Ellen huang (28 risultati)

Hardcover. Condizione: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Standard-sized.

Hardcover. Condizione: Fine. 1st Edition. Fine/like new.

Condizione: New.

Hardback. Condizione: New. Ink arts have flourished in China for more than two millennia. Once primarily associated with elite culture, ink painting is now undergoing a popular resurgence. Ink Worlds explores the modern evolution of this art form, from scrolls and panel paintings to photographic and video forms, and documents how Chinese ink arts speak to present-day concerns while simultaneously referencing deeply historical materials, themes, and techniques. Presenting the work of some two dozen artists from China, Taiwan, Hong Kong, and the United States in more than 100 full-color reproductions, the book spans pioneering abstract work from the late 1960s through twenty-first century technological innovations. Nine illustrated essays build a compelling case for understanding the modern form as a distinct genre, fusing art and science, history and technology, painting and film into an accessible theory of contemporary ink painting. The Yamazaki/Yang collection is widely recognized as one of the most important private collections of contemporary Chinese ink art. Ink Worlds is the first book to represent the collection from the perspective of contemporary art history. From its atmospheric mountainscapes to precise calligraphy, this book is a revelation, bringing together the past, present, and future of an enduring and adaptable art form.…

Hardcover. Condizione: New. 1st Edition.

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2026. paperback. . . . . .

Hardcover. Condizione: Excellent condition. xiii, 264 pp. LCC: 10551.

Condizione: New. 2026. paperback. . . . . . Books ship from the US and Ireland.

Condizione: New. In English.

Paperback. Condizione: Brand New. 326 pages. 6.00x0.85x9.00 inches. In Stock.

Condizione: New.

Paperback. Condizione: Brand New. 210 pages. 6.00x0.45x9.00 inches. In Stock.

Hardcover. Condizione: Brand New. 209 pages. 10.25x8.50x1.00 inches. In Stock.

Hardback. Condizione: New. Ink arts have flourished in China for more than two millennia. Once primarily associated with elite culture, ink painting is now undergoing a popular resurgence. Ink Worlds explores the modern evolution of this art form, from scrolls and panel paintings to photographic and video forms, and documents how Chinese ink arts speak to present-day concerns while simultaneously referencing deeply historical materials, themes, and techniques. Presenting the work of some two dozen artists from China, Taiwan, Hong Kong, and the United States in more than 100 full-color reproductions, the book spans pioneering abstract work from the late 1960s through twenty-first century technological innovations. Nine illustrated essays build a compelling case for understanding the modern form as a distinct genre, fusing art and science, history and technology, painting and film into an accessible theory of contemporary ink painting. The Yamazaki/Yang collection is widely recognized as one of the most important private collections of contemporary Chinese ink art. Ink Worlds is the first book to represent the collection from the perspective of contemporary art history. From its atmospheric mountainscapes to precise calligraphy, this book is a revelation, bringing together the past, present, and future of an enduring and adaptable art form.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Taschenbuch. Condizione: Neu. Neuware.

Condizione: As New. Unread copy in mint condition.

Condizione: New. Brand New.

Soft cover. Condizione: New. Spanning two millennia and East and Inner Asia, this volume's essays highlight Patricia Berger's vast range of expertise as well as general themes that run through her work. Topics include art's relationship to political power and collective memory, the cultural and material fluency of Qing objects and texts, multiplicity and self-fashioning through portraiture and dance, and conformity and authority in relation to selfhood and modern and contemporary art. Contributors Wen-shing Chou is Associate Professor of Art History at Hunter College, City University of New York. Rae Erin Dachille is Assistant Professor of Religious Studies and East Asian Studies at the University of Arizona. Ellen Huang (PhD, University of California San Diego) is Associate Professor of material culture at ArtCenter College of Design. Sunglim Kim (PhD, University of California, Berkeley) is Associate Professor of Korean art in the Department of Art History and the Asian Societies, Cultures, and Languages Program at Dartmouth College. Elizabeth Kindall is Associate Professor of Art History at the University of St. Thomas in St. Paul, Minnesota. Namiko Kunimoto (PhD, University of California, Berkeley) is Associate Professor of Japanese art history at The Ohio State University. Mary Lewine is an associate fellow at Nara National Museum and a PhD candidate at the University of California, Berkeley. Nancy G. Lin (PhD, University of California, Berkeley) is Associate Professor of Tibetan and South Asian Studies at the Institute of Buddhist Studies, Berkeley. William Ma (BA, PhD, University of California, Berkeley) is Assistant Professor of Asian art history in the College of Art and Design at Louisiana State University, Baton Rouge. Filippo Marsili (PhD, University of California, Berkeley) is Associate Professor of History at Saint Louis University. Michelle McCoy (PhD, University of California, Berkeley) is Assistant Professor of Chinese and Inner Asian art at the University of Pittsburgh. Jon Soriano is a PhD candidate in the History of Art Department at the University of California, Berkeley. Uranchimeg Tsultemin, also known as Orna Tsultem, (PhD, University of California, Berkeley) is Edgar and Dorothy Fehnel Chair in International Studies and Assistant Professor at Herron School of Art and Design at Indiana University-Purdue University Indianapolis. Ryosuke Ueda is an independent scholar specializing in Japanese art. Michelle H. Wang is Assistant Professor of Art and Humanities at Reed College.…

Paperback. Condizione: New. Illuminating Perspectives Through Critical Visual Literacy exemplifies the initiatives put forth by the International Visual Literacy Association (IVLA), a diverse community of professionals dedicated to enhancing people's understanding of how to interpret visual stimuli and engage with their visual surroundings. Featuring peer-reviewed essays that encourage ongoing dialogue among diverse groups, this book intends to spark new insights into everything from the arts and sciences to business and instructional technology. A key strength of IVLA is its variety of scholarly conferences and publications that encourage thought-provoking interaction between practitioners and theorists. Illuminating Perspectives Through Critical Visual Literacy showcases insightful works that highlight the vibrancy and depth of the IVLA's ongoing commitment to promoting visual literacy by equipping individuals with the ability to analyze the contextual, cultural, ethical, aesthetic, intellectual, and technical components involved in the production and use of visual materials.…

Condizione: New. pp. 136.

Condizione: New. pp. 136.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1969 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 162 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 162.…

Paperback. Condizione: Brand New. 210 pages. 6.00x0.45x9.00 inches. In Stock. This item is printed on demand.

Paperback. Condizione: new. Paperback. Illuminating Perspectives Through Critical Visual Literacy exemplifies the initiatives put forth by the International Visual Literacy Association (IVLA), a diverse community of professionals dedicated to enhancing people's understanding of how to interpret visual stimuli and engage with their visual surroundings. Featuring peer-reviewed essays that encourage ongoing dialogue among diverse groups, this book intends to spark new insights into everything from the arts and sciences to business and instructional technology. A key strength of IVLA is its variety of scholarly conferences and publications that encourage thought-provoking interaction between practitioners and theorists. Illuminating Perspectives Through Critical Visual Literacy showcases insightful works that highlight the vibrancy and depth of the IVLA's ongoing commitment to promoting visual literacy by equipping individuals with the ability to analyze the contextual, cultural, ethical, aesthetic, intellectual, and technical components involved in the production and use of visual materials. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condizione: New. pp. 136 Illus. This item is printed on demand.