Editore: Galleri Bellman, 1983
Da: ANARTIST, New York, NY, U.S.A.
Softcover staple-bound, 24 pages; very good condition; paper clip impression to top of cover and first page; no internal marks. Press release laid in.
Editore: Santa Barbara Museum of Art, 1967
Da: ANARTIST, New York, NY, U.S.A.
Softcover staple bound, 8 pages, good condition, small crumple to lower left corner of pages; museum library stamp to first page; address on rear cover; no other internal marks.
Soft cover. Condizione: Very Good. Santa Barbara Museum of Art, 1967. Eight page invitation for the artist's one man show held Jul 18 - Aug 20, 1967. Light crimping to upper and lower corners, light soiling to wraps, else VG.
Editore: Boxcar Los Angeles, CA, 1983
Da: Specific Object / David Platzker, New York, NY, U.S.A.
114 pp.; 27.8 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Second issue of Box Car: A Magazine of the Arts, edited by Paul Vangelisti. Contributors include: Paul Vangelisti, Don Suggs, Judith E. Simonian, Charles Garabedian, Ed Moses, Robert Ackerman, Joel Bass, Ron Linden, Michael Davidson, Nathaniel Mackey, George Butterick, Edwin Denby, Robert Crosson, Julia Brown, Hiro Kaizan Kosaka, Jill Giegerich, Rick Stitch, Deirdre Bair, Betty Brown, Peter Liashkov, Alison Saar, Michael Dvortcsak, Jim Morphesis, Ellen Lampert, Ruth Weisburg, Rosmarie Waldrop, Bob Perelman, David Bromige, Norman Weinstein, Stephen Kessler, Zeke Berman, Barbara Drucker, Stephen Moore, Kim Baker, Don Boyd, Joyce Lightbody, Gerald Burns, John Taggart, John Clarke, Jed Rasula, Stephen s'Soreff, Flyghts of Fancie, Erika Suderberg, Mike Crane, Dennis Phillips, Anselm Parlatore, Norman Klein, Kei Takei, Bruce Edelstein, Lois Colette, Anni Jackson, Monique Safford, Fanny Howe, James Haining, Mary Haynes, Helen Adam, Charles Stein, Michael C. McMillen, Carl Cheng, James Doolin, Paul Dillon, Stephanie Jackson, Maxwell Hendler, and Margaret Nielsen. Cover design by Bruce Edelstein. Good. Significant rubbing of covers with edgewear and bumping of corners. Wear to verso including 6 mm. surface tear to bottom edge, 2.4 cm. crease to top left corner, and 1.5 cm. of black soiling to verso. Contents clean and unmarked. Due to the size of this item, additional shipping charges will be required for international orders.
Editore: The Gallery January 1985, 1985
Da: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Trade Paperback. Condizione: Used - Very Good. 18 page gallery catalogue, clean copy.
Editore: New York: Pamela Auchincloss Gallery, 1990
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Arte / Stampa / Poster
Condizione: Good. Fo. Very Good. [circa 30 pp]. Soft cover. Color plates.
Editore: New York: Pamela Auchincloss Gallery., 1988
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Arte / Stampa / Poster
Condizione: Good. Folio folded into quarters. Exhibition brochure. 2 color plates. Very Good, minor rubs on covers.Provenance: From the Collection of the Art Historian Peter Selz.
Editore: Santa Barbara, CA.: Pamela Auchincloss Gallery., 1987
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Arte / Stampa / Poster
Condizione: Good. 8vo. [20] pp. Soft Cover. Color plates throughout. Very Good.Provenance: From the Collection of the Art Historian Peter Selz.
Editore: Santa Barbara, CA.: Pamela Auchincloss Gallery., 1985
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Arte / Stampa / Poster
Condizione: Good. 8vo. [18] pp. Soft Cover. Stapled binding. Color and black and white plates. Very Good, minor rubs on covers.Provenance: From the Collection of the Art Historian Peter Selz.
Editore: Santa Barbara, CA: Pamela Auchincloss Gallery., 1985
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condizione: Good. 8vo. [18 pp.]. Soft, stapled white and color illustrated wraps. Very good with marginal soiling across front wrap. Black and white and color plates. Includes an essay by Peter Selz.Catalogue created on occasion of exhibition "Michael Dvortcsak: Recent Paintings 1985" in Santa Barbara, CA at Pamela Auchincloss Gallery from November 15 through December 21, 1985. From the Collection of the Art Historian Peter Selz.