Eugenia parry (337 risultati)

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condizione: Very Good. very good to like new hardcover. no marks. clean text. solid binding. very light wear. ISBN matches listing Fast service with confirmation, no international or priority orders over 4lbs.

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

paperback. Condizione: Very Good.

Hardcover. Condizione: New. No Dust Jacket. First Edition. PHOTO AND VIDEO OF PAGES TAKEN TO SHOW CONDITION PRIOR TO SHIPPING; Photos of book emailed upon requestPHOTOS EMAILED FOR MORE SPECIFICS WHEN REQUESTED; Book. Book.

Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condizione: Very Good. Softcover, 96 pgs. Includes contribitions from several photographers, color and b&w images, chronology of exhibitions, and more. Light wear.

Hardcover. Condizione: Fine. brand new hardcover with dust jacket - still in original shrinkwrap With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.

Hardcover. Condizione: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.

Hardcover. Condizione: Acceptable. This is a damaged book. May be ex-library, water-damaged, or spine creased/broken. Acceptable, Reading copy only, with writing/markings and heavy wear. Torn/worn dj. Oversized.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail. Well-illustrated (illustratore).…

Condizione: Acceptable. Missing dust jacket; otherwise in excellent condition. Acceptable Condition. Five star seller - Buy with confidence. Well-illustrated (illustratore).

Condizione: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Very Good. Light surface wear. A nice, crisp copy. ; B&W and color photography; 11.0 X 9.8 X 0.8 inches; 254 pages.

Soft cover. Condizione: Very Good. 1st Edition. moderate wear moderate blemishes or marks no underlining or highlighting.

Condizione: Good. First Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Well-illustrated (illustratore).

Condizione: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Well-illustrated (illustratore). …

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition.

Paperback. First edition. Very Good paperback with light soiling to the covers. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The catalogue for an exhibition of portraits by W. Snyder MacNeil, held at the Photographic Resource Center of Boston University, Boston, January 29 - March 6, 1988. Taken from still camera and video images, the photographs were then printed using the palladium/platinum process on tracing vellum. Photographs by W. Snyder MacNeil; essay by Eugenia Parry Janis. 32 pages; 12 tri-toned b&w plates + 5 text illustrations; 9.25 x 10.5 inches.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Grey cloth binding with gold colored print on spine. Light sunfade along top edge. Two sets of initials on front flyleaf. Tight, sound and otherwise unmarked. 263 pages including list of plates. 200 photographs. Dust Jacket has small open tear on lower corner of the front panel, spine side. Tiny wear spots on Corner tips. In mylar and no pricing present. In addition to photo collection, contains an essay by Art Historian Eugenia P. Janis discussing critical aspects o the photographers work and some biography. (20 Pages). Due to larger than standard size, additional S&H may be requested. Photo - Illustrated (illustratore).…

First Edition. First edition. Softcover. 254 pages. Foreword by John Mulvany. Text by Denise Miller, Eugenia Parry, F. David Peat, Naomi Rosenblum, Rod Slemmons, Mihaly Csikszentmihalyi, Ed Paschke, Franz Schulze, John Mulvany and AnJanette Brush. Includes numerous color and black and white illustrations. A fine copy in French style wrappers.…

Hardcover. Condizione: Very Good. No dust jacket as issued No dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.

Hardcover. First edition. White & color illus. boards, brown & illus. dust jacket, 132 pp., BW & color illus.; weighs 3 lbs. Considers the life and work of British-born photographer Adam Fuss (b. 1961). "Like an eighteenth-century experimenter, Fuss utilizes organic and raw materials in an unusual approach, revealing spiritual and emotional process. . This book, the first major monograph of the artist's work, is certain to be an important contribution to current discussions of photography's past and the question of its future." (dj) This self-titled book is about life, death and various cultural and personal views of spirituality. Much like an autobiography in words and pictures, the book catalogues Fuss's progression as he explores the world around him while questioning what it means to "exist." The book starts out with a biography of Fuss's life, providing the viewer with an outline of his interests in the natural and spiritual worlds dating back to his childhood. As his ideas develop, he confronts photography's "problem" -inextricable attachment to realistic representation- by challenging it with his desire to "capture and keep an object's mysterious self-inscription." The results are the 57 plates located in the last section of the book. Using organic and raw materials such as humans and animals, flowers and plants, water, stained glass from churches and light alone, Fuss inscribes their living energies onto the light sensitive paper by use of time and a stroboscopic flash. The universe, conscious versus the unconscious, chaos versus harmony, representations of the soul's journey, and the awareness of eternal return can all be seen throughout these photograms. From abstract expressionism and surrealism to pure documentation, Fuss's unique methodology refers to past masters while revealing his spiritual and emotional process as a journey to discover the essence of natural forms. Adam Fuss has emerged as one of the bold and truly creative artists utilizing photography today. Fuss's photograms clearly break from those of his predecessors, Man Ray, Moholy-Nagy, and Talbot, and while striking a chord of homage, the images redefine how and what we see in pictures, viscerally and intellectually. VG- (DJ fits loosely on book, and one corner is peeling slightly; dj also has light wear to top edge; few marks and labels and pocket as ex-library; otherwise clean and tight.).…

Hardcover. Condizione: New. New copy.

Trade Paperback. Condizione: Good. First Edition. Some wear (chiefly to edges). 189, [1] pages. Catalogue of the exhibition of the same title, at the Walker Art Center, 1989 (not dated specifically in book), featuring the work of 12 photographers in all (including Bernhard Blume, Mary Beth Edelson, Ralph Eugene Meatyard, Duane Michals, Lucas Samaras, Francesca Woodman, and others). Foreword by Friedman; essays by Janis, Kozloff and Weinberg; biographical chronologies, selected bibliography and index. 'First edition' and copyright date of 1989 on title page verso.Over 150 Color & b/w Photographs (chiefly b/w). …