Eric weiskott (104 risultati)

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Paperback or Softback. Condizione: New. Cycle of Dreams. Book.

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Paperback. Condizione: New.

Paperback. Condizione: Brand New. 84 pages. 9.00x6.00x0.19 inches. In Stock.

paperback. Condizione: New. 1st.

Paperback or Softback. Condizione: New. Piers Plowman: A New Annotated Edition of the A-text. Book.

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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

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Paperback or Softback. Condizione: New. English Alliterative Verse: Poetic Tradition and Literary History. Book.

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Paperback. Condizione: New. English Alliterative Verse tells the story of the medieval poetic tradition that includes Beowulf, Piers Plowman, and Sir Gawain and the Green Knight, stretching from the eighth century, when English poetry first appeared in manuscripts, to the sixteenth century, when alliterative poetry ceased to be composed. Eric Weiskott draws on the study of meter to challenge the traditional division of medieval English literary history into Old English and Middle English periods. The two halves of the alliterative tradition, divided by the Norman Conquest of 1066, have been studied separately since the nineteenth century; this book uses the history of metrical form and its cultural meanings to bring the two halves back together. In combining literary history and metrical description into a new kind of history he calls 'verse history', Weiskott reimagines the historical study of poetics.…

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Condizione: New. 2026. paperback. . . . . .

hardcover. Condizione: Good.

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Condizione: New. 2026. paperback. . . . . . Books ship from the US and Ireland.

Condizione: New. In English.

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hardcover. Condizione: Very Good.

Paperback. Condizione: Brand New. 250 pages. 8.90x5.98x0.59 inches. In Stock.

Taschenbuch. Condizione: Neu. Neuware - An experimental hybrid work, Cycle of Dreams pairs translation and original poetry. The translations, or adaptations, are of William Langland's strange and wild fourteenth-century dream vision, Piers Plowman, a politically radical English and Latin poem written in the wake of plague and divided into a prologue and twenty passus or steps. Eric Weiskott transposes the action from London and Worcestershire to New England and Long Island. The translations refashion and modernize Piers Plowman by disarticulating its continuous shape and rearticulating it as a collection of lyrics. The translation appears on the left and original poetry on the right in each page opening, so that the fourteenth and twenty-first centuries speak to one another as in a dream.…

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Hardback. Condizione: New. What would English literary history look like if the unit of measure were not the political reign but the poetic tradition? The earliest poems in English were written in alliterative verse, the meter of Beowulf. Alliterative meter preceded tetrameter, which first appeared in the twelfth century, and tetrameter in turn preceded pentameter, the five-stress line that would become the dominant English verse form of modernity, though it was invented by Chaucer in the 1380s. While this chronology is accurate, Eric Weiskott argues, the traditional periodization of literature in modern scholarship distorts the meaning of meters as they appeared to early poets and readers. In Meter and Modernity in English Verse, 1350-1650, Weiskott examines the uses and misuses of these three meters as markers of literary time, "medieval" or "modern," though all three were in concurrent use both before and after 1500. In each section of the book, he considers two of the traditions through the prism of a third element: alliterative meter and tetrameter in poems of political prophecy; alliterative meter and pentameter in William Langland's Piers Plowman and early blank verse; and tetrameter and pentameter in Chaucer, his predecessors, and his followers. Reversing the historical perspective in which scholars conventionally view these authors, Weiskott reveals Langland to be metrically precocious and Chaucer metrically nostalgic. More than a history of prosody, Weiskott's book challenges the divide between medieval and modern literature. Rejecting the premise that modernity occurred as a specifiable event, he uses metrical history to renegotiate the trajectories of English literary history and advances a narrative of sociocultural change that runs parallel to metrical change, exploring the relationship between literary practice, social placement, and historical time.…