editor gordon craig (55 risultati)

paperback. Condizione: Fair. Spine creased. Cover has light wear and corner crease on rear. Text unmarked. Ships Next Business Day.

paperback. Condizione: Good. Softcover. Good binding and cover. Highlighting or a stain.

paperback. Condizione: Very Good. Intact copy that appears unmarked. Ships promptly.

paperback. Condizione: Very Good. Softcover. Good binding and cover. Clean, unmarked pages.

hardcover. Condizione: Very Good. First printing. VG/VG. Light wear. Bookplate on front pastedown. Text is clean. Ships in a box packed with care.

paperback. Condizione: Like New. ~ Like-New Inside and Out! Clean & Crisp Pages. (E-mail for more info./pics).

paperback. Condizione: Fair. Later Printing, different cover image than one shown. Text unmarked, several small dim stains, several creased pages. Cover moderately rubbed, with several creases, wear at corners. Book solid. Some scuffs edge of text block. Shipped promptly with Tracking.

paperback. Condizione: Very Good. Trade paperback. Cover is clean with minor shelf wear. Interior is clean and tight. Creased from cover. Your purchase benefits literacy and summer reading programs in Cincinnati and Hamilton County, Ohio. We ship every business day. All books ship in cardboard bookfolds with delivery confirmation. Sets or unusually heavy items ship in a box.

paperback. Condizione: As New. This book is in near-perfect condition, showing minimal signs of use. It has clean, crisp pages with no markings or highlighting, and the spine and cover are intact without any creases or wear. This book appears as if it has been barely touched and is virtually indistinguishable from a brand new book. This book may be an ex-library item. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Soft cover. Condizione: Near Fine. Graham Pilsworth; (illustratore). First Edition. (xv) 253 pp. Trade paperback format. Lightly rubbed on the corners with a flat uncreased spine; no interior markings. Cover art by Graham Pilsworth. Writing by: Robert Fontaine; Scott Young; Morley Callaghan; Raymond Souster; Mordecai Richler; George Bowering; W. D. Valgardson; Dennis Gruending; Hugh Hood; John Craig; Lesley Choyce; W. P. Kinsella; Gay Hyland; William J. Kleback; Ken Norris; Paul Quarrington; Judith Fitzgerald; Alison Gordon; Robert Currie; Pat Jasper; Edo van Belkom; Richard Cumyn; and Donald Johnson. Size: 8vo. Book.

Condizione: Fair. Condizione sovraccoperta: None. 941 pages. Softcover with paper wrappers. Spine cracked in center, from paper wrapper. Faded front wrapper. Clean. Record # 2233794.

Soft cover. Condizione: Very Good+. Craig Russell; (illustratore). First Edition. 66 pp. Very light wear. Cover art by P. Craig Russell. Illustrated stories: The Djinn by Steve Englehart, Steve Ditko, Steve Leialoha, and Tom Orzechowski; Risk by Don McGregor, Tom Sutton, and Susan Fox; and Rayder by Mark Evanier, Mike Sekowsky, and Alan Gordon. Size: 4to. Book.

Soft cover. Condizione: Near Fine. Keith Berdak; Dreyfus; (illustratore). 1st Edition. Lightly rubbed on the corners with a flat uncreased spine; no interior markings. Cover art by Keith Berdak; interiors by Dreyfus. This anthology contains: Watch the Whiskers Sprout by D. F. Lewis; The Death Watch by Hugh B. Cave; The Return of the White Ship: The Quest for Cathuria by Arthur William Lloyd Breach; Kadath - The Vision and the Journey by T. Winter-Damon; The Franklyn Paragraphs by Ramsey Campbell; Behold, I stand at the Door and Knock by Robert M. Price; 1968 RP by Joe Murphy; Those of the Air by Darrell Schweitzer and Jason Van Hollander; Mr. Skin by Victor Milan; Just Say No by Gregory Nicoll; The Scourge by Charles M. Saplak; Pickman's Legacy by Gordon Linzner; Of Dark Things and Midnight Places by David Niall Wilson; The Likeness by Dan Perez; An Early Frost by Scott David Aniolowski; Scene: A Room by Craig Anthony; The Seven Cities of Gold by Crispin Burnham; Shadows of Her Dreams by Cary G. Osborne; The Herald by Daviel M. Burrello; Typo by Michael D. Winkle; and Star Bright, Star Byte by Marella Sands Size: 8vo. Book.

Hardcover. Condizione: New. Gift quality, Fine. Clean, unmarked pages. Good binding and cover. Hardcover. Ships daily.

Trade Paperback. Condizione: Good +. First Edition. Volume 71, Number 2, January 1966 : Good condition Softcover Octavo. Good (+) condiiton journal, 801 pages plus appendix. Book has minor wear, and a clean interior. Size: 8vo - over 7" - 9" tall. Book.

paperback. Condizione: As New. Looks unread with just a touch of shelf wear Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.

Hardcover. First edition. First edition [stated]. vii, [5], 399, [3] p. Occasional footnotes. Illustrations. Bibliography. Notes. From Wikipedia: "Francis Steegmuller (July 3, 1906 October 20, 1994) was an American biographer, translator and fiction writer, who was known chiefly as a Flaubert scholar. Born in New Haven, Connecticut, Steegmuller graduated from Columbia University in 1927. [2] He contributed numerous short stories and articles to The New Yorker and also wrote under the pseudonyms of Byron Steel and David Keith. He won two National Book Awards--one in 1971 for Arts and Letters for his biography of Jean Cocteau (Cocteau: A Biography), [3] another in 1981 for Translation for the first volume of Flaubert's complete letters (The Letters of Gustave Flaubert 1830-1857)[4]--and the American Academy of Arts and Letters Gold Medal. His first wife was Beatrice Stein, a painter who was a pupil and friend of Jacques Villon; she died in 1961. He married the writer Shirley Hazzard in 1963. His collected papers are held at two universities: at Yale University, the James Jackson Jarves (1818 1888) Papers and the Francis Steegmuller Collection for Jacques Villon; at Columbia University, the Francis Steegmuller Papers 1877 1979." From Wikipedia: "Edward Henry Gordon Craig (16 January 1872 29 July 1966), sometimes known as Gordon Craig, was an English modernist theatre practitioner; he worked as an actor, director and scenic designer, as well as developing an influential body of theoretical writings. Craig was the son of revered actress Dame Ellen Terry. The Gordon Craig theatre, built in Stevenage (the town of his birth), was named in his honour in 1975. Craig asserted that the director was "the true artist of the theatre" and, controversially, suggested viewing actors as no more important than marionettes. He designed and built elaborately symbolic sets; for instance, a set composed of his patented movable screens for the Moscow Art Theatre production of Hamlet. He was also the editor and chief writer for the first international theatre magazine, The Mask. He worked as an actor in the company of Sir Henry Irving, but became more interested in art, learning to carve wood under the tutelage of James Pryde and William Nicholson. His acting career ended in 1897, when he went into theatrical design. Craig's first productions, Purcell's Dido and Aeneas, Handel's Acis and Galatea (both inspired and conducted by his lifelong friend Martin Shaw, who founded the Purcell Operatic Society with him to produce them), and Ibsen's The Vikings at Helgeland, were produced in London. The production of Dido and Aeneas was a considerable success and highly influential in reviving interest in the music of Purcell, then so little known that three copies of The Times review were delivered to the theatre: one addressed to Mr Shaw, one to Mr Craig, and one to Mr Purcell. Craig concentrated on keeping his designs simple, so as to set-off the movements of the actors and of light, and introduced the idea of a "unified stage picture" that covered all the elements of design. After finding little financial success in Britain, Craig set out for Germany in 1904. While there, he wrote one of his most famous works, the essay The Art of the Theatre (later reprinted with the title On the Art of the Theatre). In 1908, Isadora Duncan introduced Craig to Constantin Stanislavski, the founder of the Moscow Art Theatre, who invited him to direct their famous production of Hamlet with the company, which opened in December 1911. After settling in Italy, Craig created a school of theatrical design with support from Lord Howard de Walden. Craig was considered extremely difficult to work with and ultimately refused to direct or design any project over which he did not have complete artistic control. This led to his withdrawal from practical theatre production. His later career is remarkable for how little he achieved after the age of forty, during a long period of over fifty years. He received an OBE and in 1958 was made a Com.

Hardcover. Condizione: with no dust jacket. Condizione sovraccoperta: No Dust Jacket. Ex-library, otherwise very good. ; Volume 2 only. Reprint edition.

Soft cover. Condizione: Very Good. 1st Edition. First edition. Paperback. 21.5 × 14cm, 402pp. This copy has been signed to the title page by Jo Fletcher. Oxrun Station is different. Nobody can really explain it. You just have to understand that bizarre things happen there. No one knows why, they just do. Weird things. The kind of things you don't even want to dream about in your worst nightmares. Like what happens this Halloween to Sam Jones, Eleanor Trent, Tina Broadbent, Chuck Antrim, and Cody Banning. Trick or Treat is crazy enough, with ghosts and goblins and witches and warlocks and all manner of other nasties roaming the street. But in Oxrun Station, the masks aren't always made of rubber. This year the fabric of the cosmos is unravelling, and dark and dangerous things are leaking across the borders. A horror novella in five segments each by a different author, one for each character. Condition: This copy is in very good condition, with one light crease to the spine. Signed by Author(s).

Hardcover. Condizione: Brand New. 240 pages. 11.50x9.25x0.75 inches. In Stock.

Hardcover. Condizione: Brand New. 240 pages. 11.50x9.25x0.75 inches. In Stock.

Paperback. Condizione: Brand New. 256 pages. 9.00x6.00x0.75 inches. In Stock.

paperback. Condizione: Fair.

Paperback. Condizione: Brand New. 608 pages. 9.00x6.00x1.50 inches. In Stock.

Hardcover. Condizione: Very good. Condizione sovraccoperta: Good. First Printing [Stated]. xxi, [1], 209, [1] pages. Footnotes. Editor's Notes. The essays and Index. Includes: Introduction by Gordon Craig and Acknowledgments. Contains the initials MH in ink at top corner of fep. MH are the initials of noted author and scholar Max Holland. Ground Zero Books, Ltd acquired this item directly from Dr. Holland. Eckart Kehr (21 June 1902 in Brandenburg, Germany - 29 May 1933 in Washington, DC) was a German historian who was one of the first historians to emphasize the importance of social structure and economic interests in influencing political decisions. His most important work is his 1930 doctoral thesis (published 1931) Schlachtflottenbau und Parteipolitik 1894-1901 ("Battle Fleet Construction and Party Politics in Germany, 1894-1901: A Cross-Section of the Political, Social and Ideological Preconditions of German Imperialism"), which describes the domestic economic sources of Germany's naval policy during the years 1894 to 1901, reversing the cherished doctrine of the primacy of foreign policy in the life of the German state. The monograph gained slow acceptance, and his arrogant tone and historical mistakes held it back for decades, until West German historian Hans-Ulrich Wehler et al. revived it to create the Bielefeld School of social history in the 1960s-1970s. It is now considered a classic in the history of the Germany of Kaiser Wilhelm II. He died in 1933 of a heart attack after he had published 16 more essays. Gordon Alexander Craig (November 13, 1913 - October 30, 2005) was a Scottish-American liberal historian of German history and of diplomatic history. Craig was born in Glasgow. In 1925 he emigrated with his family to Toronto, Ontario, Canada, and then to Jersey City, New Jersey. Initially interested in studying the law, he switched to history after hearing the historian Walter "Buzzer" Hall lecture at Princeton University. In 1935, Craig visited and lived for several months in Germany, to research a thesis he was writing on the downfall of the Weimar Republic. This trip marked the beginning of lifelong interest with all things German. Craig did not enjoy the atmosphere of Nazi Germany, and throughout his life, he sought to find the answer to the question of how a people who, in his opinion, had made a disproportionately large contribution to Western civilization, allowed themselves to become entangled in what Craig saw as the corrupting embrace of Nazism. The essays in this important work address: German Naval Policy, Anglophobia, Weltpolitik, Class Struggle, Armament Policy, Imperial Germany, Tripitz, German Kreigsmarine, German Navy, Propaganda, Royal Prussian Reserve Officer, Social System, Puttkamer, Reichswehr, Prussian Bureaucracy, Rechtsstaat, Dictatorship, and Historiography.

Paperback. Condizione: New. In shrink wrap. Looks like an interesting title!

Paperback. Condizione: Very Good. Condizione sovraccoperta: Very Good. Text in Hungarian and English. Very good paperback with moderate wear to Dust Jacket and no Marks to text. Theatre Annex; 8vo 8" - 9" tall; 203 pages.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condizione: Brand New. 400 pages. 6.00x1.00x9.00 inches. In Stock.

Paperback. Condizione: New. In shrink wrap. Looks like an interesting title!