edited by lars müller (10 risultati)

Hardcover. Condizione: Sehr gut. Condizione sovraccoperta: Sehr gut. 1. Auflage. Z : 18 × 23 cm, 7 × 9 in, 68 pages, cloth bound with dust jacket - Harry Holtzman s renowned translations of Mondrian s selected essays appear in New Design as a complete compilation for the first time. The publication is true to the content and design of the German first edition of 1925 and includes a brief scholarly commentary.

Softcover. Condizione: Sehr gut. 1. Auflage. Z : 16,5 x 24 cm, 6 ½ x 9 ½ in, 96 Seiten/pages, 120 Abbildungen/illustrations - This publication brings together exemplary advertisements dating from 1900 to the present to form a stimulating visual dialogue. Explored first are the ways in which -Switzerland has appeared in advertising, and secondly, how this land has been transformed into a cohesive image. Illuminated in the context of image strategies and -advertising texts are a range of iconographic types. Coming to light are clichés, images of native life and of foreignness, as well as contradictions and fractures.

Hardcover. Condizione: Sehr gut. Condizione sovraccoperta: Sehr gut. 1. Auflage. Z : 25 × 28 cm, 10 × 11 in, 248 Seiten/pages, 236 Abbildungen/illustrations - This publication is the first monograph on the Japanese-born, constructive-concrete artist Shizuko Yoshikawa (1934 2019). Her work combines the rational concepts of European modern art with the poetry and ease of the intuitional Japanese Zen tradition. As a member of the second generation of constructive-concrete art, she takes a special position due to her Japanese origins and education.

Hardcover. Condizione: Sehr gut. Condizione sovraccoperta: Sehr gut. 1. Auflage. Z : 18 × 23 cm, 7 × 9 in, 134 pages, 100 illustrations, cloth bound with dust jacket - This English translation of Painting, Photography, Film is based in content and design on the 1925 German first edition, making the latter available to an international readership for the first time. The publication includes a brief scholarly text providing crucial contextual information and reflecting on the history and legacy of Moholy-Nagy s book.

Hardcover. Condizione: New.

Hardcover. Condizione: Sehr gut. 1. Auflage. Z : 24,8 × 24,5 cm, 9 ¾ × 9 ¾ in, 226 pages, 167 illustrations hardback facsimile in German with separate translation and commentary (40 pages) in slipcase - The catalogue Staatliches Bauhaus in Weimar 1919 1923 was published in 1923 to accompany this first public showcase. This catalogue of its transdisciplinary oeuvre put the Bauhaus idea on paper for the first time and gave an idea of its potential. Featuring numerous projects, it also describes the theoretical doctrines of Paul Klee, Wassily Kandinsky, and Gertrud Grunow, thus conveying the teaching methods applied in the various workshops. Gropius s preface explains the structure of the state-run Bauhaus and introduces its unique reform program, which called for and taught the unity of technology and art. Illustrations from the various workshops show projects by students whose connection with the Bauhaus is still largely unexplored today.

Hardcover. Condizione: Brand New. pck har/pa edition. 226 pages. German language. 10.00x10.00x1.00 inches. In Stock.

Hardcover. Condizione: Sehr gut. 1. Auflage. Z : 21 × 29,7 cm, 8 ¼ × 11 ¾ in, 316 Seiten/pages, 418 Abbildungen/illustrations,14 issues with separate commentary in transparent slipcase - 100 Jahre nach der Bauhaus-Gründung wird mit der Zeitschrift bauhaus ein bedeutsames Schriftzeugnis dieser Ikone der Moderne wieder zugänglich gemacht. In der von 1926 bis 1931 periodisch erschienenen Zeitschrift kommen bedeutende Stimmen der Bewegung zu Wort, darunter zahlreiche Meister des Bauhauses, wie Josef Albers, Walter Gropius, Wassily Kandinsky, Paul Klee, László Moholy-Nagy und Oskar Schlemmer sowie Herbert Bayer, Marcel Breuer, Ludwig Mies van der Rohe, Gerrit Rietveld und andere.

Hardcover. Condizione: Brand New. pck har/pa edition. 226 pages. German language. 10.00x10.00x1.00 inches. In Stock.

Hardcover. Condizione: Fine in fine dust jacket. Large 8vo., 453 pp., color plates, maps, appendix. The islands of Naoshima, Teshima, and Inujima in Japan's Seto Inland Sea are places of pilgrimage for friends of contemporary art and architecture. Alongside works in public spaces as well as site-specific installations, the islands are also full of numerous museums and collections of contemporary art. This book offers a comprehensive documentation of this unique cultural landscape surrounded by Japan's Inland Sea. The photographs by the Dutch photographer Iwan Baan, ranging from tiny details to giant panoramas, create a comprehensive portrait of the islands with their fluid transitions between nature, art, and architecture. Numerous texts introduce readers to the individual areas and projects that are either permanently on display on the islands or have taken place there temporarily. In addition, other essays deal with the island as a cultural concept and phenomenon. Among others, the book presents buildings by Kazuyo Sejima, Ruye Nishizawa, Tadao Ando, and Hiroshi Sambuichi. A scarce and important reference work.