Eiichi tosaki (21 risultati)

Soft cover. Condizione: Near Fine. 8vo, 260 pp.

Soft cover. Condizione: Very Good. Trade paperback. Appears to be new and unread.

Hardcover. Condizione: Very Good. First Edition. First Edition, Later Printing. Published by Springer, 2017. Octavo. Hardcover. Book is very good with previous owner ink notes and underlining throughout and shelf wear. An excellent copy of this comprehensive philosophical work.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

Condizione: New. Softcover reprint of the original 1st ed. 2017 edition NO-PA16APR2015-KAP.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This volume investigates the meaning of visual rhythm through Piet Mondrian's unique approach to understanding rhythm in the compositional structure of painting, drawing reference from philosophy, aesthetics, and Zen culture. Its innovation lies in its reappraisal of a forgotten definition of rhythm as 'stasis' or 'composition' which can be traced back to ancient Greek thought. This conception of rhythm, the book argues, can be demonstrated in terms of pictorial strategy, through analysis of East Asian painting and calligraphy with which Greek thought on rhythm has identifiable commonalities. The book demonstrates how these ideas about rhythm draw together various threads of intellectual development in the visual arts that cross disparate aesthetic cultural practices. As an icon of early 20th Century Modernism, Mondrian's neoplasticism is a serious painterly and philosophical achievement. In his painting, Mondrian was deeply influenced by Theosophy, which took its influence from Eastern aesthetics; particularly East Asian and Indian thought. However, Mondrian's approach to visual rhythm was soidiosyncraticthat his contribution to studies of visual rhythm is often under-recognized. This volume shows that a close inspection of Mondrian's own writing, thinking and painting has much to tell scholars about how to understand a long forgotten aspect of visual rhythm. Rodin's famous criticism of photography ('athlete-in-motion is forever frozen') can be applied to Muybridge's zoopraxiscope, the Futurists' rendition of stroboscopic images, and Duchamp's 'Nude Descending a Staircase.' Through a comparative study between Mondrian's painting and these seminal works, this volume initiates a new convention for the cognition of the surface of painting as visual rhythm.'Mondrian's simultaneous emphasis on the static and the rhythmic is hardly fodder for a publicist. Eiichi Tosaki has taken on the challenge of elucidating Mondrian's theories of rhythm, and particularly his conception of 'static' rhythm. The result is a tour de force that will forever alter the reader's encounter with the works of Mondrian.' Prof. Kathleen Higgins.…

Paperback. Condizione: Brand New. reprint edition. 288 pages. 9.25x6.10x0.65 inches. In Stock.

Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This volume investigates the meaning of visual rhythm through Piet Mondrian's unique approach to understanding rhythm in the compositional structure of painting, drawing reference from philosophy, aesthetics, and Zen culture. Its innovation lies in its reappraisal of a forgotten definition of rhythm as 'stasis' or 'composition' which can be traced back to ancient Greek thought. This conception of rhythm, the book argues, can be demonstrated in terms of pictorial strategy, through analysis of East Asian painting and calligraphy with which Greek thought on rhythm has identifiable commonalities. The book demonstrates how these ideas about rhythm draw together various threads of intellectual development in the visual arts that cross disparate aesthetic cultural practices. As an icon of early 20th Century Modernism, Mondrian's neoplasticism is a serious painterly and philosophical achievement. In his painting, Mondrian was deeply influenced by Theosophy, which took its influence from Eastern aesthetics; particularly East Asian and Indian thought. However, Mondrian's approach to visual rhythm was soidiosyncraticthat his contribution to studies of visual rhythm is often under-recognized. This volume shows that a close inspection of Mondrian's own writing, thinking and painting has much to tell scholars about how to understand a long forgotten aspect of visual rhythm. Rodin's famous criticism of photography ('athlete-in-motion is forever frozen') can be applied to Muybridge's zoopraxiscope, the Futurists' rendition of stroboscopic images, and Duchamp's 'Nude Descending a Staircase.' Through a comparative study between Mondrian's painting and these seminal works, this volume initiates a new convention for the cognition of the surface of painting as visual rhythm.'Mondrian's simultaneous emphasis on the static and the rhythmic is hardly fodder for a publicist. Eiichi Tosaki has taken on the challenge of elucidating Mondrian's theories of rhythm, and particularly his conception of 'static' rhythm. The result is a tour de force that will forever alter the reader's encounter with the works of Mondrian.' Prof. Kathleen Higgins.…

Taschenbuch. Condizione: Neu. Mondrian's Philosophy of Visual Rhythm | Phenomenology, Wittgenstein, and Eastern thought | Eiichi Tosaki | Taschenbuch | Sophia Studies in Cross-cultural Philosophy of Traditions and Cultures | xxvii | Englisch | 2018 | Springer | EAN 9789402415070 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.…

Condizione: New. 1st ed. 2017 edition NO-PA16APR2015-KAP.

Condizione: new. Questo è un articolo print on demand.

Condizione: new. Questo è un articolo print on demand.

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This volume investigates the meaning of visual rhythm through Piet Mondrian's unique approach to understanding rhythm in the compositional structure of painting, drawing reference from philosophy, aesthetics, and Zen culture. Its innovation lies in its reappraisal of a forgotten definition of rhythm as 'stasis' or 'composition' which can be traced back to ancient Greek thought. This conception of rhythm, the book argues, can be demonstrated in terms of pictorial strategy, through analysis of East Asian painting and calligraphy with which Greek thought on rhythm has identifiable commonalities. The book demonstrates how these ideas about rhythm draw together various threads of intellectual development in the visual arts that cross disparate aesthetic cultural practices. As an icon of early 20th Century Modernism, Mondrian's neoplasticism is a serious painterly and philosophical achievement. In his painting, Mondrian was deeply influenced by Theosophy, which took its influence from Eastern aesthetics; particularly East Asian and Indian thought. However, Mondrian's approach to visual rhythm was soidiosyncraticthat his contribution to studies of visual rhythm is often under-recognized. This volume shows that a close inspection of Mondrian's own writing, thinking and painting has much to tell scholars about how to understand a long forgotten aspect of visual rhythm. Rodin's famous criticism of photography ('athlete-in-motion is forever frozen') can be applied to Muybridge's zoopraxiscope, the Futurists' rendition of stroboscopic images, and Duchamp's 'Nude Descending a Staircase.' Through a comparative study between Mondrian's painting and these seminal works, this volume initiates a new convention for the cognition of the surface of painting as visual rhythm.'Mondrian's simultaneous emphasis on the static and the rhythmic is hardly fodder for a publicist. Eiichi Tosaki has taken on the challenge of elucidating Mondrian's theories of rhythm, and particularly his conception of 'static' rhythm. The result is a tour de force that will forever alter the reader's encounter with the works of Mondrian.' Prof. Kathleen Higgins 288 pp. Englisch. …

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Tosaki Eiichi has a PhD in Art History and Philosophy, Melbourne University (2002) and is currently completing his second PhD in Drawing and Art Therapy at the School of Art and Design, Monash University. Eiichi is an Honorary Fellow at the Philosophy Depar. …

Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This volume investigates the meaning of visual rhythm through Piet Mondrian's unique approach to understanding rhythm in the compositional structure of painting, drawing reference from philosophy, aesthetics, and Zen culture. Its innovation lies in its reappraisal of a forgotten definition of rhythm as 'stasis' or 'composition' which can be traced back to ancient Greek thought. This conception of rhythm, the book argues, can be demonstrated in terms of pictorial strategy, through analysis of East Asian painting and calligraphy with which Greek thought on rhythm has identifiable commonalities. The book demonstrates how these ideas about rhythm draw together various threads of intellectual development in the visual arts that cross disparate aesthetic cultural practices. As an icon of early 20th Century Modernism, Mondrian's neoplasticism is a serious painterly and philosophical achievement. In his painting, Mondrian was deeply influenced by Theosophy, which took its influence from Eastern aesthetics; particularly East Asian and Indian thought. However, Mondrian's approach to visual rhythm was soidiosyncraticthat his contribution to studies of visual rhythm is often under-recognized. This volume shows that a close inspection of Mondrian's own writing, thinking and painting has much to tell scholars about how to understand a long forgotten aspect of visual rhythm. Rodin's famous criticism of photography ('athlete-in-motion is forever frozen') can be applied to Muybridge's zoopraxiscope, the Futurists' rendition of stroboscopic images, and Duchamp's 'Nude Descending a Staircase.' Through a comparative study between Mondrian's painting and these seminal works, this volume initiates a new convention for the cognition of the surface of painting as visual rhythm.'Mondrian's simultaneous emphasis on the static and the rhythmic is hardly fodder for a publicist. Eiichi Tosaki has taken on the challenge of elucidating Mondrian's theories of rhythm, and particularly his conception of 'static' rhythm. The result is a tour de force that will forever alter the reader's encounter with the works of Mondrian.' Prof. Kathleen Higgins 288 pp. Englisch. …

Condizione: New. Print on Demand.

Condizione: New. PRINT ON DEMAND.

Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This volume investigates the meaning of visual rhythm through Piet Mondrian¿s unique approach to understanding rhythm in the compositional structure of painting, drawing reference from philosophy, aesthetics, and Zen culture. Its innovation lies in its reappraisal of a forgotten definition of rhythm as ¿stasis¿ or ¿composition¿ which can be traced back to ancient Greek thought. This conception of rhythm, the book argues, can be demonstrated in terms of pictorial strategy, through analysis of East Asian painting and calligraphy with which Greek thought on rhythm has identifiable commonalities. The book demonstrates how these ideas about rhythm draw together various threads of intellectual development in the visual arts that cross disparate aesthetic cultural practices. As an icon of early 20th Century Modernism, Mondrian¿s neoplasticism is a serious painterly and philosophical achievement. In his painting, Mondrian was deeply influenced by Theosophy, which took its influence from Eastern aesthetics; particularly East Asian and Indian thought. However, Mondrian¿s approach to visual rhythm was so idiosyncratic that his contribution to studies of visual rhythm is often under-recognized. This volume shows that a close inspection of Mondrian¿s own writing, thinking and painting has much to tell scholars about how to understand a long forgotten aspect of visual rhythm. Rodin¿s famous criticism of photography (¿athlete-in-motion is forever frozen¿) can be applied to Muybridge¿s zoopraxiscope, the Futurists¿ rendition of stroboscopic images, and Duchamp¿s ¿Nude Descending a Staircase.¿ Through a comparative study between Mondrian¿s painting and these seminal works, this volume initiates a new convention for the cognition of the surface of painting as visual rhythm.¿Mondrian¿s simultaneous emphasis on the static and the rhythmic is hardly fodder for a publicist. Eiichi Tosaki has taken on the challenge of elucidating Mondrian¿s theories of rhythm, and particularly his conception of ¿static¿ rhythm. The result is a tour de force that will forever alter the reader¿s encounter with the works of Mondrian.¿Prof. Kathleen HigginsSpringer-Verlag KG, Sachsenplatz 4-6, 1201 Wien 288 pp. Englisch. …

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Tosaki Eiichi has a PhD in Art History and Philosophy, Melbourne University (2002) and is currently completing his second PhD in Drawing and Art Therapy at the School of Art and Design, Monash University. Eiichi is an Honorary Fellow at the Philosophy Depar. …

Buch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This volume investigates the meaning of visual rhythm through Piet Mondrian¿s unique approach to understanding rhythm in the compositional structure of painting, drawing reference from philosophy, aesthetics, and Zen culture. Its innovation lies in its reappraisal of a forgotten definition of rhythm as ¿stasis¿ or ¿composition¿ which can be traced back to ancient Greek thought. This conception of rhythm, the book argues, can be demonstrated in terms of pictorial strategy, through analysis of East Asian painting and calligraphy with which Greek thought on rhythm has identifiable commonalities. The book demonstrates how these ideas about rhythm draw together various threads of intellectual development in the visual arts that cross disparate aesthetic cultural practices. As an icon of early 20th Century Modernism, Mondrian¿s neoplasticism is a serious painterly and philosophical achievement. In his painting, Mondrian was deeply influenced by Theosophy, which took its influence from Eastern aesthetics; particularly East Asian and Indian thought. However, Mondrian¿s approach to visual rhythm was so idiosyncratic that his contribution to studies of visual rhythm is often under-recognized. This volume shows that a close inspection of Mondrian¿s own writing, thinking and painting has much to tell scholars about how to understand a long forgotten aspect of visual rhythm. Rodin¿s famous criticism of photography (¿athlete-in-motion is forever frozen¿) can be applied to Muybridge¿s zoopraxiscope, the Futurists¿ rendition of stroboscopic images, and Duchamp¿s ¿Nude Descending a Staircase.¿ Through a comparative study between Mondrian¿s painting and these seminal works, this volume initiates a new convention for the cognition of the surface of painting as visual rhythm.¿Mondrian¿s simultaneous emphasis on the static and the rhythmic is hardly fodder for a publicist. Eiichi Tosaki has taken on the challenge of elucidating Mondrian¿s theories of rhythm, and particularly his conception of ¿static¿ rhythm. The result is a tour de force that will forever alter the reader¿s encounter with the works of Mondrian.¿Prof. Kathleen HigginsSpringer-Verlag KG, Sachsenplatz 4-6, 1201 Wien 288 pp. Englisch.…

Condizione: New. Print on Demand.

Condizione: New. PRINT ON DEMAND.