editor john hersey (24 risultati)

Hard cover. Condizione: Fine in good dust jacket. Trade ed. Sewn binding. Cloth over boards. 701 p. Audience: General/trade. No previous owner's name. Clean, tight pages. No bent corners. No remainder mark. Dj is worn on binding area. BB 92.

Soft cover. Condizione: Very Good. MAGAZINE. NICE COPY. stapled binding.

hardback. Condizione: very good. Condizione sovraccoperta: no. 4to, Ex-Lib, Light Shelfwear.

Here is "The Writer's Book : Practical Advice by Experts in Every Field of Writing" . Published by Barnes & Noble, the book was Presented by the Author's Guild and Edited by Helen Hull. This is 1969 10th Printing. From the cover blurb: "This book is a comprehensive and imaginative collection of essays on every phase of the writer's art and craft: forty noted authors discuss the making and marketing of the novel, short story, poem, magazine article, the TV and Film Play. Here is practical professional advice on problems of characterization, style, conflict, and plot for everyone who wants to write. This book was issued well before the internet, and exhibits nothing remotely akin to the modes necessary for writing today. Thus it should prove fascinating for anyone interested in such near-past thinking. We've provided two scans of the Table of Contents, which is fairly lengthy, so view it carefully. SERIES : Everyday Handbooks TITLE : The Writer's Book AUTHORS : Pearl Buck, Paul Gallico, Jacques Barzun, Lionel Trilling, Babette Deutsch, Lajos Egri, Ann Petry, John Hersey, Rex Stout, Arthur Koestler, Faith Baldwin, W H Auden, Frederick Lewis Adams, Katherine Anthony, Leonora Speyer, Phyllis McGinley, Niven Busch, Winston Churchill, et al AEGIS : The Author's Guild EDITOR : Helen Hull IMPRINT : Barnes & Noble PLACE : New York DATE : (1969) STATUS : Out of Print - OP DETAILS : Trade paperback; 5 " x 8', card-stock wraps (cover printed in brownish-orange with white and black lettering - a picture of a plumed ink pen decorates the front cover); 353 pages CONDITION -- VERY GOOD -- This is a previously owned book that remains clean and presentable, with the following particulars noted: EXTERIOR -- No creasing to spine; soft impacts have caused creasing to the lower fore-edge corners, front and back; the cover surfaces have modest rub and a touch of abrasion; cover edges have scattered mild nicking (most noticeable at spine extremities. BINDING -- Tight INTERIOR -- Clean and free of marking. Soft bumps to a few leaf corner tips. All in all a well preserved copy.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. A fine copy in a fine mylar protected DJ. Stated 1st printing Library of America # 59 (1st thus) with no additional printings listed. DJ has some minor general wear. 8vo; ~ 808 pages.

Condizione: Good. Meets or exceeds the good condition guidelines. Nice copy. Has minor tearing. Five star seller - Buy with confidence!

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

310pp. 4to Illlustrated in black and white. Viewer in rear pocket Black cloth #3 of John Hopkins Oceanographic Studies Ownership stamp and signature on front endpaper, light cover rubbing else clean tight copy: VG/no dj.

Paperback. Condizione: Brand New. reprint edition. 240 pages. 8.25x5.00x0.75 inches. In Stock.

Soft cover. Condizione: Very Good. Condizione sovraccoperta: No Jacket as issued. 1st Edition. First printing. ICP Library of Photographers. Copiously illustrated with a comprehensive chronology, list of exhibitions, books and related material. Cover a little creased but otherwise a firm, clean copy. Small 4to.

Cloth. Condizione: Fine. Condizione sovraccoperta: Fine. First Trade Edition.

hardcover. Condizione: Like New. Brand new slip cased first printing. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.

Hardcover. Condizione: Like New. As new looks unread slip cased edition no jacket as issued. First printing Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.

Condizione: As New. Unread copy in mint condition.

Condizione: New. Brand New.

Hardcover. Condizione: New. As new clean tight and bright Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.

349p, cloth, no DW, VG++.

Paperback. Condizione: Brand New. reprint. edition. 874 pages. 8.50x5.50x1.50 inches. In Stock.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. Presumed 1st edition printed May, 1985. Text is clean, pages are white and crisp. Binding is tight and solid. A few chips to the DJ due to shelving; otherwise, copy is pristine. Dark Blue Cloth, orange JH on front cover. Maps on front and back end sheets. Copy appears to be unread. Copyright dated 1985. 701 pages. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Religion & Theology; ISBN: 0394543319. ISBN/EAN: 9780394543314. Pictures of this item not already displayed here available upon request. Inventory No: 1561000239.

Hardcover. Condizione: Very Good. No Jacket. 1st Edition. Very Good hardcover first edition (no copyright page information). Contains biographies of the graduates of Yale's Class of 1936, many of whom write about having served in WW II. Edited by novelist John Hershey (A Bell for Adano, etc.), who was the Class Secretary, and includes his own biographical sketch. No DJ. A must, we think, for the Hersey completist.

Hardcover. Condizione: Brand New. library of america edition. 898 pages. 8.00x4.75x1.25 inches. In Stock.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Alvin Rosenbaum Projects, 1988; stated First Printing, no later printings indicated; 191pp. Hardcover in cloth-covered box. Binding is tight, sturdy, and square; tan cloth boards in VG condition, corners sharp, black titling remains bold, photo inlay on front board remains bright; photos, illustrations and text also very good. Two-panel box closes with string. Box in very good condition as well. A fantastic copy of the first edition. Not available for domestic priority/expedited shipping. Ships from Dinkytown in Minneapolis, Minnesota.

Soft cover. Condizione: Very Good. 57 Pp. Annotated By Ian Ballantine, With Four Page Numbers On Front Endpaper, Directing The Reader To: P. 17, Pearl S. Buck "I Appreciate Very Much Indeed A Beautifully Made And Designed Book. But Even More I Appreciate Books Which Are Cheap Enough For People To Buy. Somehow Or Other We Must Get Books Within The Range Of Low And Average Income, So That Book Reading Is No Longer A Luxury As It Is Now. Whenever I See A Book That Is Both Beautiful In Design And Low In Price, I Am Especially Grateful." The Quotation Has Ballantine's Emphasis Mark In Margin. P. 23, John Dos Passos: . To My Way Of Thinking, The Great Problem Before The Book Designer At Present Is The Design Of Cheap And Pocket Books. In A Period When The Continued Use Of Books On Any Large Scale Is Very Much A Moot Question, It Is To Be Hoped That The Dangers And Hazrds Which Confront The Trade Will Stimulate New Inventiveness In Design As In Other Directions." This Part Of The Quotation Has Ballantine's Emphasis Mark In The Margin. P. 27 ( Through P. 34, "Some Random And Randy Thoughts On Books", Hayashi 1066, Which Is Otherwise Hilarious): ". For Myself, I Like The Whole Theory Of The Twenty-Five Cent Book. For One Thing The Very Cost Of A Trade Edition Encourages A Degree Of Selfishness. Such A Book Must Be Hoarded And Put On The Shelves. It Becomes Property And Property Must Be Protected. With The Cheap Editions The Opposite Is True. You Load Your Friends' Arms With Books.I Don't Know How Many Writers Have The Feeling I Have About Books. I Do Not Love Books For Themselves . I Would For Myself Much Rather Have Thousands Of Cheap, Dog-Eared Volumes Filed In Closed Cabinets Like Phonograph Records." This Section With Ballantine's Emphasis Marks In Margins. P. 37, Thornton Wilder: " I'm Ashamed To Say That I Must Have Been Brought Up Wrong. I Never Took To Noticing The Chassis On Automobile Engines, Clothes On People, Facades On Buildings, Nor The Format Of Books. I Wish That English Books, Like French Ones, Had Plain Covers And Cost 60C." The Whole Piece With Ballantine's Emphasis Mark In Margin.On The Front Cover, Their Are Five Sets Of Pencil Initials, Glb, V, Wp, Sd, And C (?) M, Each Of Which Is Also Crossed Out, Apparently Indicating That It Was Being Distributed To Each And Then Passed On. Ian Ballantine Founded Ballantine Books In 1952 And Then Bantam Books; Bantam Concentrating On Well Made Paperbacks With Covers With Original Art, Ballantine Books Usually Publishing Original Works In Both Small Runs Of Hardcover Editions With Simultaneous Large Runs Of Softcover Editions, Or, In The First Few Years, Simultaneous Or Early Softcover Versions Of Original Hardcover Editions By Other Publishers. Ballantine Soon Began Publishing Original Sf, Becoming The First Mainstream Publisher To Concentrate On This Genre, With Fine (And Now Exceptionally Valuable) Cover Art By Now-Classic Sf Illustrators, And Also Began Publishing Sf Paperback Originals Which Are The True Firsts Of Some Classic Works, There Being No Simultaneous Hardcover Version. Fahrenheit 451 Was First Published In Several Hardcover Versions, Including One Bound In Asbestos, But The Ballantine 1953 Softcover Is The True First Of That Classic Work.