Ernest lehman screenwriter (13 risultati)

Vintage color studio still photograph from the 1976 film. Based on Victor Canning's novel "The Rainbird Pattern." Set to the backdrop of a large city, and starring Karen Black, Bruce Dern, Barbara Harris, and William Devane, this dark comedy marks the final of Hitchcock's many films. Shot on location in California. 8 x 10 inches. Near Fine with pin holes. Rosenbaum 1000.…

Vintage studio still photograph from the 1976 film. Based on Victor Canning's novel "The Rainbird Pattern." Snipe printed on the verso of the image. Shot on location in California. 8 x 10 inches. Near Fine with pin holes. Rosenbaum 1000.

Two vintage studio still photographs from the 1954 film. One of the photographs with a sticker noting the photograph is from the collection of film historian, collector, and founder of the Tele Cine Documentation (TCD) cinema photo library Daniel Bouteiller on the verso. The second photograph is from a later Paramount re-release of the film. Based on the 1953 Broadway play by screenwriter Samuel Taylor. Winner of an Academy Award and nominated for five more, including Best Director, Best Actress, and Best Adapted Screenplay. Remade by director Sydney Pollack in 1995, starring Julia Ormond, Harrison Ford, and Greg Kinnear. 8 x 10 inches. Near Fine National Film Registry.…

Vintage borderless reference photograph, with bottom margin, of director Ernest Lehman, Richard Benjamin, and cinematographer Philip H. Lathrop (back to camera) on the set of the 1972 film. Provenance stamp of collector, historian, and author "Frank Driggs" on verso. Based on the 1969 novel by Philip Roth. The fourth Roth novel (after "Goodbye, Columbus" in 1972) to be adapted for the screen, and the sole directorial effort for noted screenwriter Ernest Lehman ("North by Northwest," "The Sweet Smell of Success," "Sabrina," "West Side Story," The Sound of Music," and "Who's Afraid of Virginia Woolf?"). Alexander Portnoy (Benjamin), sees a therapist and goes on one long tirade after another about his family, his childhood, his sexual fantasies and desires, his problems with women, and his obsession with his own Judaism. Set in New York. 8 x 10 inches. Very Good plus, with light creasing and edgewear.…

Vintage photograph from the set of the 1961 film, showing directors Robert Wise and Jermone Robbins seated on a camera crane, surrounded by members of the crew. With the stamps of press agencies Globe Photos and International Magazine Service, the latter dated May 29, 1961, on the verso. Based on the 1957 Broadway musical with book by Arthur Laurents, music by Leonard Bernstein, and lyrics by Stephen Sondheim. Robbins, who would go on to direct the film with Robert Wise, served as choreographer and came up with the original concept of a modern musical update of William Shakespeare's "Romeo and Juliet." Winner of ten Academy Awards, the most ever for a musical, including Best Picture, Best Director, Best Supporting Actor for George Chakiris, and Best Supporting Actress of Rita Moreno. Additionally nominated for Best Adapted Screenplay. Set in New York, shot on location there and in California. 10 x 8 inches with a wide bottom margin. Light creasing to the corners, about Near Fine. National Film Registry. Ebert II. Hirschhorn, The Hollywood Musical.…

Final script for the 1966 film. Lacking the final page of narrative text, as either used or issued. Based on the 1963 Tony Award-winning play by Edward Albee, which follows one bitter night of domestic unrest between an emotionally scarred college professor and his hard-drinking wife. Nichols' directorial debut, and the first film to be given the MPAA tag "No one under 18 will be admitted unless accompanied by an adult," challenging the Production Code Office and essentially leading to its demise. Nominated for 13 Academy Awards, and winning five, including Best Actress and Best Supporting Actress for Elizabeth Taylor and Sandy Dennis, respectively. Set on the campus of a small New England college, and shot on location in Northampton, Southampton, and Cambridge, Massachusetts. OCLC locates no holdings. AMPAS shows 2 holdings. Goldenrod titled wrappers, noted as FINAL on the front wrapper, rubber-stamped copy No. 69, dated July 30, 1965. Distribution page present, same dates, with receipt intact. Title page present, dated July 30, 1965, with credits for screenwriter Ernest Lehman. 155 leaves, with last page of text numbered 152. Mimeograph duplication, rectos only, all pages eye-rest green (excepting distribution page, which is white) and dated 7/30/65. Corner chip to the "Cast of Characters" page, else pages Near Fine, wrapper Very Good with yapping at the top and bottom as usually found, bound internally with two gold brads. National Film Registry. …

Draft script for the 1972 film. An early example of the film's script, still slated to be a Twentieth Century-Fox production, with their imprint on the front wrapper. The fourth Roth novel (after "Goodbye, Columbus" in 1972) to be adapted to the screen, and the sole directorial effort for noted screenwriter Ernest Lehman ("North by Northwest," "The Sweet Smell of Success," "Sabrina," "West Side Story," The Sound of Music," and "Who's Afraid of Virginia Woolf?"). Alexander Portnoy (Benjamin), sees a therapist and goes on one long tirade after another about his family, his childhood, his sexual fantasies and desires, his problems with women, and his obsession with his own Judaism. Set in New York. Blue titled wrappers. Title page present, dated August 3, 1970, with credits for screenwriter Lehman and novelist Roth. 150 leaves, with last page of text numbered 149. Mechanical duplication on eye-rest green stock. Pages and wrapper Near Fine, bound internally with three gold brads.…

Vintage photograph from the set of the 1961 film, showing director Robert Wise looking through a viewfinder while his co-director Jermone Robbins looks through a pair of sunglasses. Based on the 1957 Broadway musical with book by Arthur Laurents, music by Leonard Bernstein, and lyrics by Stephen Sondheim. Robbins, who would go on to direct the film with Wise, served as choreographer and came up with the original concept of a modern musical update of William Shakespeare's "Romeo and Juliet." Winner of ten Academy Awards, the most ever for a musical, including Best Picture, Best Director, Best Supporting Actor for George Chakiris, and Best Supporting Actress of Rita Moreno. Additionally nominated for Best Adapted Screenplay. Set in New York, shot on location there and in California. 10 x 8 inches. Near Fine. National Film Registry. Ebert II. Hirschhorn, The Hollywood Musical.…

Eight color front-of-house cards from the French release of the 1972 film. Included with the collection are two promotional pages specific to the film's French release, with text in French. Based on the 1969 novel by Philip Roth. The fourth Roth novel (after "Goodbye, Columbus") to be adapted for the screen, and the sole directorial effort for noted screenwriter Ernest Lehman ("North by Northwest," "The Sweet Smell of Success," "Sabrina," "West Side Story," The Sound of Music," and "Who's Afraid of Virginia Woolf?"). The eponymous Portnoy sees a therapist and goes on one long tirade after another about his family, his childhood, his sexual fantasies and desires, his problems with women, and his obsession with his own Judaism. Set in New York. Front-of-house cards: 11.25 x 9 inches. Very Good plus, with light wear on the left corners. Synopsis: 8.25 x 12 inches. Single staple at the top left corner. Very Good plus, lightly creased on the bottom edges.…

Two vintage reference photographs from the 1956 film, showing Paul Newman receiving a champion's welcome in Brooklyn, accompanied by Pier Angeli. One with a mimeo snipe and provenance label affixed to the verso. Based on middleweight boxing champion Rocky Graziano's 1955 autobiography, from his early years suffering abuse at the hands of his father, his dishonorable discharge from the US Army, and eventual rise to boxing stardom. One of Newman's first starring roles. Winner of two Academy Awards for Best Black-and-White Cinematography and Art Direction. Set in Brooklyn, and shot on location in the Lower East Side and Brooklyn, and at the Grand Olympic Auditorium in Los Angeles. Approximately 10 x 8 inches. Near Fine.…

Vintage reference photograph from the 1959 film, showing actors Cary Grant and Eva Marie Saint. From the archive of film historian and author Joel Finler. An innocent man is pursued across the US by a group of foreign spies, who have mistaken him for a government agent. Widely considered one of director Alfred Hitchcock's best films, the last of four the director made with Cary Grant, with a score by Bernard Hermann and a famous title sequence by Saul Bass. 10 x 8 inches. Near Fine. National Film Registry. Godard, Histoires du cinema. Grant US. Penzler 101. Rosenbaum 1000.…

Vintage studio still photograph of director Alfred Hitchcock talking with actor Cary Grant on the set of the 1959 film. An innocent man is pursued across the US by a group of foreign spies, who have mistaken him for a government agent. Widely considered one of Hitchcock's best films, the last of four the director made with Grant, with a score by Bernard Hermann and a famous title sequence by Saul Bass. 8 x 10 inches. Near Fine. National Film Registry. Godard, Histoires du cinema. Grant US. Penzler 101. Rosenbaum 1000.…

Vintage oversize borderless black-and-white reference photograph of actors Tony Mordente, Harvey Evans, Susan Oakes, Bert Michaels, Tommy Abbott, and Tucker Smith standing with director Jerome Robbins on the set of the 1961 film. With a printed mimeo snipe affixed to the verso. Based on the 1957 Broadway musical with book by Arthur Laurents, music by Leonard Bernstein, and lyrics by Stephen Sondheim. Robbins, who would go on to direct the film with Robert Wise, served as choreographer and came up with the original concept of a modern musical update of William Shakespeare's "Romeo and Juliet." Winner of ten Academy Awards, including Best Picture, Best Director, Best Supporting Actor for George Chakiris, and Best Supporting Actress for Rita Moreno. Set in New York's West Side, shot on location in New York and California. 14 x 11 inches. Very Good plus, with light wear and creasing to the corners.…