Elaine mayes (28 risultati)

Paperback. Condizione: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condizione: As New. Unread copy in mint condition.

Condizione: New. Brand New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Magazine. First edition. Near Fine magazine with a touch of shelf wear/signs of handling. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The January 1979 issue of Camera magazine, with: portfolios of b&w photographs by Izis, Hans Namuth (portraits of Guatemalan Indians), Friedrich Kappeler, and Nathalie Desmet; portfolios of color work by Max Kozloff and Chotoku Tanaka; a darkroom article by Elaine Mayes; and reviews of exhibitions, catalogues, and books. Edited by Allan Porter. Perfect-bound; 48 pages; b&w and color illustrations throughout; 8.75 x 11.5 inches. Text in English.…

Hardback. Condizione: New.

Hardcover. Condizione: new. Hardcover. Elaine Mayes was a young photographer living in San Francisco's lively Haight-Ashbury District during the 1960s. She had photographed the Monterey Pop Festival in 1967 and, later that year, during the waning days of the Summer of Love, embarked on a set of portraits of youth culture in her neighborhood. By that time, the hippie movement had turned from euphoria to harder drugs, and the Haight had become less of a blissed-out haven for young people seeking a better way of life than a halfway house to runaway teens. Realizing the gravity of the cultural moment, Mayes shifted from the photojournalistic approach she had applied to musicians and concert-goers in Monterey to making formal portraits of people she met on the street. Choosing casual and familiar settings, such as stoops, doorways, parks, and interiors, Mayes instructed her subjects to look into her square-format camera, to concentrate and be still: she made her exposures as they exhaled. Mayes' familiarity with her subjects helped her to evade mediatized stereotypes of hippies as radically utopian and casually tragic, presenting instead an understated and unsentimental group portrait of the individual inventors of a fleeting cultural moment.Elaine Mayes: The Haight-Ashbury Portraits 1967-1968 is the first monograph on one of the decade's most important bodies of work, presenting more than forty images from Mayes' extensive series. An essay by art historian Kevin Moore elaborates an important chapter in the history of West Coast photography during this critical cultural and artistic period. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: As New. Large oblong softcover, clean & tight with only very light shelfwear, no markings found, not a remainder, a very nice copy.

First Edition. First edition. Oblong softcover. Brief text at the end by Elaine Mayes. A collection of black and white photographs. A near fine copy in photo-illustrated wrappers. An attractive group of images.

Condizione: New.

Softcover. First Edition; First Printing. Near Fine in wraps.; Height: 9.5 Inches, Length: 12.5 Inches, Weight: 2.6 Pounds, Width: 0.5 Inc; 188 pages.

Soft cover. Condizione: Very Good. Photographs of the 1967 Monterey Pop Festival by the American photographer who became known for her portraits of Haight-Ashbury residents. Illustrated with images of the musicians and audience in black-and-white and color. Slight bump to head and heel of spine with light crease to lower corner of cover. Otherwise a very good copy with no marks, inscriptions or fading to inside pages. Not ex-library. Not a remainder. s21f5.…

Paperback. Brown wraps with bw illustration and white lettering; [58] pp.; richly illustrated. Includes a biographical essay by Elaine Mayes. VG (Wraps show shelfwear and some smudging; text block shows shelfwear; a few pages show light foxing.).

Condizione: New. 2022. 1st Edition. Hardcover. . . . . .

Condizione: As New. Unread book in perfect condition.

LG Hardcover. Condizione: Fine+. Condizione sovraccoperta: Very Good. First Edition; First Printing. Book Very Fine. NO notes or ANY markings. Small owner name at front paste down. DJ with 1" tear REAR else minor edge wear, not clipped ($30); 4to; 183 pages.

hardcover. Condizione: New. Special order direct from the distributor.

Hardcover. Condizione: Brand New. 96 pages. 11.00x9.50x0.55 inches. In Stock.

Soft cover. Condizione: Good. Condizione sovraccoperta: No dust jacket as issued. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. Photographs by Arthur Freed, Syl Labrot, Elaine Mayes, Peter Rasun Gould and Cecil Beaton. Text by Scott Hyde, Syl Labrot, The Doors, Minor White, Robert Sobieszek, Thomas Barrow, Haven O'More and John Szarkowski. Edited by Minor White. Includes notes on the contributors. Unpaginated (64 pp.), with black-and-white and four-color plates throughout. 9-3/4 x 8-3/8 inches. Good (pronounced surface wear and wear to the spine, 2-inch closed tear at the crown of the spine, all plates are Fine). …

Hardcover. Condizione: Brand New. 96 pages. 11.00x9.50x0.55 inches. In Stock.

Condizione: New. 2022. 1st Edition. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condizione: new. Hardcover. Elaine Mayes was a young photographer living in San Francisco's lively Haight-Ashbury District during the 1960s. She had photographed the Monterey Pop Festival in 1967 and, later that year, during the waning days of the Summer of Love, embarked on a set of portraits of youth culture in her neighborhood. By that time, the hippie movement had turned from euphoria to harder drugs, and the Haight had become less of a blissed-out haven for young people seeking a better way of life than a halfway house to runaway teens. Realizing the gravity of the cultural moment, Mayes shifted from the photojournalistic approach she had applied to musicians and concert-goers in Monterey to making formal portraits of people she met on the street. Choosing casual and familiar settings, such as stoops, doorways, parks, and interiors, Mayes instructed her subjects to look into her square-format camera, to concentrate and be still: she made her exposures as they exhaled. Mayes' familiarity with her subjects helped her to evade mediatized stereotypes of hippies as radically utopian and casually tragic, presenting instead an understated and unsentimental group portrait of the individual inventors of a fleeting cultural moment.Elaine Mayes: The Haight-Ashbury Portraits 1967-1968 is the first monograph on one of the decade's most important bodies of work, presenting more than forty images from Mayes' extensive series. An essay by art historian Kevin Moore elaborates an important chapter in the history of West Coast photography during this critical cultural and artistic period. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st Edition. Condition: Near Fine- In Very Good. dust jacket. $27.50 price is present on back cover. First Edition. First Printing. 1977. Hardcover. First edition. Cloth, dj. Quarto. 183 pp. Profusely illustrated. Shelf wear to dust jacket otherwise protected by acetate cover.…

Hardback. Condizione: New.

SOFTCOVER. Condizione: Fine. 1st Edition. Extra Large 4to. in stiff card covers, 183pp, finely printed b/w photos, etc . [CONDITION: An extremely well preserved FINE very clean, bright and tight unmarked copy (few specks of slight shelf rub to cover edges). An excellent copy ] . __To see more of our Photo books type DbbPHOTO in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Hardcover. Condizione: New.

Paperback. Condizione: Brand New. 59 pages. 10.00x8.00x0.14 inches. This item is printed on demand.