eva huttenlauch (50 risultati)

Paperback. Condizione: Very Good. light shelfwear, NICE! Standard-sized.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Softcover, 94 pages; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark - NICE! Standard-sized.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Softcover. Condizione: VG+. A matte blue softcover book with French flaps and black text down the spine. Pages: (16), 17-96. Profusely illustrated with both color and black-and-white images. "The French artist Saâdane Afif had his first solo exhibition in 2012 in the German museum, MMK Frankfurt. The exhibition title was derived from André Breton's surrealist work 'Anthologie de l'humour noir' of 1940.".

Hardcover. Condizione: Very Good. No Jacket. 1st Edition. 80 pp bw illustrations, monochrome illustrated covers. Clean and sound minor wear. Text in English and German.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: new. Hardcover. This book explores the eclectic practice of artist Sheela Gowda and her ongoing engagement with the paradoxes and predicaments of urban and rural life in modern India. With an emphasis on her sprawling installations, we see her use of distinctive materials from her native India, whose textures, colors and scents lend her work narrative form as well as metaphorical force. Through the imaginative employment of cow dung, kumkum powder, coconut fibers, hair, threads, stones, tar barrels and tarpaulins-which carry magical, cult and ritual, personal and functional connotations-Gowda blends traditions of craftsmanship and practical application with poetic intensity.Gowda began her career as an oil painter, testing out themes and approaches that would shape her later practice: the everyday life of middle-class India, the conflicts women confront at work and at home, appropriating media images that touch on political and social tensions. In the early 1990s she first adopted cow dung as a medium (initially in paintings, later in three-dimensional pieces and installations), exploring its relevance to the Hindu cult of the cow and omnipresence in today's India, from practical uses (in construction, flooring, insulation), to its purifying, healing properties and sacred significance. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condizione: New.

Condizione: new.

Softcover, staple-bound, 44 pages; in English and German; very good condition; light rubbing to covers; no internal marks. This is not the exhibition catalog; it is a thin pamphlet possibly a museum handout.

Condizione: New.

Hardcover. Condizione: New.

Softcover. Condizione: Very good. Condizione sovraccoperta: Very good. Excellent condition. Spine is sunned but readability is not impacted. Still in shrink wrap.

Softcover. Condizione: Sehr gut. Z : 98 Seiten/pages, 24 x 15 cm - The French artist Saâdane Afif recipient of the acclaimed Marcel Duchamp Prize in 2009 had his first solo exhibition in 2012 in the German museum, MMK Frankfurt. The exhibition title was derived from André Breton's Surrealist work Anthologie de l'humour noir of 1940. In keeping with his usual approach, Saâdane Afif has called upon well-known protagonists of the art world to write texts about the coffin, taking his own thoughts about it as their point of departure. The texts are part of the accompanying catalogue and form the contextual key to understanding the work.

Condizione: New. . 2020. Hardcover. . . . .

Condizione: as new. Herausgegeben von Eva Huttenlauch & Matthias Mühling. Göttingen : Steidl, 2020. Hardcover. 181 pp. color illustrations. 27 cm. - This book explores the eclectic practice of artist Sheela Gowda and her ongoing engagement with the paradoxes and predicaments of urban and rural life in modern India. With an emphasis on her sprawling installations, we see her use of distinctive materials from her native India, whose textures, colors and scents lend her work narrative form as well as metaphorical force. Through the imaginative employment of cow dung, kumkum powder, coconut fibers, hair, threads, stones, tar barrels and tarpaulins, which carry magical, cult and ritual, personal and functional connotation, Gowda blends traditions of craftsmanship and practical application with poetic intensity. Gowda began her career as an oil painter, testing out themes and approaches that would shape her later practice: the everyday life of middle-class India, the conflicts women confront at work and at home, appropriating media images that touch on political and social tensions. In the early 1990s she first adopted cow dung as a medium (initially in paintings, later in three-dimensional pieces and installations), exploring its relevance to the Hindu cult of the cow and omnipresence in today's India, from practical uses (in construction, flooring, insulation), to its purifying, healing properties and sacred significance. Condition : as new copy. ISBN 9783958297050. Keywords : ART,

Hardcover. Condizione: Brand New. 181 pages. French language. 10.50x8.50x1.00 inches. In Stock.

Hardcover. Condizione: Gut bis sehr gut. 1. Auflage. B : 24,5 x 31 cm, 352 Seiten, 130 Abbildungen plus 1.600 Abbildungen, Leinen. - Die KiCo Sammlung hat sich in den letzten 20 Jahren zu einer der wichtigsten Kollektionen zeitgenössischer Kunst entwickelt. Ausgehend von der Farbmalerei umfasst sie heute das gesamte Spektrum bildbezogener Gegenwartskunst, vom Tafelbild bis zur Installation. Der Katalog zeigt zentrale Werkblöcke der Sammlung, u.a. von Marcia Hafif, Maria Lassnig, Katharina Grosse, Wolfgang Tillmans und Olafur Eliasson.

Condizione: New. . 2020. Hardcover. . . . . Books ship from the US and Ireland.

Condizione: New.

172 S. Leinen Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: deu.

Condizione: Wie neu. Erstauflage 8°. 114 Seiten Illustrationen. Original Leineneinband Neuwertig Edition Lenbachhaus, 07. Auf Deutsch und Englische. In English and German.

Hardcover. oversized bw pictorial boards w/ orange printing. approx 30 unpaginated pgs w/ color illustrations; pocket w/ orange LP. LP undamaged from external issues. Text in English and German. "Mouse on Mars take over the Kunstbau with a sound installation for which they developed a site-specific composition. Working with and responding to the exhibition space, the installation transforms the Kunstbau itself into a gigantic stereophonic acoustic instrument. A rotatable horn loudspeaker pitchforks a sound like a pinball into the 110-yard Kunstbau, where it rebounds on the pillars, cants, splinters, is gathered back in, and dies down. One by one, additional sounds from a virtually inexhaustible repertoire are sent out into the space and modulated. Percussive devices operated by robots interject analog acoustic accents. Sequences of different lengths are continuously rearranged so that no two of them recur in the same order. The audience experiences the orchestrated unfolding of a dynamic composition in three dimensions. The space and the sounds generated from it clash and respond to each other, resulting in an acoustic dialogue. A dedicated illumination program is coordinated with the music, seconding the sonic movements and sometimes standing in for them."--Publisher's Website. Good+ (lower corners bruised/bumped & curled. upper, back spine gutter bump & creased. lower spine edge rubbed to board).

Hardcover without dustjacket as issued, 184 pages, in English and German; very good condition; except the corners of the covers are lightly bumped; no internal marks. Foreign shipping may be extra.

Erste Auflage. 23 x 17 cm. 114 S. Illustriertes OLeinen mit OBauchbinde. Sehr gutes, frisches Exemplar. Edition Lenbachhaus, 07. Durchgehend mit Abbildungen versehen. Sprache: Deutsch und Englisch.

Hardcover. grey boards w/ illustrations, black printing. illustrated pastedowns & endpapers. 181 pgs. This book explores the eclectic practice of artist Sheela Gowda and her ongoing engagement with the paradoxes and predicaments of urban and rural life in modern India. With an emphasis on her sprawling installations, we see her use of distinctive materials from her native India, whose textures, colors and scents lend her work narrative form as well as metaphorical force. Through the imaginative employment of cow dung, kumkum powder, coconut fibers, hair, threads, stones, tar barrels and tarpaulins, which carry magical, cult and ritual, personal and functional connotation, Gowda blends traditions of craftsmanship and practical application with poetic intensity. Gowda began her career as an oil painter, testing out themes and approaches that would shape her later practice: the everyday life of middle-class India, the conflicts women confront at work and at home, appropriating media images that touch on political and social tensions. In the early 1990s she first adopted cow dung as a medium (initially in paintings, later in three-dimensional pieces and installations), exploring its relevance to the Hindu cult of the cow and omnipresence in today's India, from practical uses (in construction, flooring, insulation), to its purifying, healing properties and sacred significance.--WorldCat. VG (spine ends crinkled; corners bumped & curled. two indentations to upper front board edge. tightly bound).

hardcover. Condizione: Gut. 136 Seiten; 9783775725576.3 Gewicht in Gramm: 1.

Hardcover. Condizione: Fine. 1st Edition. Paper covered boards (hardcover), 181 p. : illustrations (chiefly in color), 27 cm. Fine/very good, clean, crisp, no internal marks. This book explores the eclectic practice of artist Sheela Gowda and her ongoing engagement with the paradoxes and predicaments of urban and rural life in modern India. With an emphasis on her sprawling installations, we see her use of distinctive materials from her native India, whose textures, colors and scents lend her work narrative form as well as metaphorical force. Through the imaginative employment of cow dung, kumkum powder, coconut fibers, hair, threads, stones, tar barrels and tarpaulins, which carry magical, cult and ritual, personal and functional connotation, Gowda blends traditions of craftsmanship and practical application with poetic intensity. Gowda began her career as an oil painter, testing out themes and approaches that would shape her later practice: the everyday life of middle-class India, the conflicts women confront at work and at home, appropriating media images that touch on political and social tensions. In the early 1990s she first adopted cow dung as a medium (initially in paintings, later in three-dimensional pieces and installations), exploring its relevance to the Hindu cult of the cow and omnipresence in today's India, from practical uses (in construction, flooring, insulation), to its purifying, healing properties and sacred significance.