Duval steven (22 risultati)

Soft cover. Condizione: Very Good. ORIGINAL 1989 PUBLICATION; Softcovers; ex-library; spine reinforced w/ tape; missing rear pocket (but the large folded map is present; COMPLETE for this publication); o/w contents in very good condition. Book.

Soft cover. Condizione: Very Good. ORIGINAL 1984 PUBLICATION; ex-library; light creasing of corners of wraps and leaves, o/w in very good condition. Book.

8vo. Original pictorial card covers in printed wraps (softback) (Fine). Pp. 64, illus with coloured and b&w plates (no inscriptions).

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Like New. Like New. 1st Edition. First edition (2018.) Hardcover with dust jacket. 8vo with 276 pages. The book and dust jacket are in like new condtion with very slight shelf wear. Interior is clean and tight. Blue spine/Black text. Size: 8vo. Art History.

Condizione: new.

Condizione: New. 2018. First. Hardcover. . . . . .

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condizione: New. In Hybrid Practices, essays by established and emerging scholars investigate the rich ecology of practices that typified the era of the Cold War. The volume showcases three projects at the forefront of unprecedented collaboration between the arts and new sectors of industrial society in the 1960s and 70s-Experiments in Art and Technology (E.A.T.), the Art and Technology Project at the Los Angeles County Museum of Art (AandT), and the Artist Placement Group (APG) in the UK. The subjects covered include collaborative projects between artists and scientists, commercial ventures and experiments in intermedia, multidisciplinary undertakings, effacing authorship to activate the spectator, suturing gaps between art and government, and remapping the landscape of everyday life in terms of technological mediation. Among the artists discussed in the volume and of interest to a broad public beyond the art world are Bernd and Hilla Becher, John Cage, Hans Haacke, Robert Irwin, John Latham, Fujiko Nakaya, Carolee Schneemann, James Turrell, Yvonne Rainer, Robert Rauschenberg, and Robert Whitman. Prominent engineers and scientists appearing in the book's pages include Elsa Garmire, Billy Klüver, Frank Malina, Stanley Milgram, and Ed Wortz. This valuable collection aims to introduce readers not only to hybrid work in and as depth, but also to work in and as breadth, across disciplinary practices where the real questions of hybridity are determined.…

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condizione: New. In Hybrid Practices, essays by established and emerging scholars investigate the rich ecology of practices that typified the era of the Cold War. The volume showcases three projects at the forefront of unprecedented collaboration between the arts and new sectors of industrial society in the 1960s and 70s-Experiments in Art and Technology (E.A.T.), the Art and Technology Project at the Los Angeles County Museum of Art (AandT), and the Artist Placement Group (APG) in the UK. The subjects covered include collaborative projects between artists and scientists, commercial ventures and experiments in intermedia, multidisciplinary undertakings, effacing authorship to activate the spectator, suturing gaps between art and government, and remapping the landscape of everyday life in terms of technological mediation. Among the artists discussed in the volume and of interest to a broad public beyond the art world are Bernd and Hilla Becher, John Cage, Hans Haacke, Robert Irwin, John Latham, Fujiko Nakaya, Carolee Schneemann, James Turrell, Yvonne Rainer, Robert Rauschenberg, and Robert Whitman. Prominent engineers and scientists appearing in the book's pages include Elsa Garmire, Billy Klüver, Frank Malina, Stanley Milgram, and Ed Wortz. This valuable collection aims to introduce readers not only to hybrid work in and as depth, but also to work in and as breadth, across disciplinary practices where the real questions of hybridity are determined.…

Condizione: New.

Condizione: New.

Condizione: New. 2018. First. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condizione: Brand New. 276 pages. 10.25x7.25x0.75 inches. In Stock.

Condizione: New. In English.

Condizione: New. First Edition NO-PA16APR2015-KAP.

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New. In Hybrid Practices, essays by established and emerging scholars investigate the rich ecology of practices that typified the era of the Cold War. The volume showcases three projects at the forefront of unprecedented collaboration between the arts and new sectors of industrial society in the 1960s and 70s-Experiments in Art and Technology (E.A.T.), the Art and Technology Project at the Los Angeles County Museum of Art (AandT), and the Artist Placement Group (APG) in the UK. The subjects covered include collaborative projects between artists and scientists, commercial ventures and experiments in intermedia, multidisciplinary undertakings, effacing authorship to activate the spectator, suturing gaps between art and government, and remapping the landscape of everyday life in terms of technological mediation. Among the artists discussed in the volume and of interest to a broad public beyond the art world are Bernd and Hilla Becher, John Cage, Hans Haacke, Robert Irwin, John Latham, Fujiko Nakaya, Carolee Schneemann, James Turrell, Yvonne Rainer, Robert Rauschenberg, and Robert Whitman. Prominent engineers and scientists appearing in the book's pages include Elsa Garmire, Billy Klüver, Frank Malina, Stanley Milgram, and Ed Wortz. This valuable collection aims to introduce readers not only to hybrid work in and as depth, but also to work in and as breadth, across disciplinary practices where the real questions of hybridity are determined.…

Hardback. Condizione: New. In Hybrid Practices, essays by established and emerging scholars investigate the rich ecology of practices that typified the era of the Cold War. The volume showcases three projects at the forefront of unprecedented collaboration between the arts and new sectors of industrial society in the 1960s and 70s-Experiments in Art and Technology (E.A.T.), the Art and Technology Project at the Los Angeles County Museum of Art (AandT), and the Artist Placement Group (APG) in the UK. The subjects covered include collaborative projects between artists and scientists, commercial ventures and experiments in intermedia, multidisciplinary undertakings, effacing authorship to activate the spectator, suturing gaps between art and government, and remapping the landscape of everyday life in terms of technological mediation. Among the artists discussed in the volume and of interest to a broad public beyond the art world are Bernd and Hilla Becher, John Cage, Hans Haacke, Robert Irwin, John Latham, Fujiko Nakaya, Carolee Schneemann, James Turrell, Yvonne Rainer, Robert Rauschenberg, and Robert Whitman. Prominent engineers and scientists appearing in the book's pages include Elsa Garmire, Billy Klüver, Frank Malina, Stanley Milgram, and Ed Wortz. This valuable collection aims to introduce readers not only to hybrid work in and as depth, but also to work in and as breadth, across disciplinary practices where the real questions of hybridity are determined.…

Soft cover. Condizione: Near Fine. A rare Near Fine paperback with clean and securely bound contents. The lower corner page tips are starting to flare out, not too significant. While the outside wraps are glossy, they do show light impression marks. The corner tips are gently creased.