dr robert j wallis (7 risultati)

Paperback. Condizione: new. Paperback. Of all avian groups, birds of prey in particular have long been a prominent subject of fascination in many human societies. This book demonstrates that the art and materiality of human engagements with raptors has been significant through deep time and across the world, from earliest prehistory to Indigenous thinking in the present day. Drawing on a wide range of global case studies and a plurality of complementary perspectives, it explores the varied and fluid dynamics between humans and birds of prey as evidenced in this diverse art-historical and archaeological record. From their depictions as powerful beings in visual art and their important roles in Indigenous mythologies, to the significance of their body parts as active agents in religious rituals, the intentional deposition of their faunal remains and the display of their preserved bodies in museums, there is no doubt that birds of prey have been figures of great import for the shaping of human society and culture. However, several of the chapters in this volume are particularly concerned with looking beyond the culturenature dichotomy and human-centred accounts to explore perspectival and other post-humanist thinking on humanraptor ontologies and epistemologies. The contributors recognize that humanraptor relationships are not driven exclusively by human intentionality, and that when these species meet they relate-to and become-with one another. This 'raptor-with-human'-focused approach allows for a productive re-framing of questions about humanraptor interstices, enables fresh thinking about established evidence and offers signposts for present and future intra-actions with birds of prey. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. Of all avian groups, birds of prey in particular have long been a prominent subject of fascination in many human societies. This book demonstrates that the art and materiality of human engagements with raptors has been significant through deep time and across the world, from earliest prehistory to Indigenous thinking in the present day. Drawing on a wide range of global case studies and a plurality of complementary perspectives, it explores the varied and fluid dynamics between humans and birds of prey as evidenced in this diverse art-historical and archaeological record. From their depictions as powerful beings in visual art and their important roles in Indigenous mythologies, to the significance of their body parts as active agents in religious rituals, the intentional deposition of their faunal remains and the display of their preserved bodies in museums, there is no doubt that birds of prey have been figures of great import for the shaping of human society and culture. However, several of the chapters in this volume are particularly concerned with looking beyond the culturenature dichotomy and human-centred accounts to explore perspectival and other post-humanist thinking on humanraptor ontologies and epistemologies. The contributors recognize that humanraptor relationships are not driven exclusively by human intentionality, and that when these species meet they relate-to and become-with one another. This 'raptor-with-human'-focused approach allows for a productive re-framing of questions about humanraptor interstices, enables fresh thinking about established evidence and offers signposts for present and future intra-actions with birds of prey. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condizione: new. Paperback. Of all avian groups, birds of prey in particular have long been a prominent subject of fascination in many human societies. This book demonstrates that the art and materiality of human engagements with raptors has been significant through deep time and across the world, from earliest prehistory to Indigenous thinking in the present day. Drawing on a wide range of global case studies and a plurality of complementary perspectives, it explores the varied and fluid dynamics between humans and birds of prey as evidenced in this diverse art-historical and archaeological record. From their depictions as powerful beings in visual art and their important roles in Indigenous mythologies, to the significance of their body parts as active agents in religious rituals, the intentional deposition of their faunal remains and the display of their preserved bodies in museums, there is no doubt that birds of prey have been figures of great import for the shaping of human society and culture. However, several of the chapters in this volume are particularly concerned with looking beyond the culturenature dichotomy and human-centred accounts to explore perspectival and other post-humanist thinking on humanraptor ontologies and epistemologies. The contributors recognize that humanraptor relationships are not driven exclusively by human intentionality, and that when these species meet they relate-to and become-with one another. This 'raptor-with-human'-focused approach allows for a productive re-framing of questions about humanraptor interstices, enables fresh thinking about established evidence and offers signposts for present and future intra-actions with birds of prey. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Soft cover. Condizione: Fine. 1st Edition. 195 pages : illustrations (chiefly colour), portraits ; 24 cm. Notes: Published in a limited edition of 500 numbered copies (no. 470/500). Fold-out dust-jacket illustrated on both sides. Contributors include: Judy Aitken, Phil Baker, Geraldine Beskin, Steve Crabtree, Dr Christopher Jordan, Gary Lachman, Ross Macfarlane, Michael Staley, Lucian Taylor, Dr William Wallace, Robert J. Wallis, and Caroline Wise.

Soft cover. Condizione: New. 1st Edition. London: Jerusalem Press Ltd., BCM Jerusalem Press, 2012. NEW (see scan) / 500 Hand Numbered Copies. Uncoated card softback with metallic title-plate on front board and fold-out double-sided dust-jacket. "This book has been produced in response to all those who contacted us for transcripts of the talks, and for an illustrated lists of works of the 2010 Austin Spare exhibition at the Cuming museum, London. It also features a transcript of Spare's interview on BBC radio in 1955. Whereas Cockney Visionary centred [sic] on the works in the collection of Southwark Council, this volume allows us finally to picture all the items in detail. This includes exhibition images, a fully illustrated list of 110 works (including cabinet objects), and transcripts of the talks, complete with contextual images. A finalised patrons list (from Cockney Visionary) is also included, along with a selection of visitors' reviews. The exhibition's sequence of self-portraits is recreated across a special fold-out double-sided dustjacket. First Edition Limited. Soft Cover/DJ Over Thick Wraps. New. Illus. by Exhibition Images, A Fully Illustrated List Of 110 Works (Including Cabinet Objects), Special Fold-out Double-sided Dustjacket. 8vo size - over 9½" tall.

Hardcover. Condizione: new. Hardcover. Of all avian groups, birds of prey in particular have long been a prominent subject of fascination in many human societies. This book demonstrates that the art and materiality of human engagements with raptors has been significant through deep time and across the world, from earliest prehistory to Indigenous thinking in the present day. Drawing on a wide range of global case studies and a plurality of complementary perspectives, it explores the varied and fluid dynamics between humans and birds of prey as evidenced in this diverse art-historical and archaeological record. From their depictions as powerful beings in visual art and their important roles in Indigenous mythologies, to the significance of their body parts as active agents in religious rituals, the intentional deposition of their faunal remains and the display of their preserved bodies in museums, there is no doubt that birds of prey have been figures of great import for the shaping of human society and culture. However, several of the chapters in this volume are particularly concerned with looking beyond the culturenature dichotomy and human-centred accounts to explore perspectival and other post-humanist thinking on humanraptor ontologies and epistemologies. The contributors recognize that humanraptor relationships are not driven exclusively by human intentionality, and that when these species meet they relate-to and become-with one another. This 'raptor-with-human'-focused approach allows for a productive re-framing of questions about humanraptor interstices, enables fresh thinking about established evidence and offers signposts for present and future intra-actions with birds of prey. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: new. Hardcover. Of all avian groups, birds of prey in particular have long been a prominent subject of fascination in many human societies. This book demonstrates that the art and materiality of human engagements with raptors has been significant through deep time and across the world, from earliest prehistory to Indigenous thinking in the present day. Drawing on a wide range of global case studies and a plurality of complementary perspectives, it explores the varied and fluid dynamics between humans and birds of prey as evidenced in this diverse art-historical and archaeological record. From their depictions as powerful beings in visual art and their important roles in Indigenous mythologies, to the significance of their body parts as active agents in religious rituals, the intentional deposition of their faunal remains and the display of their preserved bodies in museums, there is no doubt that birds of prey have been figures of great import for the shaping of human society and culture. However, several of the chapters in this volume are particularly concerned with looking beyond the culturenature dichotomy and human-centred accounts to explore perspectival and other post-humanist thinking on humanraptor ontologies and epistemologies. The contributors recognize that humanraptor relationships are not driven exclusively by human intentionality, and that when these species meet they relate-to and become-with one another. This 'raptor-with-human'-focused approach allows for a productive re-framing of questions about humanraptor interstices, enables fresh thinking about established evidence and offers signposts for present and future intra-actions with birds of prey. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.