Ed andrew boyle (24 risultati)

Hardcover. Condizione: Very Good. 638pp single volume.

Hardcover. Condizione: Very Good. Two volumes Each 640pp. Maroon cloth.

paperback. Condizione: Very Good. Cinema of the '70s Magazine: Issue 2 (Colour) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

paperback. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Condizione: Good. No Jacket. Not dated. Circa 1913 as Preface of Volume 1 is dated 1913. Edition and printing not known. In good dark red cloth boards, with blind stamped publisher's logo to front, gilt titles and decoration to spine. The boards are flat, a little loose to front from cracked hinge and with a few small marks. The free end papers are slightly tanned and all feature the olive green and white Reginald Knowles design. Dark brown tint to top cut edge; the fore and tail edges are lightly tanned. The text pages are printed in two columns. The gutter of a prelim exposes webbing from spine and is wobbly; the rest of the pages are secure and they are also clean. Attractive Knowles designed title pages in black and white. Good plus condition. No dedications etc. Without jacket.…

Hardcover. Condizione: Very Good. No Jacket. Not dated.Circa 1913 as Preface dated 1913. Edition and printing not known. In very good dark red cloth boards, with blind stamped publisher's logo to front, gilt titles and decoration to spine. The boards are flat and with a few small scuffs to rear; a little loose to front due to cracked hinge. The free end papers are slightly tanned and feature the olive green and white Reginald Knowles design. Dark brown top cut edge; the fore and tail edges are lightly tanned. The text pages are printed in two columns and are tightly bound, even and clean. Very good condition. Attractive Knowles designed title pages in black and white No dedications etc. Without jacket.…

Hardcover. Condizione: Very Good. No Jacket. Not dated. Circa 1913 as Preface of Volume 1 is dated 1913. Edition and printing not known. In very good dark red cloth boards, with blind stamped publisher's logo to front, gilt titles and decoration to spine. The boards are flat, firm and unmarked. The free end papers are slightly tanned and feature the olive green and white Reginald Knowles design. Dark brown top cut edge; the fore and tail edges are lightly tanned. The text pages are printed in two columns and are tightly bound, even and clean. Attractive Knowles designed title pages in black and whiteVery good condition. No dedications etc. Without jacket.…

Hardcover. Condizione: Very Good. No Jacket. Not dated. Circa 1913 as Preface of Volume 1 is dated 1913. Edition and printing not known. In very good dark red cloth boards, with blind stamped publisher's logo to front, gilt titles and decoration to spine. The boards are flat, quite firm and with a few small marks. The free end papers are slightly tanned and all feature the olive green and white Reginald Knowles design. Dark brown tint to top cut edge; the fore and tail edges are lightly tanned. The text pages are printed in two columns and are tightly bound, even and clean. Attractive Knowles designed title pages in black and white. Very good condition. No dedications etc. Without jacket.…

Hardcover. Condizione: Very Good. No Jacket. Not dated. Circa 1913 as Preface of Volume 1 is dated 1913. Edition and printing not known. In very good dark red cloth boards, with blind stamped publisher's logo to front, gilt titles and decoration to spine. The boards are flat, firm and clean; spine a little sunned and with slight roll. The free end papers are slightly tanned and all feature the olive green and white Reginald Knowles design. Dark brown tint to top cut edge; the fore and tail edges are lightly tanned. The text pages are printed in two columns. They are tightly bound, even and clean. Slight vertical crease from start to about half way through. Very good condition. Attractive Knowles designed title pages in black and white. No dedications etc. Without jacket.…

Hardcover. Condizione: Very Good. No Jacket. Not dated. Circa 1913 as Preface of Volume 1 is dated 1913. Edition and printing not known. In very good dark red cloth boards, with blind stamped publisher's logo to front, gilt titles and decoration to spine. The boards are flat and secure and the front is a little marked. The free end papers are slightly tanned and feature the olive green and white Reginald Knowles design. Dark brown top cut edge; the fore and tail edges are lightly tanned. Attractive Knowles designed title pages in black and whiteThe text pages are printed in two columns and are tightly bound, even and clean. Very good condition. No dedications etc. Without jacket.…

Hardcover. Condizione: Very Good. No Jacket. Not dated. Circa 1913 as Preface of Volume 1 is dated 1913. Edition and printing not known. In very good dark red cloth boards, with blind stamped publisher's logo to front, gilt titles and decoration to spine. The boards are flat, firm and quite clean. The free end papers are slightly tanned and all feature the olive green and white Reginald Knowles design. Dark brown tint to top cut edge; the fore and tail edges are lightly tanned. The text pages are printed in two columns. They are tightly bound, even and clean. Very good condition. Attractive Knowles designed title pages in black and white. No dedications etc. Without jacket. …

Hardcover. Condizione: Very Good. No Jacket. Not dated. Circa 1913 as Preface of Volume 1 is dated 1913. Edition and printing not known. In very good dark red cloth boards, with blind stamped publisher's logo to front, gilt titles and decoration to spine. The boards are flat, quite firm and with a few small marks. The free end papers are slightly tanned and all feature the olive green and white Reginald Knowles design. Dark brown tint to top cut edge; the fore and tail edges are lightly tanned. The text pages are printed in two columns and are tightly bound, even and clean. Attractive Knowles designed title pages in black and white. Very good condition. No dedications etc. Without jacket.…

Hardcover. Condizione: Very Good. No Jacket. Not dated. Circa 1913 as Preface of Volume 1 is dated 1913. Edition and printing not known. In very good dark red cloth boards, with blind stamped publisher's logo to front, gilt titles and decoration to spine. The boards are flat, firm and quite clean. The free end papers are slightly tanned and all feature the olive green and white Reginald Knowles design. Dark brown tint to top cut edge; the fore and tail edges are lightly tanned. The text pages are printed in two columns. They are tightly bound, even and clean. Very good condition. Attractive Knowles designed title pages in black and white. No dedications etc. Without jacket. …

Hardcover. Condizione: Very Good. No Jacket. Not dated. Circa 1913 as Preface of Volume 1 is dated 1913. Edition and printing not known. In very good dark red cloth boards, with blind stamped publisher's logo to front, gilt titles and decoration to spine. The boards are flat, quite firm and clean. The free end papers are slightly tanned and all feature the olive green and white Reginald Knowles design. Dark brown tint to top cut edge; the fore and tail edges are lightly tanned. The text pages are printed in two columns. They are tightly bound, even and clean. Very good condition. Attractive Knowles designed title pages in black and white. No dedications etc. Without jacket. …

Hardcover. Condizione: Very Good. No Jacket. Not dated. Circa 1913 as Preface of Volume 1 is dated 1913. Edition and printing not known. In very good dark red cloth boards, with blind stamped publisher's logo to front, gilt titles and decoration to spine. The boards are flat, firm and unmarked. The free end papers are slightly tanned and feature the olive green and white Reginald Knowles design. Dark brown top cut edge; the fore and tail edges are lightly tanned. The text pages are printed in two columns and are tightly bound, even and clean. Attractive Knowles designed title pages in black and white Very good condition. No dedications etc. Without jacket.…

Hardcover. Condizione: Very Good. No Jacket. Not dated. Circa 1913 as Preface of Volume 1 is dated 1913. Edition and printing not known. In very good dark red cloth boards, with blind stamped publisher's logo to front, gilt titles and decoration to spine. The boards are flat, firm and clean. The free end papers are slightly tanned and all feature the olive green and white Reginald Knowles design. Dark brown tint to top cut edge; the fore and tail edges are lightly tanned. The text pages are printed in two columns. They are tightly bound, even and clean. Slight vertical crease from start to about half way through. Very good condition. Attractive Knowles designed title pages in black and white. No dedications etc. Without jacket.…

Hardcover. Condizione: Very Good. No Jacket. Not dated - Preface dated 1913. Edition and printing not known. In very good dark red cloth boards, blind stamped publisher's logo to front; gilt titles to spine. The boards are flat and clean, slight collapsed hollow and a little loose. Slightly tanned free end papers. Dark tint to top cut edge; the fore and tail edges are lightly marked. The text block is printed in two columns; the pages are tight, straight and not tanned or foxed. Very good condition. With decorative title page and facing page. No dedications etc. Without jacket.…

Hardcover. Condizione: Good. Deaccessioned from Harvard College Library; outer joints are partially cracked, holding; binding has other wear, mostly at edges; corners bumped and worn; interior has minor soil and foxing. 182 p. + plates. Illustrations After George Cruikshank Plus Other Plates (illustratore).…

Softcover. Condizione: Near Fine. Magazine. Cover by Michael Sowdon. Quarto. Stapled yellowed wrappers. Near fine with some rubbing. A poetry anthology from Canada featuring Michael Ondaatje, George Bowering, Tom Raworth, Paul Blackburn, Andrew Goldworthy, Daphne Marlatt, Lynne Knight, Frank Davey, Stephen Rodefer, Jim Lang, C.H. Gervais, John Boyle, Robert Fones, Robert Hogg, Jan Casson, Elizabeth Coleman, Jorj Heyman, Chris Hurst, Ed Byrne, B.P. Nichols, Bob Snider, Gerry Gilbert, and David Rosenberg. …

Cloth. Condizione: Very Good. Twelve volumes, maroon cloth, slightly smaller books, bright gilt with ornate gilt design on spines, spines lightly faded overall, light green illustration and design inside covers and adjacent end papers, Volume I has 628 pages, all the rest 640 pages, in double-column format, some illustrations throughout. Volume I: very tiny tear at long spine left middle edge. Volume 2: very tiny nick at spine top left edge. Volume 5 and 8: very slight separation between first and second front end papers to inner front hinge. Volume 6: light crease to top tips. Volume 7: tiny crease at top back tip. Overall, Very Good+ set.…

Hardcover. Condizione: Good. 1st Edition. RARE with assumed-original, custom-made angled wooden display stand. Complete 12 Volume set of encyclopedias in quarter tan pigskin over brown boards. Previous owner name to prelims of each volume. Rare as first edition. Shelfwear commensurate with age. Heavy - will incur extra postage costs - inquire for details. …

Softcover. Condizione: gut. 1997. Genghis Khan : The History of the World Conqueror In englischer Sprache. pages.

Hardcover. Condizione: Near Fine. No Jacket. Hardcover. Book Condition: Near Fine. Jacket Condition: No Jacket. J.M. Dent / E.P. Dutton, London / New York 1913. 7680 pages. Nice Firm Clean copies ! Size: L 12mo. The Everyman Encyclopaedia Edited by Andrew Boyle Volumes 1 to 12 Complete. Classics/Collectors Series::Everyman's Library Language/Reference::Reference Works Language/Reference::Dictionaries Language/Reference::English Language 5903. …

Paperback. Condizione: Near Fine. Book. Complete set of Stephen Willats' seminal periodical 'Control'. First 5 issues: 310 x 225 mm with screenprinted wrappers. Later issues have printed pictorial wrappers and are slightly smaller in format. Since 1965, this pioneering conceptual art magazine has published original artwork and writing from over 150 artists, alongside collectives and collaboratives such as Artists Placement Group. Issue 13 features an original work by Anish Kapoor of an insect-object sprayed blue; together with a photocopy collage intervention by Glenys Johnson entitled Agent Orange. Issue 3 comes complete with inserts: Poem-Blanc by John Sharkey and Peter Upward's untitled painting. This seminal publication is significant for its community-based approach, and its theories based on cybernetics and social science. Its content rejected a traditional mode of criticism and instead concentrated on theoretical ideas, technical models and artistic methods: Control is purely a magazine of art theory, in the sense that it presented text by artists looking at the thinking behind their work (Willats, Publishing Interventions, 2 in In Numbers: Serial Publications by artists since 1955, PPP Editions, Zurich, 1999, p. 129). While within the remit of the art magazine, Control is notable for its interdisciplinary reach. As the artist has commented, the magazine's origins were a reaction to a very strong inheritance from previous decades that constrained the artists into very set roles of painting, sculpture and traditional mediums (ibid). Contents - Issue 1, 1965, contributors (C): Loggie Barrow, Roy Ascot, Stephen Willats, Mark Boyle et al/No.2, 66, C: Stroud Cornock, Adrian Berg, Willats, Tom Phillips et al/ No.3, 67, C: Joe Tilson, Noel Forster, Peter Cook-Archigram Group, John Latham (Noit for Control), Willats, an original painted insert by Peter Upward, John Sharkey (Poem-Blanc) et al. Comes with a tipped-in envelope containing Three Light Modulators/No.4, 68, C: Victor Burgin, Norman Toynton, Sharkey, Willats, Douglas Sandle, et al/No.5, 69, C: Laurie Burt, Don Mason, Sharkey, Rick Oginz, Willats (on APG) et al/No.6, 71, C: Jan Kopinski, Willats, Sharkey, Ernest Edmonds, David Budgen et al/No.7, 73, C: Kevin Lole, Peter Smith, Willats, Howard O' Conner, John Stezaker/No.8, 74, C: Lole, Joe Wilson, Andrew Ironside, Willats, Gerald Laing, Stezaker et al/No.9, 75, C: Peter Smith, Dan Graham, Herve Fischer, Willats, Alan Sondheim et al / No.10, 77, C: Jon Bird, Peter Dunn & Loraine Leeson, Jane Kelly, Mary Kelly et al/ No.11, 79, C: Tony Rickaby, Willats, Ray Barrie, Kelly, Fern Tiger, Graham et al/No.12, 81, C: Lili Fisch, Willats, Helen Chadwick, Michael Peel, Bernhard Sandfort, Fred Forest et al/No.13, '82, C: Bill Woodrow (TV Blind), Glenys Johnson (Agent Orange), Jenny Holzer, Kate Blacker, Jean-Luc Vilmouth, Willats, Sue Arrowsmith, Tony Bevan, Tony Cragg and a blue sprayed insect work by Anish Kapoor: I once saw an insect in a pile of colour, it seemed to me that this was almost a work. (p32)/No.14, 90, C: Andrew Wilson, Lawrence Weiner, Rita Pacquee, Andreas Seltzer, Dennis Adams, Stephen Bann & Bob Chaplin, Martha Rosler, Willats, Michael Gibbs, Endre Tot, Simon Cutts & Colin Sackett et al/No.15, 96, C: Poster Studio, Alan Murray, Denise Hawrysio, Oliver Whitehead, Alan Kane & Jeremy Deller, Oliver Cieslik & Barbara Schenk, Les Levine, Liam Gillick, Willats et al/No.16, 01, C: Jakob Jakobsen, David Goldenberg, Art Lab, Nils Norman, Elinor Jansz, Christabel Stewart & Emily Pethick, Hamish Fulton, Sarah Staton, David Beech, Willats, et al / No.17, 07, C: French Mottershead, Jakobsen, Dan Kidner, Langlands & Bell, Nils Norman, Miriam Steinhauser, Willats, Chris Hammond et al/No.18, 09, C: Vito Acconci, Karolin Meunier, Willats, Erwin van Doorn, Dan Mitchell, Annette Krauss, Thomas Hirschhorn, Harmen de Hoop et al. / No.19, 14, C: Christian Nyampeta, Rosalie Schweiker, Ricardo Basbaum, Andrea Francke, Emma Smith, Willats, Eva Weinmayr, Taylor & Zaharia et al / No.20, 17, C: Merlin Carpenter, Bedfellows, Francisco Camacho Herrera, Radio Anti, Willats, Eliana Otta et al / No.21, C: Helen Walker & Harun Morrison, Pete Clarke, Lucie Kolb, Gary Bratchford & Robin Parkinson, Rebecca Davies & Eva Sajovic, Elina Otta, Stephen Willats, Javier Calderon, Chalton Gallery. Collated and correct. Near fine.…