editor luscher (22 risultati)

Hard Cover. Condizione: Very Good. First Edition. a very good hardcover; an ex-library copy with usual markings; internally pages bright and clean; ---------- SATISFACTION GUARANTEED --------- FAST, COURTEOUS SERVICE ------ ALL ORDERS SHIPPED WITH DELIVERY CONFIRMATION; Size: 6 x 9". Ex-Library.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Very good hardcover with DJ, from a personal collection (NOT ex-library). Binding is tight, sturdy, and square; boards and text also very good+. Light shelfwear to Dust Jacket. Signed with brief inscription to colleague by the editor Phyllis Moen. Ships from Dinkytown in Minneapolis, Minnesota. Due to the size/weight of this book extra charges may apply for international shipping. Signed by Editor.

4to, 272pp. Colour illustrations. As new hardback copy in shrink wrappers.

hardcover. Condizione: Very Good. Very good hardcover without DJ, as issued, from a personal collection (NOT ex-library). Binding is tight, sturdy, and square; boards and text/images also very good. Exterior looks great, shelfwear is very minor. An excellent copy. Ships same or next business day from Dinkytown in Minneapolis, Minnesota.

Paperback. Condizione: Very Good - Cash. Light reader wear and rubbing to the edges, corners, covers, and pages. Pages and inside covers tanned. Cards still intact. Stock photos may not look exactly like the book.

Hardcover. Condizione: Brand New. 136 pages. 8.50x9.50x0.60 inches. In Stock.

Hardback. Condizione: Near fine. Condizione sovraccoperta: Near fine. First American edition. Karl Gerstner was known for several things at once: He was a graphic artist and typographer of the Swiss school, a color theorist and writer, and an abstract painter. Which aspect of his long career was most important shifted with time and according to the interests of the inquirer. "The Art of Karl Gerstner: The Spirit of Colors" (warning: references to this book are sometimes found with the title and subtitle reversed, for legitimate reasons) combines his theoretical work with many examples of his paintings. It also includes not only essays by Gerstner, but essays about Gerstner. What was he about? The general thrust of his thoughts on color, and perhaps his paintings, might be summed up by Lynn Gamwell in "The Guardian" in 2015, two years before Gerstner's death at age 86: "Swiss artists such as Gerstner created patterns that resonate with mathematical descriptions of nature in terms of symmetry. Like the mathematicians, these artists established basic aesthetic building-blocksunits of color and formand arranged them using rules that preserve proportion and balance." Critics were not always overly-fond of the end results when it came to his paintings as works of art in and of themselves. For example, Roberta Smith said this in the "New York Times" about one of Gerstner's rare solo exhibitions in 1997: "there's a brittle, overly intellectual bravura to these machinations that makes them seem more like high-performance color charts than paintings, despite Mr. Gerstner's ability to make his technically perfect surfaces feel handmade.Thus while the works unlock some of color's mysteries to dazzling effect, the dazzle never deepens." There are so many examples of Gerstner's work in this book, including large fold-out plates, that you have plenty of information to form your own opinion. Our copy is a first printing of the first American edition. It was originally published in German with the title, "Der Geist der Farbe," or "The Spirit of Colors," which appears here both on the top of the front of the dust jacket and on the half-title page. However, the wording at the bottom of the front of the dust jacket, the title on the title page, and on the official Library of Congress catalog record is "The Art of Karl Gerstner"hence where the confusion over the official title of the book comes in. To make matters worse, neither is stamped on the black linen binding, only Gerstner's name. That gray stamping is worn on the cover but still in fine shape on the spine, and the binding itself is in excellent condition, without even any bumping on the corners or spine. (There is some slight bowing on the boards, however.) The text block is tight and solid, and the pages are free of marks, creases, and tears. The dust jacket is showing slightly more wear, with a bit of shelf wear at the lower left corner of the rear panel and very small nick on top of the inside flap. The lamination is starting to pull away from the paper at a number of places as well, but at no place has it completely peeled away. Photos are forthcoming, or available upon request.

Paperback. Condizione: Brand New. 190 pages. German language. 8.11x4.92x0.79 inches. In Stock.

Paperback. Condizione: Brand New. 138 pages. 10.15x7.00x0.32 inches. In Stock.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Very good with good to very good dust jacket and eight color cards in back pocket. One of the color cards has some edge stains. Single name at top of title page. Dust jacket is worn at top of spine and top back corner and is bumped at other corners. 185 pages.

Paperback. Condizione: Brand New. 416 pages. 7.00x4.00x0.50 inches. In Stock.

Paperback. Condizione: Brand New. 190 pages. German language. 8.11x4.92x0.79 inches. In Stock.

Mass Market Paperback. Condizione: Very Good. 1st Pocket Books Printing September 1971. 224 pp. Solidly bound copy with moderate external wear, crisp pages and clean text. Color cards are detached from book but present.

Hardcover. 8vo., 185 pp. Included are the eight color cards inserted in rear pocket envelope. Very Good in Very Good dust jacket.

Paperback. Condizione: Brand New. 416 pages. 7.00x4.00x0.50 inches. In Stock.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 185 pages in very good condition. Pages are clean and unmarked. 8 cards kept in a pouch at the back of the book. Some light stains on the page edges. Bound in white hardcovers with black and red titles. Lightly darkened around the edges. Matching white dustjacket in good condition. Darkened and worn around the edges with creases, chips, and tears. Scuffed. Darkened on the spine. Price-clipped. 1ST PRINTING. VG/G. Book.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!

Paperback. Condizione: Brand New. 116 pages. 9.25x6.50x0.25 inches. In Stock.

Hardcover. Condizione: Brand New. 336 pages. 9.00x6.25x1.25 inches. In Stock.

Hardcover. Condizione: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Paperback. Condizione: Brand New. 536 pages. 9.25x6.10x1.21 inches. In Stock.

Condizione: guter Zustand. F. guter Zustand, Gebrauchs- und Alterungsspuren: Einbandecken gestaucht / gebogen - Vorsatz und Schmutztitel jeweils mit Stempel und 2 Nummern - Titel mit einer handschriftlichen Nummer - Seiten überwiegend sauber und ordentlich - die letzten 10 Blatt unten mit kleinem Eselsohr - Schutzumschlag defekt, mit Fehlstellen und hinterklebt "Ständerat Schmuki macht auf die wünschenswerte tatkräftige Förderung der Rheinschiffahrt zum Bodensee aufmerksam. Die wirtschaftliche Lage der Ostschweiz macht eine weitblickende Förderung dieses Werkes zur Pflicht. Auch die innerschweizerische Flußschiffahrt muß verwirklicht werden; die Weiterführung der Schifffahrt von der Aare zum Genfersee, die Fortsetzung der Rhoneschiffahrt in den Genfersee, die Verbindung der Aare über die Reuß nach dem Zuger- und dem Vierwaldstättersee an den Fuß der Alpen und in das Aufnahmegebiet der Gotthardbahn, die Verbindung Rhone - Rhein als «Canal transhelvétique»." - Die Wasserstrassen Europas und ihre Bedeutung für die Schweiz - Die Grundlagen einer schweizerischen Binnenschiffahrt - Projekte der schweizerischen Binnenschiffahrt Seitenanzahl: 295 Seiten mit zahlreichen Skizzen, Bildern und Falttafeln Format: ca. 19 x 27 Leinen Deutsch.