Edward j detmold illustrator (8 risultati)

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st Edition Thus. Hardcover with dustjacket, first printing of this later edition as indicated by the publisher's "1" in the number line on copyright page, "This edition was first published in 1909, and includes twenty-three of Edward Detmold's beautiful animal paintings" and several drawings, the book has minor edge-crimps at the spine-ends and is in excellent condition otherwise, the jacket is scuffed but no other flaws and a professional (removable) mylar cover is included; 174 pages.…

Hardcover. Condizione: Very Good. Ships quickly. Almost like new. Minimal shelf/reading wear. Orphans Treasure Box sells books to raise money for orphans and vulnerable kids. Detmold, Edward J.; Detmold, Maurice (illustratore).

Hardcover. Condizione: Fine. London, The Folio Society, 1999 (first thus). Quarto, viii, 239 pages plus 12 colour plates by E.J. Detmold. Gilt-pictorial white cloth; a fine copy in the near-fine slipcase (slightly rubbed).

Hardcover. Condizione: New. Detmold, Edward J. (illustratore).

Vellum. Condizione: Very Good Minus. None. First UK Detmold Ed. 28.5 cm, [iv,] 235pp, 13 coloured art plates (complete,) gilt-tooled vellum over boards - odd marks and abrasion from removal of price sticker, and spine a little tanned. Name and details and small modern bookplate to front pastedown, which has a little minor bubbling at lower margin. One tiny insect hole to rear board. VG minus. First UK Detmold ed. Scarce. A lovely item. Edward J. Detmold (illustratore). …

Hardcover. Condizione: Near Fine. First edition thus. Near fine in a near fine slipcase.; 152 pages.

Hardcover. Condizione: Very Good. No Jacket. American Edition. No Date (1909-1912?). Collects 313 of Aesop's classic fables and features 23 mounted full-color plates, all present, by Detmold. Originally published by Hodder and Stoughton in London in 1909 in a limited edition, this American edition is quite uncommon in commerce. Very Good in original embossed green cloth with gilt lettering, illustrated end papers, small prior owner name in ink, scattered moderate toning throughout, spine evenly sunned to pale green, mounting page for illustration at p.134 loose. Still an attractive copy, with all of the marvelous Detmold illustrations. Size: 8vo - over 7¾" - 9¾" tall. Book.…

First trade edition. Original cream-colored cloth. Front cover lettered in gilt with floral decorations in yellow, brown, and gray after a design by Detmold (signed E.J.D. at lower right), back cover with a similar floral decorations in yellow, brown, and gray, spine stamped and lettered in gilt. White endpapers with small black floral vignette, all edges uncut. Mild soiling to cloth, spine very slightly darkened, small stain at upper edge of rear cover. Otherwise a very good copy, internally crisp and clean. Partially unopened. Collating x, 181, [1, printer's imprint], [1, publisher's device], [1, blank] and including twenty mounted color plates (including frontispiece). Belgian poetic dramatist and essayist Maurice Maeterlinck (1862-1949) "wrote in French, establishing himself as one of the leading figures in the symbolist movement with his play La Princesse Maleine (1889; English trans. 1892). In 1892 Pelléas et Mélisande appeared (trans. 1894), the work for which he is now chiefly remembered and the source of Debussy's opera of the same name (1902). He also achieved great contemporary popularity with L'Oiseau bleu (1908; The Blue Bird, 1909) and was awarded the Nobel Prize in 1911. He drew heavily on traditions of romance and fairy tale, and the characteristic tone of much of his drama is one of doom-laden mystery and timeless melancholy. He also produced a number of essays of a philosophical nature, including La Vie des abeilles (1901; The Life of the Bee, 1901) and L'Intelligence des fleurs (1907; The Intelligence of Flowers, 1907)" (OCEL). It was fitting for the illustrator to take up this work. After the tragic death of his twin brother and collaborator, Edward Detmold concentrated his talents on books, primarily of flowers and animals: "Detmold's finest plates are those produced for The Fables of Aesop (1909), The Life of the Bee (1911), and Hours of Gladness (1912), the latter with texts after Maurice Maeterlinck, the Belgian poet, naturalist, and mystic.A painting of chrysanthemums, contained in Hours of Gladness, is a glorious acknowledgement of the artist's debt to William Morris and Burne-Jones" (Larkin). Houfe 283. …