edited ray smith (17 risultati)

PAPERBACK. Condizione: VG. 2ND. CLEAN COPY.

Hardcover. Condizione: Good+. Condizione sovraccoperta: Good+. Light edgewear and light tanning to cover. Tanning to pages. Tanning and edgewear to DJ.

Hardcover. Condizione: VG. Condizione sovraccoperta: VG-. First Edition. Pieces give a taste of the work of the Victorian creator of "Jorrocks". A falcon Press Classic with introduction by Cyril Ray and biography and bibliography. Illustrated cream boards with red and black lettering and illusration on spine and both boards, 96pp, rough-cut lower edges. Covers have light foxing and a couple of light marks, but very little wear. Dusty, lightly-spotted page edges and slightly yellowed prelims. Unclipped DJ has very light wear to extrems and a couple of small closed tears. Ref:104470.

Hardback. Condizione: Good. Condizione sovraccoperta: Good. First Edition. An interesting look at life between 1832 and 1867. Size: 12mo - over 6¾" - 7¾" tall. Book.

First edition SIGNED. Fine and bright glossy stiff wraps with strong square spine and crisp bright text throughout. A lovely copy. This edition is signed by Seido Ray Ronci on page 169 of his contribution. Nicely represented with poems by Anne Waldman, Diane di Prima, Jane Hirshfield and others.

Single Issue magazine. Condizione: Good. First Edition; First Printing. New York: Avon Novels Inc. Good. 1951. First Edition; First Printing. Single Issue magazine. First edition of the Digest sized Magazine in Pictorial wrappers, saddle-stapled, 128 pages ." Sacrifice to the Lust Queen of the Flame Rite and other amazing tales of future science and unusual marvels by the best writers". A Good copy with some creasing and scattered soiling to the cover, surface scratch/scrape to the front cover, text paper fully tanned. See Photos whbx 7E.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. 1st Edition. First edition. Number line beginning with 1. Date line beginning with 97. Fine hardback in near fine plus, if not fine unpriced, unclipped dust jacket. Dust jacket has a slight, if not very slight fading to spine. Only trivial, if any additional signs of age/wear/previous use to book and dust jacket.

Softcover. Condizione: Fine. First edition. Stapled gray wrappers. 47pp. Fine. Four poems by Paul Neruda translated by James Wright and Robert Bly. Some poems by Vincente Huidobro translated by William Witherup and Serge Echeverria. Publisher's letter and subscription card laid in. Other contributors are Greg Kuzma, Ron Welburn, Dave Kelly, James Haining, Stuart Peterfreund, Peter Klappert, Sam Periera, G.S. Sharat Chandra, David Ray, Robert Bly, Dan Gerber, Peter Wild, Clarence Major, Stephan Taugher, William Witherup, Orville Hayden, Pat Garvey, James Tipton, D.V. Smith, and Peter Cooley.

Softcover. Condizione: Near Fine. Single issue. Stapled wrappers. [15]pp. Wrappers lightly age-toned, near fine. Contributions by Herbert C. Barrows, Jr., William R. Steinhoff, Edwin M. Mosley, Richard B. Vowles, Eleanor M. Sickels, Daniel N. Dwyer, Vincent Freimarck, Lyman A. Cotten, and Ray Smith. Cummings' poetry featured are *Anyone Lived in a Pretty How Town*, *These Children Singing in a Stone A*, *Space Being . Curved*. Essays on Eliot's *The Waste Land* and *Ash Wednesday*.

Softcover. Condizione: Fine. First edition. Stapled wrappers. 76pp. Fine. Poems by Sean Reagan, D. Rodman Walker, Joan Jobe Smith, Ray Greenblatt, Harland Ristau, Karl Patten, Jared Carter, Michael Morell, Tony Gloeggler, Karla Huston, Billy Collins, Eileen D'Angelo, Robin Hiteshew, Albert Huffstickler, Susie Merserve, Ken Meisel, Steve Patterson, Jr., Jennifer Dickie, Michael Estabrook, A.D. Winans, Susan Wallack, David Kirby, and Angelo Verga. Featured poet: Kenneth Pobo. Douglas Goetsch on the poetry of Tony Gloeggler, Marilyn Bates on the poetry of Billy Collins. Frank Allen on the poetry of David Kirby.

Soft cover. Condizione: Good Plus. Cover art by Milton Luros (illustratore). BRITISH EDITION. BRITISH EDITION. 132 pages including covers. Clean & tight. COVER IS COMPLETE, BUT HAS CREASING & THE REMAINS OF A LABEL & AN OLD PENCIL PRICE. Paper spine has wear at each end. Tears each side of base of spine. Dispatched Royal Mail First Class with tracking next working day or sooner securely boxed in cardboard. ref SD3. Science Fiction Quarterly. No. 1. MAY 1951. BRITISH EDITION. Cover Art by Milton Luros. ----- Includes: "No War Tomorrow" Wallace West, "Stopwatch on the World" Daniel R. Gilgannon, "The Deadly Thinkers" William Grey Beyer, "Righteous Plaque" Robert Abernathy, "Absolutely No Paradox" Lester del Rey, "Atomic Bonanza" George O. Smith, "Turn Backward, O Time!" Walter Kubilius, "A Matter Of Frequency" William Tenn, "Star Bright" Bryce Walton.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. First Edition / First Print. Hardback copy in pictorial boards, matching unclipped dustjacket in removable protective clear sleeve. 96pp. Not library copy, no inscriptions. (21/5).

Softcover. Condizione: Fine. First edition. 152pp. Pictorial gray wrappers. Illustrated with photographs by Marion Ettlinger. Fine. Includes poems and stories such as *The Writer's Widow* by Douglas Unger, "Far" by Albert Goldbarth, "Chicory" by John Updike, and more.

Original Wraps. Condizione: Near Fine. Condizione sovraccoperta: No Jacket, as Issued. Eduardo Paolozzi, Robin Ray, Stevie Smith, Michael Foreman et al (illustratore). First Edition. Ambit Number 40, published in 1969. Illustrated throughout in monochrome. Cover illustration by Eduardo Paolozzi, with the cover Robin Ray. With a seven-page poem "The House of Over-Dew" written and illustrated by Stevie Smith, and an eight-page spread entitled "Why We Are In Vietnam" by Eduardo Paolozzi. ***Near fine in glossy card stapled covers. The covers are just very slightly rubbed. No bumps or creases. No tears. Internally also near fine with no inscriptions. Pages clean. No marks. Spine tight. ***250mm x 185mm. 60 pages. ***Contents - work by: Stevie Smith; John Horder; Oswell Blakeston; Gavin Ewart; Juan-Agustin Palazuelos; Jim Burns; Eduardo Paolozzi; James Raimes; Boleslaw Tabotski; Martin Bax; David Trotter; Peter Angeles; Henry Graham; Mike Foreman; Henry Woolf; Stella Coleman; Taner Baybars; Oliver Stallybrass. ***'In the sixties AMBIT became well known for testing the boundaries and social conventions and published many anti-establishment pieces, including an issue with works written under the influence of drugs. Edwin Brock was poetry editor, and J. G. Ballard became fiction editor alongside, later, Geoff Nicholson. Henry Graham and Carol Ann Duffy joined Edwin Brock as poetry editors. Michael Foreman was art editor for 50 years. Across the magazine's history, Derek Birdsall (Omnific), Alan Kitching, John Morgan Studio and Stephen Barrett were notable designers.' (Wiki) ***'AMBIT started in '59; there were various impulses behind it. I'd been interested in the writer John Middleton Murray, who was married to Katharine Mansfield. He had run a magazine from about 1910 onwards for two or three years called Rhythm that attracted writers like D.H. Lawrence, and Katharine Mansfield of course. What was striking about it - you could look at it in the V&A library - was that Murray, who really knew nothing about art, had met a Scottish artist called Ferguson who was sending over from Paris artwork by "young" artists like Picasso, Miro, etc. They looked quite startling in this 1910 magazine. And the idea, that Murray never developed, of trying to produce a magazine that had literary and visual material really working together, came to me out of that. But the other initiatives were more simple. There weren't many magazines about then because the possibility of what everybody can do now -- produce a magazine from a 'desktop' in quite small numbers and for not very much money -- didn't exist. But electronic things were just starting to happen, and the first number of Ambit we partly set ourselves on a machine called a variotyper. It enabled us to paste down visual work of which we had some good drawings from an Australian artist, Oliffe Richmond, in this first number and enabled us to begin the notion of producing an arts magazine rather than the traditional poetry or Eng. Lit. magazine. I'd say there's still no magazine in the country that combines high class artwork, produced and found by Mike Foreman over the years, alongside writers who I think are exciting.' (Martin Bax interview with 3:AM magazine) ***A collectable 1960s edition of the magazine in near fine condition - this issue of particular interest for collectors of the poetry and illustrations of Stevie Smith, who features, and for collectors of AMBIT and poetry magazines in general. An uncommon issue of the magazine. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc.

Soft cover. Condizione: Fine. 1st Edition. This copy is in fine condition. All authors noted have signed this copy on the title page. Very scarce signed by contributing authors. Signed by Author(s).

Soft cover. Condizione: Fine. 1st Edition. This copy is in fine condition. Signed on the title page by John Metcalf, Leon Rooke, Greg Hollingshead, Paulette Jiles, and Ray Smith. Signed on the contents page by Margaret Atwood and Michael Ondaatje. Very scarce signed by contributing authors. Signed by Author(s).

Softcover. Condizione: vg. First edition. Quarto (10 1/8 x 7 1/2"). [16]pp (Text), [12]pp (Plates). Original decorative wrappers. Photo-illustrated title. Official catalogue of the International Camera Pictures exhibition held in Melbourne, Australia, in August 1939. This catalogue features the b/w photographic reproductions of 12 of the 351 photographs submitted in competition. The featured photographs were taken by H. Cazneaux, Dr. Julian Smith, Quinto Albicocco, A. Staunton Archer, Willy Lange, Yvonne, Andor Angyalfi, Dr. Tibor de Csorgeo, G. L. Hawkins, Ray Olson, Grete Popper, and Harold B. Herbert. Wrappers and interior in overall very good condition.