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The Tombs of the Doges of Venice: From the Beginning of the Serenissima to 1907 (Venetiana) (German and English Edition)
Avery, Keeper Applied Arts Department Victoria; Ceriani Sebregondi, Giulia; Dellermann, Rudolf; Drogin, David J; Franco, Tiziana; Girgensohn, Dieter; Haug, Henrike; Horsthemke, Florian; Israel, Janna; May, Janna; Ostermann, Judith; Paul, Benjamin; Pincus, Debra; Romano, Dennis; Schilling, Ruth
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Da: libreriauniversitaria.it, Occhiobello, Italialibreriauniversitaria.it
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Condizione: New. pp. 286.
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The tombs of the Doges of Venice from the beginning of the Serenissima to 1907
Avery, Keeper Applied Arts Department Victoria; Ceriani Sebregondi, Giulia; Dellermann, Rudolf; Drogin, David J; Franco, Tiziana; Girgensohn, Dieter; Haug, Henrike; Horsthemke, Florian; Israel, Janna; May, Janna; Ostermann, Judith; Paul, Benjamin; Pincus, Debra; Romano, Dennis; Schilling, Ruth
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Da: Libro Co. Italia Srl, San Casciano Val di Pesa, ItaliaLibro Co. Italia Srl
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Brossura. Condizione: new. A cura di Paul B.Testo Italiano, Inglese e Tedesco.Roma, 2016; br., pp. 660, ill. b/n, cm 15x21.(Venetiana). Libro.
The Tombs of the Doges of Venice: From the Beginning of the Serenissima to 1907
Avery, Victoria, Ceriani Sebregondi, Giulia, Dellermann, Rudolf, Drogin, David J., Franco, Tiziana,
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condizione: New. 2016. Paperback. . . . . .
The tombs of the Doges of Venice : from the beginning of the Serenissima to 1907
Avery, Keeper Applied Arts Department Victoria; Ceriani Sebregondi, Giulia; Dellermann, Rudolf; Drogin, David J; Franco, Tiziana; Girgensohn, Dieter; Haug, Henrike; Horsthemke, Florian; Israel, Janna; May, Janna; Ostermann, Judith; Paul, Benjamin; Pincus, Debra; Romano, Dennis; Schilling, Ruth
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Da: Libreria già Nardecchia s.r.l., Rome, ItaliaLibreria già Nardecchia s.r.l.
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Condizione: NEW. Roma: Viella, 2016 9788867285594 Venetiana 18 809 590 p., lxxx p. of plates : ill. col. b/n, fotografie, indice, bibliografia ; 21 cm. The splendor of the tombs of the doges has always amazed visitors of Venice. Already in 1484, the German pilgrim Felix Faber noted: "Never have I seen more costly and extravagant… tombs. Even the graves of the popes in Rome cannot compare with these." Indeed, designed by the greatest artists of the Serenissima, these often gigantic monuments belong to the most impressive and beautiful in the entire history of art. This is all the more surprising as the Venetian Republic was opposed to the cult of personality and the doge officially was only the primus inter pares, deprived of many privileges usually reserved for leaders of State. The tombs pursued multiple purposes, however. They not only commemorated the deceased ruler and facilitated the salvation of his soul. But they also served the doge's relatives who hoped to profit from his reputation and, moreover, they propagated the political system of the Serenissima. The tombs of the doges, thus, were always also monuments to the State and had to negotiate the tension between private and public concerns. It is the complex interaction between these conflicting interests that accounts for the tombs' central role in the political system of the Serenissima and explains why the monuments are of greatest importance not only for art historians but also for students of Venetian history and society in general. This interdisciplinary collection of essays penned by an international group of historians and art historians for the first. The splendor of the tombs of the doges has always amazed visitors of Venice. Already in 1484, the German pilgrim Felix Faber noted: "Never have I seen more costly and extravagant tombs. Even the graves of the popes in Rome cannot compare with these." Indeed, designed by the greatest artists of the Serenissima, these often gigantic monuments belong to the most impressive and beautiful in the entire history of art. This is all the more surprising as the Venetian Republic was opposed to the cult of personality and the doge officially was only the primus inter pares, deprived of many privileges usually reserved for leaders of State. The tombs pursued multiple purposes, however. They not only commemorated the deceased ruler and facilitated the salvation of his soul. But they also served the doge's relatives who hoped to profit from his reputation and, moreover, they propagated the political system of the Serenissima. The tombs of the doges, thus, were always also monuments to the State and had to negotiate the tension between private and public concerns. It is the complex interaction between these conflicting interests that accounts for the tombs' central role in the political system of the Serenissima and explains why the monuments are of greatest importance not only for art historians but also for students of Venetian history and society in general. This interdisciplinary collection of essays penned by an international group of historians and art historians for the first. Paul,Benjamin.
The Tombs of the Doges of Venice: From the Beginning of the Serenissima to 1907
Avery, Victoria, Ceriani Sebregondi, Giulia, Dellermann, Rudolf, Drogin, David J., Franco, Tiziana,
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Condizione: New. 2016. Paperback. . . . . . Books ship from the US and Ireland.
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Da: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, GermaniaBuchWeltWeit Ludwig Meier e.K.
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Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The first book to be dedicated to the topic, Patronage and Italian Renaissance Sculpture reappraises the creative and intellectual roles of sculptor and patron. The volume surveys artistic production from the Trecento to the Cinque…cento in Rome, Pisa, Florence, Bologna, and Venice. Using a broad range of approaches, the essayists question the traditional concept of authorship in Italian Renaissance sculpture, setting each work of art firmly into a complex socio-historical context. Emphasizing the role of the patron, the collection re-assesses the artistic production of such luminaries as Michelangelo, Donatello, and Giambologna, as well as lesser-known sculptors. Contributors shed new light on the collaborations that shaped Renaissance sculpture and its reception. 286 pp. Englisch.
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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The first book to be dedicated to the topic, Patronage and Italian Renaissance Sculpture reappraises the creative and intellectual roles of sculptor and patron. The volume surveys artistic production from the Trecento to the Cinquecento… in Rome, Pisa, Florence, Bologna, and Venice. Using a broad range of approaches, the essayists question the traditional concept of authorship in Italian Renaissance sculpture, setting each work of art firmly into a complex socio-historical context. Emphasizing the role of the patron, the collection re-assesses the artistic production of such luminaries as Michelangelo, Donatello, and Giambologna, as well as lesser-known sculptors. Contributors shed new light on the collaborations that shaped Renaissance sculpture and its reception.
