Emily c floyd (28 risultati)

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Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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Hardback. Condizione: New. A study of the production and movement of prints in colonial South America. Printed images have had a central place in art-historical studies of colonial Spanish America, but scholars have typically focused on imported prints, designed and produced in Europe. The Mobile Image focuses instead on works p…rinted in colonial Lima, generating there a distinctive print culture that served local and regional needs, while also appealing to European print consumers. Inexpensive, easily transportable, and numerous, Lima's prints traversed the varied geographies of the Viceroyalty of Peru both as loose sheets and within the protective covers of printed books. In the process, limeÑo devotional prints encouraged the development of shared regional imaginaries about the sacred Andean landscape, a space marked by miracle-working Virgins, potential saints, and powerful images of Christ. These same prints traveled abroad, where they promoted iconographies developed in Lima and influenced European conceptions of the Andes. Simultaneously, the visual language of limeÑo prints often challenges conventional approaches to interpreting colonial depictions of race. In analyzing limeÑo prints, and the identities of their makers, patrons, and consumers, The Mobile Image demonstrates that race is harder to recognize in colonial images than we might think. Unearthing hundreds of forgotten prints, Emily C. Floyd provides a fresh resource for interpreting colonial artworks, troubling established understandings of their aesthetics, and compelling us to reexamine colonial South American material cultures.

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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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Hardcover. Condizione: new. Hardcover. A study of the production and movement of prints in colonial South America. Printed images have had a central place in art-historical studies of colonial Spanish America, but scholars have typically focused on imported prints, designed and produced in Europe. The Mobile Image focuses instea…d on works printed in colonial Lima, generating there a distinctive print culture that served local and regional needs, while also appealing to European print consumers. Inexpensive, easily transportable, and numerous, Limas prints traversed the varied geographies of the Viceroyalty of Peru both as loose sheets and within the protective covers of printed books. In the process, limeNo devotional prints encouraged the development of shared regional imaginaries about the sacred Andean landscape, a space marked by miracle-working Virgins, potential saints, and powerful images of Christ. These same prints traveled abroad, where they promoted iconographies developed in Lima and influenced European conceptions of the Andes. Simultaneously, the visual language of limeNo prints often challenges conventional approaches to interpreting colonial depictions of race. In analyzing limeNo prints, and the identities of their makers, patrons, and consumers, The Mobile Image demonstrates that race is harder to recognize in colonial images than we might think. Unearthing hundreds of forgotten prints, Emily C. Floyd provides a fresh resource for interpreting colonial artworks, troubling established understandings of their aesthetics, and compelling us to reexamine colonial South American material cultures. A study of the production and movement of prints in colonial South America. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Da: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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EUR 60,52
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Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
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Da: Chiron Media, Wallingford, Regno UnitoChiron Media
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Da: Ria Christie Collections, Uxbridge, Regno UnitoRia Christie Collections
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Da: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
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Hardback. Condizione: New. A study of the production and movement of prints in colonial South America. Printed images have had a central place in art-historical studies of colonial Spanish America, but scholars have typically focused on imported prints, designed and produced in Europe. The Mobile Image focuses instead on works p…rinted in colonial Lima, generating there a distinctive print culture that served local and regional needs, while also appealing to European print consumers. Inexpensive, easily transportable, and numerous, Lima's prints traversed the varied geographies of the Viceroyalty of Peru both as loose sheets and within the protective covers of printed books. In the process, limeÑo devotional prints encouraged the development of shared regional imaginaries about the sacred Andean landscape, a space marked by miracle-working Virgins, potential saints, and powerful images of Christ. These same prints traveled abroad, where they promoted iconographies developed in Lima and influenced European conceptions of the Andes. Simultaneously, the visual language of limeÑo prints often challenges conventional approaches to interpreting colonial depictions of race. In analyzing limeÑo prints, and the identities of their makers, patrons, and consumers, The Mobile Image demonstrates that race is harder to recognize in colonial images than we might think. Unearthing hundreds of forgotten prints, Emily C. Floyd provides a fresh resource for interpreting colonial artworks, troubling established understandings of their aesthetics, and compelling us to reexamine colonial South American material cultures.

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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condizione: New. 2025. hardcover. . . . . .

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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Condizione: As New. Unread book in perfect condition.

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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Hardcover. Condizione: Brand New. 256 pages. 10.00x7.00x10.00 inches. In Stock.

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Da: Books Puddle, New York, NY, U.S.A.Books Puddle
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Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Condizione: New. 2025. hardcover. . . . . . Books ship from the US and Ireland.

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Da: Russell Books, Victoria, BC, CanadaRussell Books
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hardcover. Condizione: New. Special order direct from the distributor.

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Da: Speedyhen, Hertfordshire, Regno UnitoSpeedyhen
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Condizione: NEW.

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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Hardcover. Condizione: Brand New. 256 pages. 10.00x7.00x10.00 inches. In Stock.

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Da: CitiRetail, Stevenage, Regno UnitoCitiRetail
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Hardcover. Condizione: new. Hardcover. A study of the production and movement of prints in colonial South America. Printed images have had a central place in art-historical studies of colonial Spanish America, but scholars have typically focused on imported prints, designed and produced in Europe. The Mobile Image focuses instea…d on works printed in colonial Lima, generating there a distinctive print culture that served local and regional needs, while also appealing to European print consumers. Inexpensive, easily transportable, and numerous, Limas prints traversed the varied geographies of the Viceroyalty of Peru both as loose sheets and within the protective covers of printed books. In the process, limeNo devotional prints encouraged the development of shared regional imaginaries about the sacred Andean landscape, a space marked by miracle-working Virgins, potential saints, and powerful images of Christ. These same prints traveled abroad, where they promoted iconographies developed in Lima and influenced European conceptions of the Andes. Simultaneously, the visual language of limeNo prints often challenges conventional approaches to interpreting colonial depictions of race. In analyzing limeNo prints, and the identities of their makers, patrons, and consumers, The Mobile Image demonstrates that race is harder to recognize in colonial images than we might think. Unearthing hundreds of forgotten prints, Emily C. Floyd provides a fresh resource for interpreting colonial artworks, troubling established understandings of their aesthetics, and compelling us to reexamine colonial South American material cultures. A study of the production and movement of prints in colonial South America. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

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Da: moluna, Greven, Germaniamoluna
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EUR 61,18
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Condizione: New.

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Da: Rarewaves USA United, OSWEGO, IL, U.S.A.Rarewaves USA United
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Hardback. Condizione: New. A study of the production and movement of prints in colonial South America. Printed images have had a central place in art-historical studies of colonial Spanish America, but scholars have typically focused on imported prints, designed and produced in Europe. The Mobile Image focuses instead on works p…rinted in colonial Lima, generating there a distinctive print culture that served local and regional needs, while also appealing to European print consumers. Inexpensive, easily transportable, and numerous, Lima's prints traversed the varied geographies of the Viceroyalty of Peru both as loose sheets and within the protective covers of printed books. In the process, limeÑo devotional prints encouraged the development of shared regional imaginaries about the sacred Andean landscape, a space marked by miracle-working Virgins, potential saints, and powerful images of Christ. These same prints traveled abroad, where they promoted iconographies developed in Lima and influenced European conceptions of the Andes. Simultaneously, the visual language of limeÑo prints often challenges conventional approaches to interpreting colonial depictions of race. In analyzing limeÑo prints, and the identities of their makers, patrons, and consumers, The Mobile Image demonstrates that race is harder to recognize in colonial images than we might think. Unearthing hundreds of forgotten prints, Emily C. Floyd provides a fresh resource for interpreting colonial artworks, troubling established understandings of their aesthetics, and compelling us to reexamine colonial South American material cultures.

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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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Buch. Condizione: Neu. Neuware - A study of the production and movement of prints in colonial South America.

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Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
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Hardback. Condizione: New. A study of the production and movement of prints in colonial South America. Printed images have had a central place in art-historical studies of colonial Spanish America, but scholars have typically focused on imported prints, designed and produced in Europe. The Mobile Image focuses instead on works p…rinted in colonial Lima, generating there a distinctive print culture that served local and regional needs, while also appealing to European print consumers. Inexpensive, easily transportable, and numerous, Lima's prints traversed the varied geographies of the Viceroyalty of Peru both as loose sheets and within the protective covers of printed books. In the process, limeÑo devotional prints encouraged the development of shared regional imaginaries about the sacred Andean landscape, a space marked by miracle-working Virgins, potential saints, and powerful images of Christ. These same prints traveled abroad, where they promoted iconographies developed in Lima and influenced European conceptions of the Andes. Simultaneously, the visual language of limeÑo prints often challenges conventional approaches to interpreting colonial depictions of race. In analyzing limeÑo prints, and the identities of their makers, patrons, and consumers, The Mobile Image demonstrates that race is harder to recognize in colonial images than we might think. Unearthing hundreds of forgotten prints, Emily C. Floyd provides a fresh resource for interpreting colonial artworks, troubling established understandings of their aesthetics, and compelling us to reexamine colonial South American material cultures.

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Da: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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Hardcover. Condizione: new. Hardcover. A study of the production and movement of prints in colonial South America. Printed images have had a central place in art-historical studies of colonial Spanish America, but scholars have typically focused on imported prints, designed and produced in Europe. The Mobile Image focuses instea…d on works printed in colonial Lima, generating there a distinctive print culture that served local and regional needs, while also appealing to European print consumers. Inexpensive, easily transportable, and numerous, Limas prints traversed the varied geographies of the Viceroyalty of Peru both as loose sheets and within the protective covers of printed books. In the process, limeNo devotional prints encouraged the development of shared regional imaginaries about the sacred Andean landscape, a space marked by miracle-working Virgins, potential saints, and powerful images of Christ. These same prints traveled abroad, where they promoted iconographies developed in Lima and influenced European conceptions of the Andes. Simultaneously, the visual language of limeNo prints often challenges conventional approaches to interpreting colonial depictions of race. In analyzing limeNo prints, and the identities of their makers, patrons, and consumers, The Mobile Image demonstrates that race is harder to recognize in colonial images than we might think. Unearthing hundreds of forgotten prints, Emily C. Floyd provides a fresh resource for interpreting colonial artworks, troubling established understandings of their aesthetics, and compelling us to reexamine colonial South American material cultures. A study of the production and movement of prints in colonial South America. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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Da: preigu, Osnabrück, Germaniapreigu
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EUR 68,55
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Buch. Condizione: Neu. The Mobile Image | Prints and the Shaping of Devotional Networks from Lima to the Andes and Beyond | Emily C. Floyd | Buch | Einband - fest (Hardcover) | Englisch | 2025 | University of Texas Press | EAN 9781477331125 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[…at]libri[dot]de | Anbieter: preigu.

Lingua: Inglese
Editore: Raphael Tuck & Sons, Ltd, London Uk, 1907
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- Prima edizione
Da: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, U.S.A.Arroyo Seco Books, Pasadena, Member IOBA
Contatta il venditoreVenditore con 4 stelleMembro dell’associazione: IOBA
Condizione: Usato - Molto buono
EUR 139,42
EUR 6,97 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: Very Good. 1st Edition. 71 Pp. Full Red Cloth Stamped In Green, Orange, Pink, Blue, And Black; Spine Lettered In Green And Stamped In Black. The Original Printing, Full Cloth, Title Page Showing Raphael Tuck & Sons, Ltd., No. 801, Designed And Printed In England, Publisher's To Their Majesties The King And… Queen & T. R. H. The Prince And Princess Of Wales. Undated, Circa 1907. Light Usage, No Marks, Bright, Small Discolorations To Front Cover. This Uk Issue In Red Cloth Is Rare, But The Reprints In Boards, And The New York Editions, Are Not Uncommon. Full Color Frontispiece, Two-Color Illustrations And B/W Ilustrations In Text. (illustratore).