Erica moiah james (52 risultati)

Hardcover. Condizione: Very Good. 01. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Hardcover.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. The item is brand new, never used or read. It's in perfect condition and may include supplements and/or access codes or come shrink-wrapped.

Hardcover. Condizione: Near Fine. Museum De Domijnen, Sittard, Netherlands, 2019. Hardcover 226 pp. Exhibition catalog. Published in collaboration with Gerhard-Marks-Haus in Bremen, Germany. The work of the Belgian-based, Cuban-born artist Ricardo Brey (born 1955). Near fine condition. No dust jacket as issued. **Heavy or oversize Item. An extra shipping charge may apply.**.…

Condizione: new.

Paperback. Condizione: new. Paperback. In After Caliban, Erica Moiah James examines the rise of global Caribbean artists in the 1990s and their production of a decolonized art history for the Caribbean. She draws on AimE CEsaires rewriting of Shakespeares The Tempest, in which Caliban becomes the sole author of his own story, dissolving his fixed position as colonized in relation to Prospero as colonizer. James shows how visual artists such as Marc Latamie, Janine Antoni, Belkis AyOn, Edouard Duval-CarriE, and Christopher Cozier followed CEsaires model by employing a range of practices and methodologies that refused marginalization. Just as CEsaire decolonized The Tempest, so too did these artists, who crafted a decolonial aesthetic that redefined their own cultural and historical narratives and positioned art as a key pathway toward a postcolonial future. By providing the foundation for a postcolonial, post-Caliban art world, these artists redefined the critical and popular notion of contemporary Caribbean art. At the same time, James argues, they fulfilled CEsaires dream for a postcolonial Caribbean while creating a nonhegemonic art historical practice that exists beyond modern binaries and borders. Drawing on AimE CEsaires rewriting of Shakespeares The Tempest, Erica Moiah James examines the rise of global Caribbean artists in the 1990s and their production of a decolonized art history for the Caribbean. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: New.

Paperback. Condizione: Brand New. 289 pages. 8.75x6.00x0.75 inches. In Stock.

Paperback. Condizione: New. In After Caliban, Erica Moiah James examines the rise of global Caribbean artists in the 1990s and their production of a decolonized art history for the Caribbean. She draws on AimÉ CÉsaire's rewriting of Shakespeare's The Tempest, in which Caliban becomes the sole author of his own story, dissolving his fixed position as colonized in relation to Prospero as colonizer. James shows how visual artists such as Marc Latamie, Janine Antoni, Belkis AyÓn, Edouard Duval-CarriÉ, and Christopher Cozier followed CÉsaire's model by employing a range of practices and methodologies that refused marginalization. Just as CÉsaire decolonized The Tempest, so too did these artists, who crafted a decolonial aesthetic that redefined their own cultural and historical narratives and positioned art as a key pathway toward a postcolonial future. By providing the foundation for a postcolonial, post-Caliban art world, these artists redefined the critical and popular notion of contemporary Caribbean art. At the same time, James argues, they fulfilled CÉsaire's dream for a postcolonial Caribbean while creating a nonhegemonic art historical practice that exists beyond modern binaries and borders.…

Condizione: New.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Hardcover. Condizione: VG with small ding on corner. Hardcover black with yellow title. 208 pp generously illustrated with BW and color reproductions. This title accompanies the largest exhibition to date of Nari Ward's groundbreaking sculptures, videos, works on paper, and installations, which tackle themes of African-American history and culture, the dynamics of power and politics, and the Caribbean diaspora. Preface and acknowledgements = Prefacio y agradecimientos / Franklin Sirmans -- Being in the world = Estar en el mundo / Diana Nawi -- Sun splashed = Salpicado de sol / Erica Moiah James -- The lightness of ghosts = La levedad de los fantasmas / Ralph Lemon -- Elsewhere oriented = Orientado hacia otro lugar / Naomi Beckwith -- It's OK to disagree : a conversation with Nari Ward = No hay problema en no estar de acuerdo : una conversación con Nari Ward / Philippe Vergne.…

Condizione: New.

Hardcover. Condizione: New. Condition: New. Still wrapped in plastic. International shipping will be extra. Thank you.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: New.

Hardcover. Condizione: Brand New. 80 pages. 11.50x8.50x0.50 inches. In Stock.

Paperback. Condizione: Brand New. 289 pages. 8.75x6.00x0.75 inches. In Stock.

Cloth. Condizione: Fine Condition. Condizione sovraccoperta: No Jacket, As Issued. 208 pages 128 illustrations 90 in color. Text is in Spanish and English. Preface by Franklin Sirmans. Published on the occasion of the exhibition from the Perez Art Museum, Miami FL November 19, 2015-March 6, 2016. List of Works. Selected Exhibition History and Bibliography. Book. …

hardcover. Condizione: Fine.

Hardcover. Condizione: New. 1st Edition.

Condizione: New.