Esterman daniel (25 risultati)

hardcover. Condizione: Good.

Condizione: Good. . . Before placing your order for please contact us for confirmation on the book's binding. Check out our other listings to add to your order for discounted shipping. All orders guaranteed and ship within 24 hours.

Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hard Cover. Condizione: vg-. Condizione sovraccoperta: vg. 11" tall; 256 pages; heavy glossy paper; color & b/w ils; vertical crease to dust jacket mid-spine; black remainder line top edge. Meyer Schapiro (illustratore). Hardcover (dj).

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

First Edition. Cloth. Fine in a fine dustjacket.; 4to. Illustrated by Color and B & W Reproductions (illustratore).

Hardcover with dustjacket, 256 pages, very good condition, no internal marks, clean and crisp. Priority and foreign shipping may be extra for this heavy book.

hardcover. Condizione: Used-Very Good. First Edition. Cloth, d.j. 4to. Profuselly illus. Some shelf-wear. Else bright clean copy.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. 256 pages; 8 3/4 x 11 1/4" Text by Meyer Schapiro; Preface by John Russell; Introduction by Lillian Milgram Schapiro. Very light wear to jacket (now in mylar protector). John Bigelow Taylor (photography) (illustratore).

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st. Cloth, 256 pages, illustrations (some colour); 29 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. A large-format coffee-table book. *** With 203 illustrations, including 53 in full colour. Includes 3 essays by Schapiro: "On Representing and Knowing," "Color as Expressive," and "Art Schools: Drawing from the Figure." *** "Admirers of the late, legendary art historian Meyer Schapiro will find this first publication of his own artwork a revelation. More than 200 paintings, drawings, and sculptures are reproduced; along with three never-published essays - "On Representing and Knowing," "Color as Expressive," and "Drawing from the Figure" - they yield a surprising private view of this Renaissance man who was a giant figure in American intellectual and artistic life from the 1930s until his death in 1996 at age 91. Of special interest are Schapiro's self-portraits and renderings of such notable people as Bernard Berenson, Whittaker Chambers, and Irving Howe. An introduction by Schapiro's widow, Lillian Milgram Schapiro, gives insights into his early art education, and a preface by New York Times art critic John Russell provides a personal reminiscence of this inspirational figure in the art world who soared above the crowd as 'one of nature's illuminants.' / MEYER SCHAPIRO (1904-1996) was associated with Columbia University from 1920, when he entered as an undergraduate, until his death. He was named University Professor Emeritus there in 1973. He also taught at New York University, Oxford University, and the College de France in Paris. His varied fields of interest included the art of the Middle Ages and of 19th- and 20th-century Europe and America. LILLIAN MILGRAM SCHAPIRO is a retired pediatrician and former medical school clinical professor. She married Meyer Schapiro in 1928 and worked with him on various aspects of his publications. JOHN RUSSELL is former chief art critic of The New York Times and the author of many books, including Abrams' Matisse: Father & Son, London, and Paris. He lives in New York. JOHN BIGELOW TAYLOR is a well-known photographer whose work has appeared in a number of Abrams books, including The Currency of Fame, The Cycladic Spirit, Daniel Brush: Gold Without Boundaries, The Splendor of Ethnic Jewelry, and Venetian Glass." - Publisher. Size: 4to. Collectible.…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. New York: Harry N. Abrams, 2000. 256 pages; 203 illustrations, 53 color. The artistic work of the art historian, himself. The work covers about 70 years, many self-portrait drawings and drawings of wife, family, and friends. First Edition. Hard Cover - cloth boards. Fine/Fine. 4to. Language: ENG. …

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. As New. Preface by John Russell. Introduction by Lillian Milgram Schapiro. Texts by Meyer Schapiro. Photographs by John Bigelow. 203 illustrations, including 53 full-color illustrations. The dust jacket is protected by a Brodart mylar cover and is not price-clipped. Not an ex-library copy. No remainder marks. Most books shipped within 24 hours. All books mailed with Delivery Confirmation. Fine condition in fine dust jacket. Selling Used and Rare books on line since April 1998 and from our bookstore in the heart of the Bluegrass since 1984. ; Color and black-and-white illustrations; 4to 11" - 13" tall; 256 pages.…

First edition Fine and bright blue boards in like glossy dustjacket with crisp bright text throughout. Excellent study of this fine artist and teacher with many full page size paintings in color and etchings and black and white detail with informative text.

Hardcover. Condizione: Near Fine. First. 8.5 X 1 X 10.5 inches; 246 pages.

Hardbound. Condizione: VG/VG. Beautiful blue cloth with silver lettering; multi-color dj with yellow and white lettering; 256 pp. with 203 illustrations, 53 in color. With personal information by Schapiro's widow and text by Schapiro himself, the legendary art historian, critic, and teacher.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. Preface by John Russell. Introduction by Lillian Milgram Schapiro. Texts by Meyer Schapiro. Edited by Lillian Milgram Schapiro & Daniel Esterman. Photographs by John Bigelow Taylor. Numerous colour and b&w illustrations throughout (203 illustrations, including 53 in full colour). Includes index. Bound in original blind-embossed blue cloth with white lettering to spine, in publisher's unclipped pictorial dustjacket. Tiny unobtrusive tear to middle of spine, otherwise a very nice clean tight solid hardcover copy. 256pp. Heavy book, extra shipping may be required. SB-35.…

Condizione: Very Good.

Hardcover. Condizione: Near Fine. Book.

Couverture souple. Condizione: bon. R320094578: 1995. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 425 pages. . . . Classification Dewey : 220-Bible.

Hardcover. Condizione: Near Fine. Book.

Hardcover. Condizione: Brand New. 1st edition. 208 pages. 11.00x8.50x1.00 inches. In Stock.

Hardcover. Condizione: New. The letters and travel notebook pages of Meyer Schapiroâ"one of the leading art historians of the twentieth centuryâ"published here are filled with observations and drawings that illuminate the intellectual and emotional life of a young scholar committed to tracing the deep connections of art with the totality of culture. Schapiro?s letters to his future wife, Lillian Milgram, were written in 1926 and 1927, while he was a graduate student touring the artistic monuments of Europe and the Near East. Bearing intimate witness to this formative journey, they augment the visual and factual details he so painstakingly recorded in his notebooks with impassioned reflections on art and lively accounts of his encounters with an older generation of art historians. Accompanying the letters and travel notebook pagesâ"transcribed and annotated by Daniel Esterman, the Schapiros? nephewâ"are Thomas Crow?s foreword, Esterman?s introduction, and an essay by Hubert Damisch.…