emmett matthew (29 risultati)

Soft cover. Condizione: Fine. 1st Edition. ISSN # 0440-2316. From the collection of Robert Hershon.

Soft cover. Condizione: Fine. 1st Edition. ISSN # 0440-2316. From the collection of Robert Hershon.

Soft cover. Condizione: Fine. 1st Edition. ISSN # 0440-2316. From the collection of Robert Hershon.

Paperback. Condizione: New.

Soft cover. Condizione: Very Good. 1st Edition. Light edge wear to covers. Light pencil writing on the title and context page; otherwise, the pages are clean. #G4.

Soft cover. Condizione: Fine. 1st Edition. ISSN # 0440-2316. From the collection of Robert Hershon.

Soft cover. Condizione: Fine. 1st Edition. ISSN # 0440-2316. From the collection of Robert Hershon.

Hardcover. Condizione: New. From beyond the 'Dangerous Site Keep Out' signs, Matthew Emmett's photographs show us abandoned buildings and factories, rusting blast furnaces and defunct power stations - very different structures, but sharing the quiet and stillness of abandonment. Accompanying Emmett's photographic essays are the stories of the 24 sites, among them a ruined castle in north Wales, a cooling tower in Belgium, the disused Box and Spring quarries near Corsham, Wiltshire, and the vast National Gas Turbine Establishment at Fleet.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. Beautiful, haunting photographs of abandoned places, rediscovering our forgotten heritage. 'No Entry', 'Dangerous Site Keep Out' and 'Trespassers Will Be Prosecuted' are common sights on walls or perimeter fences around many of the world's abandoned sites. These warnings allude to potential dangers and prove an ineffective deterrent against thieves and vandals. To the urban explorer/photographer these signs simply serve to whet the appetite for the promise of hidden wonders that may lie beyond.For those who ignore the warnings and climb the fences, what awaits is usually worth the risks. Vast industrial spaces that feel more like an alien landscape or poignant residential settings, which are slowly surrendering to the inexorable advance of nature. Places once alive with sound and movement, now silent and still, but no less sensory. Immense and powerful beauty resides in these forgotten places. For some, just getting inside a location to experience this alternative form of sightseeing is enough to satisfy a desire to simply go where one shouldn't. But for some there is a need to capture the essence of a location in words and pictures, giving others a metaphorical leg-up over the fences, to walk them through the remaining ruins. Matt Emmett falls into the latter of these groups, travelling regularly to places in the UK and across Europe. He seeks out vast power stations and their cooling towers, steel works, mines, bunkers, tunnels, schools, engine sheds, hotels, castles and a myriad of other buildings. All have their own stories to tell in a variety of voices and without the distraction, sounds and people who inhabited them, those stories are clear and strong and the character of each location is laid bare.Architectural DigestPhotographer Matt Emmett has made a name for himself by pushing the boundaries to capture epic imagery of Europe's most forgotten ruinsInternational Business TimesMatt Emmett's 'Forgotten Heritage' photography project uncovers the brutal beauty of abandoned buildings and derelict industry.Winner of Historical Photographer of the Year 2017.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: Brand New. Paperback.Width: 16 cm. Height: 24cm. 196 pages. English text.

Paperback. Condizione: new. Paperback. Rediscovering our forgotten heritage No Entry'; 'Dangerous Site Keep Out; Trespassers Will Be Prosecuted': common sights on walls or perimeter fences around many of the world's abandoned sites. These warnings allude to potential dangers and prove an ineffective deterrent against thieves and vandals. To the urban explorer/photographer these signs simply serve to whet the appetite for the promise of hidden wonders that may lie beyond. For those who ignore the warnings and climb the fences, what awaits is usually worth the risks. Vast industrial spaces that feel more like an alien landscape or poignant residential settings, which are slowly surrendering to the inexorable advance of nature. Places once alive with sound and movement, now silent and still, but no less sensory. Immense and powerful beauty resides in these forgotten places. For some, just getting inside a location to experience this alternative form of sightseeing is enough to satisfy a desire to simply go where one shouldn't. But for some there is a need to capture the essence of a location in words and pictures, giving others a metaphorical leg-up over the fences, to walk them through the remaining ruins. Matt Emmett falls into the latter of these groups, travelling regularly to places in the UK and across Europe. He seeks out vast power stations and their cooling towers, steel works, mines, bunkers, tunnels, schools, engine sheds, hotels, castles and a myriad of other buildings. All have their own stories to tell in a variety of voices and without the distraction, sounds and people who inhabited them, those stories are clear and strong and the character of each location is laid bare. Architectural Digest: "Photographer Matt Emmett has made a name for himself by pushing the boundaries to capture epic imagery of Europe s most forgotten ruins." International Business Times: "Matt Emmett's 'Forgotten Heritage' photography project uncovers the brutal beauty of abandoned buildings and derelict industry." Forgotten Heritage has a spectacular collection of photos that capture these once thriving buildings now ravaged by nature and time. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hard Cover. Condizione: Very Good -. Emmett, Matthew (illustratore). First Hardback Edition. 280 x 280mm. pp. 240. English text. First hardback edition of 'Forgotten Heritage' by Matthew Emmett. Features images of abandoned factories, farmhouses, schools, castles, reservoirs, greenhouses, mills, hospitals and more. Lavish colour photographic illustrations throughout. Bound in original pictorial boards. No dust jacket [as published]. Some light bumping and rubbing to boards and corners. Binding strong. No ownership inscription or underlining. See images. 1.8kg. Extra postage overseas.

Condizione: Nuevo. Michelin - Fotografía.

Condizione: Nuevo. Forgotten heritage editado por Jonglez.

Paperback. Condizione: New.

Paperback. Condizione: New. Beautiful, haunting photographs of abandoned places, rediscovering our forgotten heritage. 'No Entry', 'Dangerous Site Keep Out' and 'Trespassers Will Be Prosecuted' are common sights on walls or perimeter fences around many of the world's abandoned sites. These warnings allude to potential dangers and prove an ineffective deterrent against thieves and vandals. To the urban explorer/photographer these signs simply serve to whet the appetite for the promise of hidden wonders that may lie beyond.For those who ignore the warnings and climb the fences, what awaits is usually worth the risks. Vast industrial spaces that feel more like an alien landscape or poignant residential settings, which are slowly surrendering to the inexorable advance of nature. Places once alive with sound and movement, now silent and still, but no less sensory. Immense and powerful beauty resides in these forgotten places. For some, just getting inside a location to experience this alternative form of sightseeing is enough to satisfy a desire to simply go where one shouldn't. But for some there is a need to capture the essence of a location in words and pictures, giving others a metaphorical leg-up over the fences, to walk them through the remaining ruins. Matt Emmett falls into the latter of these groups, travelling regularly to places in the UK and across Europe. He seeks out vast power stations and their cooling towers, steel works, mines, bunkers, tunnels, schools, engine sheds, hotels, castles and a myriad of other buildings. All have their own stories to tell in a variety of voices and without the distraction, sounds and people who inhabited them, those stories are clear and strong and the character of each location is laid bare.Architectural DigestPhotographer Matt Emmett has made a name for himself by pushing the boundaries to capture epic imagery of Europe's most forgotten ruinsInternational Business TimesMatt Emmett's 'Forgotten Heritage' photography project uncovers the brutal beauty of abandoned buildings and derelict industry.Winner of Historical Photographer of the Year 2017.

Paperback. Condizione: new. Paperback. Rediscovering our forgotten heritage No Entry'; 'Dangerous Site Keep Out; Trespassers Will Be Prosecuted': common sights on walls or perimeter fences around many of the world's abandoned sites. These warnings allude to potential dangers and prove an ineffective deterrent against thieves and vandals. To the urban explorer/photographer these signs simply serve to whet the appetite for the promise of hidden wonders that may lie beyond. For those who ignore the warnings and climb the fences, what awaits is usually worth the risks. Vast industrial spaces that feel more like an alien landscape or poignant residential settings, which are slowly surrendering to the inexorable advance of nature. Places once alive with sound and movement, now silent and still, but no less sensory. Immense and powerful beauty resides in these forgotten places. For some, just getting inside a location to experience this alternative form of sightseeing is enough to satisfy a desire to simply go where one shouldn't. But for some there is a need to capture the essence of a location in words and pictures, giving others a metaphorical leg-up over the fences, to walk them through the remaining ruins. Matt Emmett falls into the latter of these groups, travelling regularly to places in the UK and across Europe. He seeks out vast power stations and their cooling towers, steel works, mines, bunkers, tunnels, schools, engine sheds, hotels, castles and a myriad of other buildings. All have their own stories to tell in a variety of voices and without the distraction, sounds and people who inhabited them, those stories are clear and strong and the character of each location is laid bare. Architectural Digest: "Photographer Matt Emmett has made a name for himself by pushing the boundaries to capture epic imagery of Europe s most forgotten ruins." International Business Times: "Matt Emmett's 'Forgotten Heritage' photography project uncovers the brutal beauty of abandoned buildings and derelict industry." Forgotten Heritage has a spectacular collection of photos that capture these once thriving buildings now ravaged by nature and time. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: New.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Buch. Condizione: Neu. Neuware - The second volume in the Collected Writings of Charles Brockden Brown assembles for the first time his major periodical writings from the period when he was also producing his famous novels. All the pieces he contributed to The Columbian Magazine and The Weekly Magazine are joined by an expansive collection of stories and essays from The Monthly Magazine, which he also edited between 1799 and 1800. Texts offering major insights into Brown's ideas about the human imagination, American society, and the art of fiction such as 'The Rhapsodist,' 'The Man at Home,' and 'The Difference Between History and Romance,' are complemented by dozens of other works, many never before attributed to him, covering topics ranging from the theatre and classical literature to racial identity and geographical knowledge. Each edited text provides detailed information concerning publication history and provenance, along with extensive scholarly annotation. The editors of the volume include two additional essays: 'A Historical Essay,' offering detailed contextualization of the post-Revolutionary cultural milieu from which Brown's magazine writing emerged, and 'A Textual Essay,' offering new bibliographical information about the texts and explains editorial protocols for the volume.

HRD. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condizione: new. Hardcover. The second volume in the Collected Writings of Charles Brockden Brown assembles for the first time his major periodical writings from the period when he was also producing his famous novels. All the pieces he contributed to The Columbian Magazine and The Weekly Magazine are joined by an expansive collection of stories and essays from The Monthly Magazine, which he also edited between 1799 and 1800. Texts offering major insights into Browns ideas about the human imagination, American society, and the art of fiction such as The Rhapsodist, The Man at Home, and The Difference Between History and Romance, are complemented by dozens of other works, many never before attributed to him, covering topics ranging from the theatre and classical literature to racial identity and geographical knowledge. Each edited text provides detailed information concerning publication history and provenance, along with extensive scholarly annotation. The editors of the volume include two additional essays: "A Historical Essay," offering detailed contextualization of the post-Revolutionary cultural milieu from which Browns magazine writing emerged, and "A Textual Essay," offering new bibliographical information about the texts and explains editorial protocols for the volume. Presents authoritative, annotated versions of major stories and essays from three late eighteenth-century American magazines Charles Brockden Brown wrote for and edited during the most prolific phase of his literary career This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Condizione: new. Hardcover. The second volume in the Collected Writings of Charles Brockden Brown assembles for the first time his major periodical writings from the period when he was also producing his famous novels. All the pieces he contributed to The Columbian Magazine and The Weekly Magazine are joined by an expansive collection of stories and essays from The Monthly Magazine, which he also edited between 1799 and 1800. Texts offering major insights into Browns ideas about the human imagination, American society, and the art of fiction such as The Rhapsodist, The Man at Home, and The Difference Between History and Romance, are complemented by dozens of other works, many never before attributed to him, covering topics ranging from the theatre and classical literature to racial identity and geographical knowledge. Each edited text provides detailed information concerning publication history and provenance, along with extensive scholarly annotation. The editors of the volume include two additional essays: "A Historical Essay," offering detailed contextualization of the post-Revolutionary cultural milieu from which Browns magazine writing emerged, and "A Textual Essay," offering new bibliographical information about the texts and explains editorial protocols for the volume. Presents authoritative, annotated versions of major stories and essays from three late eighteenth-century American magazines Charles Brockden Brown wrote for and edited during the most prolific phase of his literary career This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.