dufwa (13 risultati)

Unknown. Condizione: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:0391023349.

Cartonato in tela. Condizione: fine. English Text.Atlantic Highlands, 1981; hardbound, pp. 222, b/w ill., cm 17x24. Libro.

Condizione: Good. Volume 34. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9122004645.

Hardcover. Condizione: Good. Condizione sovraccoperta: No Dust Jacket. First Edition. 92 pages. Ex-university library marks, light wear; pages toned; a good solid binding. No jacket. Quantity Available: 1. Category: History; Inventory No: 218914.

hardcover. Condizione: Very Good. Hardcover, no jacket. Clean, unmarked, tightly bound. Light wear. Photos available. We ship daily. Expedited shipping available! (Heavy books & sets may require extra shipping charges.).

Brossura. Condizione: ottime. Testo inglese. Cm.24x17. Pg.224. Brossura editoriale. Con 164 illustrazioni nel testo. "Akademisk avhandling som för avläggande av filosofie doktorsexamen vid Stockholms Universitet offentligen försvaras i Sal F, Norrtullsgatan 2, Stockholm fredagen den 4 december 1981 kl.10.00". Collana "Acta Universitatis Stockholmiensis", nº34. 600 gr.

Condizione: VG. Patent issued by the United States Patent Office. Application filed August 12, 1908 (Serial No. 448, 258) patented June 17, 1913 (1,065, 033). Lg.4to., 5pp., 4 full page diagrams, stapled, rebound in later wraps. Name and patent number written in ink on front (i.e, the blank verso of one diagram). VG, small closed tear at right margin.

Hardcover. Condizione: Brand New. 320 pages. 9.50x6.25x1.00 inches. In Stock.

222 s. Illustrated. Publisher's hardcover. A very good copy. (Stockholm Studies in History of Art 34).

Publisher's boards, as new. Stockholm, Almqvist & Wiksell, 1981. Diss. 8:o. 224 pp. + Abstract leaf. Illustrated. (Abstract:) - - - "The purpose of this work has been to trace the origins of the Japonisme that in the 1860s stimulated painting in the West to a radical renewal. A new trend had begun with Delacroix, but the decisive spark was provided by Japanese colour prints - reproductions of ink paintings to which planes of colour have been added. The fact that ink painting has its roots in Zen Buddhist aesthetics makes the latter of fundamental importance to Japanese prints. - - - This thesis commences by outlining the distinguishing characteristics of Japanese painting and follows its development from Yamato-e to Ukiyo-e. Orientalism in European art is then traced from the Chinoiseries of the Rococo period to the Japonisme of the 1860's. Public interest in Japanese art awoke first in London but it was in Paris that Japanese influence really took root. The importance of Bracquemond, Astruc and others as pioneers of Japonisme is affirmed. - - - The main section of the thesis is devoted to a study of European pictorial art from the time Japanese influence is first discernible in certain works by Manet, Degas, Monet and Whistler up to 1886. I have analysed selected works in order to show how these artists were influenced by the Japanese prints. Their differing temperaments and aspirations were of decisive importance in their relationship to Japanese art. This is characteristic of all four artists - of Manet as a lyricist in colour, of Degas as an innovator of form, of Monet as the spontaneous worshipper of nature and of Whistler, the advocate of pure art." - - - (Acta universitatis Stockholmiensis / Stockholm Studies in History of Art, 34.).

Sewn as issued, printed wrappers. Very fine. Provenance: Hans Eklund. Stockholm, Almqvist & Wiksell, 1981. Diss. 8:o. 224 pp. + Abstract leaf. Illustrated. (Abstract:) - - - "The purpose of this work has been to trace the origins of the Japonisme that in the 1860s stimulated painting in the West to a radical renewal. A new trend had begun with Delacroix, but the decisive spark was provided by Japanese colour prints - reproductions of ink paintings to which planes of colour have been added. The fact that ink painting has its roots in Zen Buddhist aesthetics makes the latter of fundamental importance to Japanese prints. - - - This thesis commences by outlining the distinguishing characteristics of Japanese painting and follows its development from Yamato-e to Ukiyo-e. Orientalism in European art is then traced from the Chinoiseries of the Rococo period to the Japonisme of the 1860's. Public interest in Japanese art awoke first in London but it was in Paris that Japanese influence really took root. The importance of Bracquemond, Astruc and others as pioneers of Japonisme is affirmed. - - - The main section of the thesis is devoted to a study of European pictorial art from the time Japanese influence is first discernible in certain works by Manet, Degas, Monet and Whistler up to 1886. I have analysed selected works in order to show how these artists were influenced by the Japanese prints. Their differing temperaments and aspirations were of decisive importance in their relationship to Japanese art. This is characteristic of all four artists - of Manet as a lyricist in colour, of Degas as an innovator of form, of Monet as the spontaneous worshipper of nature and of Whistler, the advocate of pure art." - - - (Acta universitatis Stockholmiensis / Stockholm Studies in History of Art, 34.).

246 s. Häftad med skyddsomslag. (Acta Wexionensia Nr 40/2004).