Comparative Chronology Acknowledgments Introduction 1. A Call for the Party to Defend Modern Architecture:Stalin s Cultural Revolution and the Aporia Of Proletarian Architec.

Condizione: New. . 2020. 01st Edition. Hardcover. . . . .

Condizione: New. . 2020. 01st Edition. Hardcover. . . . . Books ship from the US and Ireland.

Paperback. Condizione: new. Paperback. Soviet Architectural Avant-Gardes challenges conventional readings of the history of Soviet art and architecture, in which utopian modernism was practically prohibited by 1932 under Stalins totalitarianism. Radically redefining the historiography of the period, it reveals how the relationship between the Party and practicing architects was much more complex than previously believed, and shows, in contrast to the conventional narratives, how the architectural avant-garde was able to persist at a time when it was widely considered to have been driven underground. In doing so, this book provides an essential new perspective on how to analyze, evaluate, and reimagine the global history of modernist expression, and offers a new understanding of the ways in which 20th-century social revolutions and their totalitarian sequels inflected the discourse of both modernity and modernism.Exploring iconic Soviet architecture including the Palace of Soviets and the Soviet Pavilion at the Paris 1937 World Exposition, and revealing many remarkable works that until now have been neglected by architectural historians inside and outside Russia, Soviet Architectural Avant-Gardes provides a revealing new account of the hidden modernism which persisted through Stalinism. In a fascinating final chapter, it also reveals for the first time the details of Frank Lloyd Wrights triumphant welcome in Moscow in 1937, at the height of Stalins Terror. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Paperback. Condizione: new. Paperback. Soviet Architectural Avant-Gardes challenges conventional readings of the history of Soviet art and architecture, in which utopian modernism was practically prohibited by 1932 under Stalins totalitarianism. Radically redefining the historiography of the period, it reveals how the relationship between the Party and practicing architects was much more complex than previously believed, and shows, in contrast to the conventional narratives, how the architectural avant-garde was able to persist at a time when it was widely considered to have been driven underground. In doing so, this book provides an essential new perspective on how to analyze, evaluate, and reimagine the global history of modernist expression, and offers a new understanding of the ways in which 20th-century social revolutions and their totalitarian sequels inflected the discourse of both modernity and modernism.Exploring iconic Soviet architecture including the Palace of Soviets and the Soviet Pavilion at the Paris 1937 World Exposition, and revealing many remarkable works that until now have been neglected by architectural historians inside and outside Russia, Soviet Architectural Avant-Gardes provides a revealing new account of the hidden modernism which persisted through Stalinism. In a fascinating final chapter, it also reveals for the first time the details of Frank Lloyd Wrights triumphant welcome in Moscow in 1937, at the height of Stalins Terror. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …

Hardcover. Condizione: new. Hardcover. Conventional readings of the history of Soviet art and architecture show modernist utopian aspirations as all but prohibited by 1932 under Stalins totalitarianism. Soviet Architectural Avant-Gardes challenges that view. Radically redefining the historiography of the period, it reveals how the relationship between the Party and practicing architects was much more complex and contradictory than previously believed, and shows, in contrast to the conventional scholarly narrative, how the architectural avant-garde was able to persist at a time when it is widely considered to have been driven underground.In doing so, this book provides an essential perspective on how to analyse, evaluate, and re-imagine the history of modernist expression in its cultural context. It offers a new understanding of ways in which 20th century social revolutions and their totalitarian sequels inflected the discourse of both modernity and modernism. The book relies on close analyses of archival documents and architectural works. Many of the documents have been rarely if ever discussed in English before, while the architectural projects include iconic works such as the Palace of Soviets and the Soviet Pavilion at the Paris 1937 World Exposition, as well as remarkable works that until now have been neglected by architectural historians inside and outside Russia. In a fascinating final chapter, it also reveals for the first time the details of Frank Lloyd Wrights triumphant welcome at the First Congress of Soviet Architects in Moscow in 1937, at the height of Stalins Terror. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: new. Hardcover. Conventional readings of the history of Soviet art and architecture show modernist utopian aspirations as all but prohibited by 1932 under Stalins totalitarianism. Soviet Architectural Avant-Gardes challenges that view. Radically redefining the historiography of the period, it reveals how the relationship between the Party and practicing architects was much more complex and contradictory than previously believed, and shows, in contrast to the conventional scholarly narrative, how the architectural avant-garde was able to persist at a time when it is widely considered to have been driven underground.In doing so, this book provides an essential perspective on how to analyse, evaluate, and re-imagine the history of modernist expression in its cultural context. It offers a new understanding of ways in which 20th century social revolutions and their totalitarian sequels inflected the discourse of both modernity and modernism. The book relies on close analyses of archival documents and architectural works. Many of the documents have been rarely if ever discussed in English before, while the architectural projects include iconic works such as the Palace of Soviets and the Soviet Pavilion at the Paris 1937 World Exposition, as well as remarkable works that until now have been neglected by architectural historians inside and outside Russia. In a fascinating final chapter, it also reveals for the first time the details of Frank Lloyd Wrights triumphant welcome at the First Congress of Soviet Architects in Moscow in 1937, at the height of Stalins Terror. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…