ernest clarke ed (9 risultati)

Hardcover. Condizione: Good. No Jacket. 85pp. An account of 13th century monastic life. Some wear to the edges of the boards, otherwise clean and sound. Please email with any queries. 5"x7".

Condizione: Very Good. 1st Edition. First King's Classics edition. Quarter parchment with drab boards. Paper title label to spine. Top page edge gilt, other edges untrimmed. Light browning to spine. Foxing to page edges and endpapers. A few light spots elsewhere. Overall condition is Very Good. Size: 5 x 6 inches (12.5 x 15 cm). Hardback. Printed pages: xliii, 285.

Hardcover. Condizione: Good. No Jacket. 285 pages (complete). A worn but contented book. The covers are firm, benign, secure. Within, the contents are most happy. The pages are clean, creamy, clear, lightly tanned about the edges from age, genial. fk. Our orders are shipped using tracked courier delivery services.

Cloth. Condizione: Very Good. No Jacket. Second Edn, Revised. A picture of Monastic life in the days of Abbot Samson. 12th century. Frontispiece Seal of Abbot Samson. The King's Classics. Top edge gilt, others uncut. Few spots foxing, covers damaged ends of spine & lower edge, & some scratches back board. 1A3.

Octavo staplebound softcover (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs.

Hardcover. Condizione: Good. Quarter cloth edition of monk Jocelyn de Brakelond's 12th century history of the monastery of Bury St. Edmunds Abbey Top edge gilt. Fore-edge rough cut. Raised bands to spine. Some spotting within, otherwise clean and tight. Good.

Soft cover. Condizione: Very Good+. No Jacket. 96 pages.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. First Thus. HB. St. Edmund's Abbey in the years 1173-1202, 285 pages. Book tight and clean.

[2] pp.; 87.2 x 56.2 cm.; color; edition size unknown; unsigned and unnumbered; offset-printed Promotional poster for the 9th Annual New York Avant Garde Festival presented by Charlotte Moorman aboard the riverboat "Alexander Hamilton" at South Street Seaport Museum, Pier 16, New York City, October 28, 1972, "hopefully" in Poughkeepse, New York, October 29, 1972 and in Albany, New York, October 30, 1972. Artists included Shuya Abe, John Alpert, Eric Anderson, Oliver Andrews, Eleanor Antin, Ay-o, Claudio Badal, Shridhar Bapat, Fred Barzak, Gregory Battcock, Bill Birch, Frank Braynard, Dennis Brennan, Brenda Bufalino, John Cage, Domenick Capobianco, Jackie Cassen, Laura Cavestany, Joel Chadabe, Rhys Chatham, Emanuel Ghent, Dick Higgins, Ralph Hocking, Wayne Hycle, Glenda Hydler, Takahiko Iimura, Iris, Sylvia Johnson, Joe Jones, Allan Kaprow, Alison Knowles, Kenneth C. Knowlton, Shigeko Kubota, Joanne Kyger, Gilles Larrain, Standish Lawder, Francis Lee, Rick Lefrak, John Lennon, Carl Linder, Anna Lockwood, Alvin Lucier, Mary Lucier, Stanley Lunetta, Ernest Lurker, Christo, Shirley Clarke, Beverly Conrad, Tony Conrad, Philip Corner, Bob Cowan, Doug Davis, Henny DeKnegt, Storm de Hirsch, Bill Denner, Dimitri Devyatkin, Ken Dewey, Robert Diamond, Hans Joachim Dietrich, Eugene Dolgoff, Juan Downey, Franklin Drake, Jean Dupuy, Tom Drysdale, Ed Emshwiller, Jeni Engel, William Etra, Ralston Farina, Wolfgang Feelish, Peter Frank, Si Fried, John Fulop, Jeff Garrett, Davidson Gigliotti, Frank Gillette, Amy Greenfield, Donna Grob, Alex Gross, Walter Gutman, James Harithas, Harlem Drummers & Dancers Park East H.S., Gary Harris, Dermot Harvey, Ron Hays, Jackson MacLow, Marta Minujin, Max Neuhaus, Hermann Nitsch, Pauline Oliveros, Yoko Ono, Nam June Paik, Lil Picard, Otto Piene, Carolee Schneemann, Rudi Stern, Aldo Tambellini, Elsa Tambellini, Stan Van Der Beek, Jud Yalkut, Ben Vautier, Video Freex and others. Very Good. Mailed copy with mailing marks and wear, folded in sixteen for mailing. Stamps (on recto) have been postmarked and there is a return address, however no indication of to whom it was mailed. Two 7 mm pen marks on recto with a 3 mm. tear to center of one of the folds and 1 cm. of adhesive staining to poster edge. Otherwise clean and unmarked.