dries hans (12 risultati)

Condizione: , , goed exemplaar. 2010, softcover, goed exemplaar.

paperback. Condizione: New. 1st.

Condizione: New.

Paperback. Condizione: new. Paperback. This collection of essays presents a status quaestionis concerning the dissemination of Flemish and Dutch art during the period 1400-1800, and highlights the role art auctions and dealers have played in this process. Auctions emerged as the primary channel for art sales at the end of the seventeenth century in the Low Countries and during the eighteenth century, countless local art collections were broken up and put up for auction. Especially (old master) paintings exchanged hands in great numbers at these public sales, and the finest pieces frequently ended up in foreign holdings. The activities of the professional art dealer form the focus of several essays. These intermediaries played an instrumental role in the commercialization and expansion of the art trade in early modern Europe. They had a profound impact on the history of collecting as they mediated and even influenced taste. Naturally, the role of art dealers changed over time. Therefore, the historians, art historians and economists who contributed to this volume have approached this phenomenon in an interdisciplinary fashion in order to properly understand how art markets functioned. In doing so, these essays explore the various ways in which art dealers helped shape markets for art, and how they facilitated the increasing volume of exports of Netherlandish art from the sixteenth century onwards. Hans Vlieghe is professor emeritus at the University of Leuven. He has published extensively on Flemish art of the 17th century, especially on Rubens and his circle. Filip Vermeylen is assistant professor of Cultural Economics at the Erasmus University in Rotterdam. His current research focuses on the history of art markets. Dries Lyna works at the Center for Urban History (University of Antwerp), where he is currently preparing a Ph.D. thesis on art auctions in eighteenth-century Antwerp and Brussels. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: As New. Unread book in perfect condition.

Originalbroschur. Condizione: Gut. 78 S., Abb. Minimal berieben, sonst ein sehr gutes und sauberes Exemplar. - Simon Halsey, Hans-Hermann Rehberg: Sehr geehrte Damen und Herren, liebe Freundinnen und Freunde des Rundfunkchores Berlin! Seien Sie herzlich willkommen zu einer neuen Konzertsaison! Lassen Sie uns gemeinsam feiern! Über nunmehr zehn Jahre haben Sie Broadening in Concert", unser interdisziplinäres Konzertformat, begleitet, haben uns mit Ihrer Neugierde inspiriert, die Suche nach neuen Erlebniswelten für die Chormusik kontinuierlich fortzusetzen. Der versiegelte Engel von Rodion Shchedrin markierte im Mai 2005 den bahnbrechenden Beginn. Mit Angst von Christian Jost haben wir unsere Arbeit fortgesetzt, in diesem Jahr haben wir sein Musik-Tanz-Theater LOVER uraufgeführt. Wir haben The Veil of the Temple von Sir John Tavener zur Aufführung gebracht, gefolgt von Peppings Passionsbericht des Matthäus, Sävitri von Gustav Holst und human requiem, um nur einige der Projekte zu nennen, die unsere Arbeit wie auch Ihre Erlebniswelt von Chormusik verändert haben. Diese über zehn Jahre gehende beständige Entwicklung in der nunmehr 90-jährigen Geschichte des Rundfunkchores Berlin wollen wir in dieser Spielzeit feiern: zunächst mit der Wiederaufnahme von human requiem, der von Jochen Sandig realisierten Verkörperlichung des Brahms-Requiems, im März 2015 - und natürlich mit einem neuen Projekt im Mai 2015! Hierfür freuen wir uns auf die erneute Zusammenarbeit mit wichtigen Weggefährten unserer multidisziplinären Projekte und auf die Begegnung mit großartigen Dirigenten und Musikern der jungen Generation. Doch es gibt weit mehr: Die ganze Spielzeit ist von der Broadening-Idee durchzogen. So geht die Bach'sche Matthäus-Passion in der Inszenierung von Peter Sellars im Herbst 2014 auf Reisen. Diese außergewöhnliche Interpretation wird zunächst beim Lucerne Festival und bei den Londoner BBC Proms zu sehen sein und dann ihre USA-Premiere beim vom Lincoln Center veranstalteten White Light Festival in New York City erleben. Sprache: Deutsch Gewicht in Gramm: 550.

Condizione: New. 2009. Illustrated. paperback. . . . . .

Condizione: New. 2009. Illustrated. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condizione: new. Paperback. This collection of essays presents a status quaestionis concerning the dissemination of Flemish and Dutch art during the period 1400-1800, and highlights the role art auctions and dealers have played in this process. Auctions emerged as the primary channel for art sales at the end of the seventeenth century in the Low Countries and during the eighteenth century, countless local art collections were broken up and put up for auction. Especially (old master) paintings exchanged hands in great numbers at these public sales, and the finest pieces frequently ended up in foreign holdings. The activities of the professional art dealer form the focus of several essays. These intermediaries played an instrumental role in the commercialization and expansion of the art trade in early modern Europe. They had a profound impact on the history of collecting as they mediated and even influenced taste. Naturally, the role of art dealers changed over time. Therefore, the historians, art historians and economists who contributed to this volume have approached this phenomenon in an interdisciplinary fashion in order to properly understand how art markets functioned. In doing so, these essays explore the various ways in which art dealers helped shape markets for art, and how they facilitated the increasing volume of exports of Netherlandish art from the sixteenth century onwards. Hans Vlieghe is professor emeritus at the University of Leuven. He has published extensively on Flemish art of the 17th century, especially on Rubens and his circle. Filip Vermeylen is assistant professor of Cultural Economics at the Erasmus University in Rotterdam. His current research focuses on the history of art markets. Dries Lyna works at the Center for Urban History (University of Antwerp), where he is currently preparing a Ph.D. thesis on art auctions in eighteenth-century Antwerp and Brussels. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Big Twin-Productions, 1983. Gebonden in bedrukte band. 95 pp. Foto's in z/w.

Amsterdam, Amsterdamse Palet Vereniging, [1978]. Elf affiches in zwartwit van verschillende kunstenaars. Ca. 43 x 29 cm. 1e druk. Gebruikssporen. Deze nogal scabreuze affiches komen naar verluidt uit een map van 25 verschillende prenten. Bijgevoegd een affiche van Ronald Timmermans en Max Kisman, waarop Van Agt en Wiegel als speelpoppen van werkgeversvoorzitter Chris van Veen worden bespot (55 x 39 cm).