Enyeart j (5 risultati)

hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Profusely Illustrated (illustratore).

Paperback. First edition. Near Fine paperback with a touch of soiling. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The January 1982 issue of The Archive, the periodical of the Center for Creative Photography at the University of Arizona. This issue is mostly about the landscape photographer Dean Brown (1936-1973) with: "The Dean Brown Archive" by James L. Enyeart; "An Appreciation" by Carol Brown; "Dean Brown, An Overview" by Susan E. Ruff; a portfolio of 38 images. Other articles include: a chronology of exhibitions at the Center, 1975-1981, by Nancy D. Solomon; "Acquisition Highlight: Jerry Uelsmann" by Sarah J. Moore; "Acquisitions: July-December 1980", compiled by Sharon Denton. 64 pages; 20 color and 18 b&w full-page plates + a portrait of the photographer; 8.5 x 11 inches.…

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1350grams, ISBN:9780821217214.…

Couverture rigide. Condizione: Très bon état. In-4 relié 28,3 cm sur 24,7. 176 pages. Très bon état d'occasion. in-4°.

Soft cover. Condizione: Fine. Condizione sovraccoperta: No dust jacket as issued. 1st Edition. First edition, first printing. Soft cover. Photographs and mixed-media works by Joyce Neimanas. Foreword by James Enyeart. Text by Sarah J. Moore. Includes a chronology, selected exhibition history and checklist. Designed by Nancy Solomon. 24 pp., with 16 four-color plates. 10-1/2 x 8-5/8 inches. Published on the occasion of an exhibition at the Center for Creative Photography, University of Arizona, Tucson. Fine. From the artist: "Since the photograph has such a strong connection to 'real life' and particularly to memory . the artist photographer should not be seduced into a desire to conform to a preconceived notion about it as a medium. Society will continue to look for pictures (and literature) that confirm previously held truths and ideas. In that narrowness, even reality is held accountable. 'That is as pretty as a picture.' Any deviation becomes suspect. Photography, on the other hand, does not have to suffer from such a rational philosophical dictum as observed reality. The photographer need not illustrate society's temporary truths. There is no morality in mixing media -- no positive or negative mark. The right color process does not exist, nor does the perfect black-and-white print. The ideal subject is an illusion, as is the perfect archival print. Art is an attitude that produces an object by using media. Media does not produce Art.".…