Elrick krista (37 risultati)

hardcover. Condizione: Very Good. Dust jacket has light wear. Unmarked, pages clean & bright, binding tight. Ships Next Business Day.

Hardcover. Condizione: FIRST / VG-. Condizione sovraccoperta: Good. 1st Edition. STATED FIRST EDITION (2021). used hardcover in a dust jacket. jacket is slightly worn about the edges, but with no tears and not price clipped. knock to bottom corner left a crease to most pages but diesn't appear to have affected the boards much, front board a bit bumped. scuff/discoloration to outside bottom edge of text block from shelfwear. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.…

Hardcover. Condizione: Used-Very Good. dj. 1st Edition. Cloth, dj. Minor shelf wear. Else a bright, clean copy.

hardcover. Condizione: Very Good. Cover and edges may have some wear.

Hardcover. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: new. Hardcover. In 2010, when photographer Krista Elrick began traversing John James Audubon country in search of the birds the nineteenth-century American naturalist observed, painted, and wrote about, she encountered scarcely a sighting. Instead, she found the lushly forested watersheds and waterways that Audubon had passionately described in his journals vastly altered with many of the bird species extinct and their supporting habitat all but disappeared. Industrial buildings, parking lots, and strip malls had overtaken much of the area, edging out the natural world. It was a country no more. With a vintage Hasselblad film camera in hand, Elrick traveled more than 45,000 miles over ten years, following in the footsteps of Audubon as she sought clues to what had happened to these places and to the animals and peoples who once lived there. Starting at his home in Mill Grove near Philadelphia, she retraced Audubons many journeys to the bluffs of Cincinnati overlooking the Ohio River, to the key port town of Henderson, Kentucky, to the confluence of the Ohio and Mississippi Rivers and the burgeoning frontier towns of Natchez in Mississippi and St. Francisville and New Orleans in Louisiana, then back east to Charleston in South Carolina and St. Augustine and Key West in Florida on the Atlantic Coast, and on to far West and the confluence of the Missouri and Yellowstone Rivers and, on a final journey, to Audubons gravesite in the Trinity Church Cemetery in New York City. What a journey. Audubons approach to painting birds was unique. He would kill however many birds he needed, brought them back to a studio or a room where he was lodging, constructed scenes with backdrops from a variety of locales, and rendered them in the paintings we revere today. Elrick responds to that approach by creating collages of her own, integrating the black-and-white images she made of the places Audubon and she traveled through with historic bank notes, period maps, and other ephemera that yield fascinating insights into the landscapes of Audubon today. And we see the changes and resulting effects on the natural world and its species as well as on the lives of the Native Americans and African Americans who once occupied the areas during Audubons day. In her research Elrick also discovered - as his biographers have - that Audubon himself was something of an enigma, a fabulist who told enchanting yet often conflicting stories about his own history and identity and what he saw in the field. Elricks book offers us a fascinating compendium that gives us a fresh and provocative perspective on Audubon - the man and the artist - his times and enduring legacy. The first artist to retrace the steps and revisit the landscapes of John James Audubon, from the US East Coast, to the Gulf Coast, to the Heartland and Rocky Mountains. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New. Brand New.

hardcover. Condizione: New. *Brand new* Ships from USA.

Condizione: Very Good. Hardcover, 276 pages. Combining images from early masters and well-known fine art photographers with text and observations from noted writers, this is one of a kind book. It provides stimulating perspectives on Santa Fe's transformation over the last 160 years, presenting a historical and contextual perspective on the important role photography has played in documenting and shaping Santa Fe's image. Includes selected images from more than one hundred noted photographers. Record # 353246.…

Hardcover. Condizione: new. New Copy. Customer Service Guaranteed.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardcover. Condizione: new. Hardcover. Combining images from early masters and well-known fine art photographers with text and observations from noted writers, this is one of a kind book. The book provides stimulating perspectives on Santa Fe's transformation over the last 160 years. Reproduced to the highest standards, this landmark publication is companion to a major exhibition organized by Palace of the Governors Photo Archives to open at the Palace of the Governors / New Mexico History Museum in Santa Fe. Presents perspectives on Santa Fe's transformation over the last 160 years. This book accompanies a major exhibition organized by Palace of the Governors Photo Archives to open at the Palace of the Governors/New Mexico History Museum in Santa Fe. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. pp. 268 Illus. (Mostly Col.).

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: New. Condizione sovraccoperta: New. The first artist to retrace the steps and revisit the landscapes of John James Audubon, from the East Coast, to the Gulf Coast, to the Heartland and Rocky Mountains. <P>In 2010, when photographer Krista Elrick began traversing John James Audubon country in search of the birds the nineteenth-century American naturalist observed, painted, and wrote about, she encountered scarcely a sighting. Instead, she found the lushly forested watersheds and waterways that Audubon had passionately described in his journals vastly altered with many of the bird species extinct and their supporting habitat all but disappeared. Industrial buildings, parking lots, and strip malls had overtaken much of the area, edging out the natural world. It was a country no more. <P>With a vintage Hasselblad film camera in hand, Elrick traveled more than 45,000 miles over ten years, following in the footsteps of Audubon as she sought clues to what had happened to these places and to the animals and peoples who once lived there. Starting at his home in Mill Grove near Philadelphia, she retraced Audubon's many journeys to the bluffs of Cincinnati overlooking the Ohio River; to the key port town of Henderson, Kentucky; to the confluence of the Ohio and Mississippi Rivers and the burgeoning frontier towns of Natchez in Mississippi and St. Francisville and New Orleans in Louisiana; then back east to Charleston in South Carolina and St. Augustine and Key West in Florida on the Atlantic Coast; and on to far West and the confluence of the Missouri and Yellowstone Rivers; and on a final journey to Audubon's gravesite in the Trinity Church Cemetery in New York City. What a journey. <P>Audubon's approach to painting birds was unique. He would kill however many birds he needed, brought them back to a studio or a room where he was lodging, constructed scenes with backdrops from a variety of locales, and rendered them in the paintings we revere today. Elrick responds to that approach by creating collages of her own, integrating the black-and-white images she made of the places Audubon and she traveled through with historic bank notes, period maps, and other ephemera that yield fascinating insights into the landscapes of Audubon today. And we see the changes and resulting effects on the natural world and its species as well as on the lives of the Native Americans and African Americans who once occupied the areas during Audubon's day. <P>In her research Elrick also discovered - as his biographers have - that Audubon himself was something of an enigma, a fabulist who told enchanting yet often conflicting stories about his own history and identity and what he saw in the field. Elrick's book offers us a fascinating compendium that gives us a fresh and provocative perspective on Audubon - the man and the artist - his times and enduring legacy. <P>'The work is sufficient by itself, but the real contribution of this book lies in its scholarship. There's in-depth field research contained in this volume, and along with the essays and maps, it becomes a unique and notable contribution to the field of environmental change and Audubon research. It's the product of a photographer passionate to explore and discover the remains of a lost avian world.' -photo-eye.…

Condizione: New. Presents perspectives on Santa Fe's transformation over the last 160 years. This book accompanies a major exhibition organized by Palace of the Governors Photo Archives to open at the Palace of the Governors/New Mexico History Museum in Santa Fe. Num Pages: 268 pages, 276 colour & b/w photos. BIC Classification: 1KBBW; 1KBBWX; AJ; HBJK. Category: (G) General (US: Trade). Dimension: 297 x 249 x 28. Weight in Grams: 1858. . 2009. Hardcover. . . . . …

Condizione: New.

Hardback. Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. Presents perspectives on Santa Fe's transformation over the last 160 years. This book accompanies a major exhibition organized by Palace of the Governors Photo Archives to open at the Palace of the Governors/New Mexico History Museum in Santa Fe. Num Pages: 268 pages, 276 colour & b/w photos. BIC Classification: 1KBBW; 1KBBWX; AJ; HBJK. Category: (G) General (US: Trade). Dimension: 297 x 249 x 28. Weight in Grams: 1858. . 2009. Hardcover. . . . . Books ship from the US and Ireland. …

Soft cover. Condizione: As New. 1st Edition. First printing. Exhibition catalog. Tall 4to. 1-1000 unnumbered copies. Unpaginated. Illustrated throughout with B & W and with color photographs. Original pictorial white stitched wrappers. Two texts conjointly published tête-bêche. This is a tight, fine book. Uncommon .…

Hardcover. Condizione: Brand New. 255 pages. 10.00x12.00x1.25 inches. In Stock.

Hardcover. Condizione: New.

Condizione: Good. 4to. [ca 60 pp.]. Very Good+. Soft Cover. Illustrated paper wraps. Stitch binding. Two titles issued as a single book in tête-bêche format. B&W plates throughout. ISBN: 9781934435212 193443521X.Collection from San Francisco Museum of Modern Art.

Condizione: New. pp. 268.

Condizione: New. pp. 268.

Hardcover. Condizione: new. Hardcover. In 2010, when photographer Krista Elrick began traversing John James Audubon country in search of the birds the nineteenth-century American naturalist observed, painted, and wrote about, she encountered scarcely a sighting. Instead, she found the lushly forested watersheds and waterways that Audubon had passionately described in his journals vastly altered with many of the bird species extinct and their supporting habitat all but disappeared. Industrial buildings, parking lots, and strip malls had overtaken much of the area, edging out the natural world. It was a country no more. With a vintage Hasselblad film camera in hand, Elrick traveled more than 45,000 miles over ten years, following in the footsteps of Audubon as she sought clues to what had happened to these places and to the animals and peoples who once lived there. Starting at his home in Mill Grove near Philadelphia, she retraced Audubons many journeys to the bluffs of Cincinnati overlooking the Ohio River, to the key port town of Henderson, Kentucky, to the confluence of the Ohio and Mississippi Rivers and the burgeoning frontier towns of Natchez in Mississippi and St. Francisville and New Orleans in Louisiana, then back east to Charleston in South Carolina and St. Augustine and Key West in Florida on the Atlantic Coast, and on to far West and the confluence of the Missouri and Yellowstone Rivers and, on a final journey, to Audubons gravesite in the Trinity Church Cemetery in New York City. What a journey. Audubons approach to painting birds was unique. He would kill however many birds he needed, brought them back to a studio or a room where he was lodging, constructed scenes with backdrops from a variety of locales, and rendered them in the paintings we revere today. Elrick responds to that approach by creating collages of her own, integrating the black-and-white images she made of the places Audubon and she traveled through with historic bank notes, period maps, and other ephemera that yield fascinating insights into the landscapes of Audubon today. And we see the changes and resulting effects on the natural world and its species as well as on the lives of the Native Americans and African Americans who once occupied the areas during Audubons day. In her research Elrick also discovered - as his biographers have - that Audubon himself was something of an enigma, a fabulist who told enchanting yet often conflicting stories about his own history and identity and what he saw in the field. Elricks book offers us a fascinating compendium that gives us a fresh and provocative perspective on Audubon - the man and the artist - his times and enduring legacy. The first artist to retrace the steps and revisit the landscapes of John James Audubon, from the US East Coast, to the Gulf Coast, to the Heartland and Rocky Mountains. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…