eddy max (16 risultati)

Couverture souple. Condizione: Bon. d'après A. M. Willner et Heinz Reichert, musique de Franz Lehar. Livret des paroles.

Agrafé. Condizione: Bon État. Bon état. 22 pages, illustré. Book.

Soft cover. Condizione: Near Fine. Softcover 1975, 161 pages.

Partition. In-4 (17,5 x 27,5 cm), partition pour chant en feuilles, 4 pages, "Moi j'ai du r'tard à l'allumage", extrait de l'opérette "La Comtesse Maritza", paroles de Max Eddy et Jean Marietti, musique de Emmerich Kalman ; bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.

Partition. In-4 (17,5 x 27 cm), partition pour chant en feuilles, 4 pages, "Ce n'est qu'un petit moment", fox-trot chanté de l'opérette "Enlevez-moi" de R. Praxy et H. Hallais, paroles de Pierre Varenne et Max Eddy, musique de G. Gabaroche ; tampon et quelques traces au premier plat, assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.

Partition. In-4 (17,5 x 27,5 cm), partition pour chant en feuilles, 4 pages, "Moi j'ai du r'tard à l'allumage", extrait de l'opérette "La Comtesse Maritza", paroles de Max Eddy et Jean Marietti, musique de Emmerich Kalman ; bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.

Couverture souple. Condizione: bon. RO50044081: 1936. In-8. Broché. Etat d'usage, Livré sans Couverture, Dos satisfaisant, Intérieur acceptable. 2 pages de partitions non paginées. Premier plat illustré en couleur. . . . Classification Dewey : 780.26-Partitions.

Couverture souple. Condizione: bon. R320023596: NON DATE. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 16 pages agraffées. . . . Classification Dewey : 792-Théâtre.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 24. A perfect gift for your loved ones. Reprinted from 1957 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 24.

Pas de couverture. Condizione: bon. RO50027649: 1931. In-8. En feuillets. Etat d'usage, Plats abîmés, Dos satisfaisant, Quelques rousseurs. Non paginé. 3 pages environ. Photo verte et blanche en couverture. Déchirures. Coin inférieur droit de la dernière page altérant la lecture des paroles. . . . Classification Dewey : 780.26-Partitions.

Pas de couverture. Condizione: bon. RO50027605: 1932. In-8. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Non paginé. 3 pages environ. Gravure rouge et blanche de Edouard Halouze en couverture. . . . Classification Dewey : 780.26-Partitions.

Pas de couverture. Condizione: bon. RO50000023: 1933. In-8. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Quatre pages dont deux de texte et partitions, reproduction d'une affiche en monochrome rouge. . . . Classification Dewey : 780.26-Partitions.

Pas de couverture. Condizione: bon. RO50016698: 1933. In-8. En feuillets. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur bon état. Non paginé. 3 pages environ. Gravure couleur de Chuer en couverture. . . . Classification Dewey : 780.26-Partitions.

Condizione: Good. Envoi rapide Couverture défraîchie déchiré au dos salie Pages jaunis. Dos décollé à l'intérieur. in12. 1930. Broché. Good.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. Comes with the 12 photobooks, - Catrien Ariëns, in de beste tradities, 1993, SIGNED - Bertien van Manen, A hundered summers, a hundered winters, 1995, first edition, second printing, SIGNED - Eddy Posthuma de Boer, Voor het oog van de Wereld, 1997, SIGNED - Paul den Hollander, Voyage Botanique, 1999, SIGNED - Theo Baart, Bouwlust, 2001, SIGNED - Céline van Balen, Céline van Balen, 2003, SIGNED - Geert van Kesteren, Why Mister, Why?, 2005, SIGNED - Kadir van Loohuizen, Diamond Matters, 2007 - Niels Stomps, Mist, 2009, SIGNED - Henk Wildschut, Shelter, 2011, SIGNED - Vivianne Sassen, In and Out of Fashion, 2013 SIGNED - Koos Breukel, Me We, 2015, SIGNED. Signed by Illustrator(s).

First edition, number 79 of 200 numbered copies. Ten copper engravings (each approximately 2 ½ x 3 ½ inches), each signed by the artist (one signed upside-down on the top edge), each mounted and housed in an individual passepartout, titled on the exterior in pencil, with a leaf of patterned glassine laid in. The whole housed in a folding portfolio of half vellum over patterned paper boards, with vellum tabs. With the original publisher's cardboard slipcase, numbered 79 on the exterior. Some general age-toning, glassine leaves a bit darkened. The slipcase shows a bit of wear. Overall an excellent copy. Eddy Smith (1895-1957) was active during the Weimar era and associated with the Neue Sachlichkeit movement. Known as a painter, illustrator (of Baudelaire, Villon, and others), and printmaker, this portfolio and Die Schwarze Mappe (1924) represent the height of his artistry. While Die Schwarze Mappe is more focused on social critique, the precise and highly detailed engravings in this collection are more erotic, at the same time both whimsical and demonic. A major and rare work, unacknowledged in many surveys. OCLC locates no copies. An exhibit showcasing work from both portfolios was held at the Ubu Gallery in 2016.