Lingua: Inglese
Editore: Oxford University, New York, 1986
ISBN 10: 0193436507 ISBN 13: 9780193436503
Da: Chequamegon Books, Washburn, WI, U.S.A.
Paperback. Condizione: Fine. 156 pages. part of the Choral anthologies Song Books by Oxford. ; 6 7/8 x 9 3/4 ".
Da: Stephen Music and Books, Harrogate, Regno Unito
Spartito
EUR 3,55
Quantità: 7 disponibili
Aggiungi al carrelloSoft cover. Condizione: Very Good. If any school, choir or similar organisation wishes to buy all the remaining copies, l am open to an offer. Ex library, well bound, clean appearance, neat and tidy throughout inside.
Lingua: Inglese
Editore: Oxford University Press, Oxford, England / New York, New York, 1987
ISBN 10: 0193436493 ISBN 13: 9780193436497
Da: Andover Books and Antiquities, Andover, MA, U.S.A.
Softcover. xiii, 164 pp. Song Books. Softcover. Very good condition; light creasing on covers.
Da: Fireside Bookshop, Stroud, GLOS, Regno Unito
Membro dell'associazione: PBFA
EUR 23,70
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Very Good. Light rubbing to extremities.
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Reich, Steve; edited with intro by Paul Hillier., Oxford University Press, 2002, c2002, 1st Edition, 1st printing, boards (hard cover), fine with fine dj, 254 pp with bibliography & index, B&W music score & other illus., tall 8vo, ISBN: 0195111710, 'An indispensible glimpse into the mind of Steve Reich, one of the most significant composers of the late 20th century'.
Editore: Oxford University Press, New York, 2002
Da: Raptis Rare Books, Palm Beach, FL, U.S.A.
Prima edizione Copia autografata
First edition of Reich's collection of music from 1965-2000. Octavo, original boards. Presentation copy, inscribed by the author, "For Peter Happy Birthday! Steve Reich." Fine in a fine dust jacket. Edited by Paul Hillier. Writings on Music documents the creative journey of this thoughtful, groundbreaking composer. These 64 short pieces include Reich's 1968 essay "Music as a Gradual Process," widely considered one of the most influential pieces of music theory in the second half of the 20th century. Subsequent essays, articles, and interviews treat Reich's early work with tape and phase shifting, showing its development into more recent work with speech melody and instrumental music. Other essays recount his exposure to non-western music -- African drumming, Balinese gamelan, Hebrew cantillation -- and the influence of these musics as structures and not as sounds. The writings include Reich's reactions to and appreciations of the works of his contemporaries (John Cage, Luciano Berio, Morton Feldman, Gyorgy Ligeti) and older influences (Kurt Weill, Schoenberg). Each major work of the composer's career is also explored through notes written for performances and recordings.