Eva huttenlauch (52 risultati)

Paperback. Condizione: Very Good. light shelfwear, NICE! Standard-sized.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Softcover, 94 pages; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hardcover. Condizione: Fine. Leichte Verschmutzung / Farbtonveränderung.

Softcover. Condizione: VG+. A matte blue softcover book with French flaps and black text down the spine. Pages: (16), 17-96. Profusely illustrated with both color and black-and-white images. "The French artist Saâdane Afif had his first solo exhibition in 2012 in the German museum, MMK Frankfurt. The exhibition title was derived from André Breton's surrealist work 'Anthologie de l'humour noir' of 1940.". …

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New.

Hardcover. Condizione: new. Hardcover. This book explores the eclectic practice of artist Sheela Gowda and her ongoing engagement with the paradoxes and predicaments of urban and rural life in modern India. With an emphasis on her sprawling installations, we see her use of distinctive materials from her native India, whose textures, colors and scents lend her work narrative form as well as metaphorical force. Through the imaginative employment of cow dung, kumkum powder, coconut fibers, hair, threads, stones, tar barrels and tarpaulins-which carry magical, cult and ritual, personal and functional connotations-Gowda blends traditions of craftsmanship and practical application with poetic intensity.Gowda began her career as an oil painter, testing out themes and approaches that would shape her later practice: the everyday life of middle-class India, the conflicts women confront at work and at home, appropriating media images that touch on political and social tensions. In the early 1990s she first adopted cow dung as a medium (initially in paintings, later in three-dimensional pieces and installations), exploring its relevance to the Hindu cult of the cow and omnipresence in today's India, from practical uses (in construction, flooring, insulation), to its purifying, healing properties and sacred significance. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: new.

Hardback. Condizione: New.

Softcover, staple-bound, 44 pages; in English and German; very good condition; light rubbing to covers; no internal marks. This is not the exhibition catalog; it is a thin pamphlet possibly a museum handout.

Condizione: New.

1. Aufl. Exploring African influences on modernist avant-gardes, Saâdane Afif (born 1970) riffs on André Breton`s anthology of the same name for this catalogue accompanying his show at MMK Zollamt. For the show, Afif built a coffin based on a Ghanian memento mori, and invited artists and critics to respond. - / Book in ENGLISH (Sehr gut erhalten - NEU / new - in very good condition) Sprache: Englisch Gewicht in Gramm: 500 Broschur m. Schutzumschlag / Softcover with dust-jacket.…

Condizione: New. . 2020. Hardcover. . . . .

Condizione: as new. Herausgegeben von Eva Huttenlauch & Matthias Mühling. Göttingen : Steidl, 2020. Hardcover. 181 pp. color illustrations. 27 cm. - This book explores the eclectic practice of artist Sheela Gowda and her ongoing engagement with the paradoxes and predicaments of urban and rural life in modern India. With an emphasis on her sprawling installations, we see her use of distinctive materials from her native India, whose textures, colors and scents lend her work narrative form as well as metaphorical force. Through the imaginative employment of cow dung, kumkum powder, coconut fibers, hair, threads, stones, tar barrels and tarpaulins, which carry magical, cult and ritual, personal and functional connotation, Gowda blends traditions of craftsmanship and practical application with poetic intensity. Gowda began her career as an oil painter, testing out themes and approaches that would shape her later practice: the everyday life of middle-class India, the conflicts women confront at work and at home, appropriating media images that touch on political and social tensions. In the early 1990s she first adopted cow dung as a medium (initially in paintings, later in three-dimensional pieces and installations), exploring its relevance to the Hindu cult of the cow and omnipresence in today's India, from practical uses (in construction, flooring, insulation), to its purifying, healing properties and sacred significance. Condition : as new copy. ISBN 9783958297050. Keywords : ART.…

Hardcover. Condizione: Brand New. 181 pages. French language. 10.50x8.50x1.00 inches. In Stock.

Condizione: New. . 2020. Hardcover. . . . . Books ship from the US and Ireland.

Condizione: Wie neu. Erstauflage 8°. 114 Seiten Illustrationen. Original Leineneinband Neuwertig Edition Lenbachhaus, 07. Auf Deutsch und Englische. In English and German.

Condizione: New.

Hardcover. oversized bw pictorial boards w/ orange printing. approx 30 unpaginated pgs w/ color illustrations; pocket w/ orange LP. LP undamaged from external issues. Text in English and German. "Mouse on Mars take over the Kunstbau with a sound installation for which they developed a site-specific composition. Working with and responding to the exhibition space, the installation transforms the Kunstbau itself into a gigantic stereophonic acoustic instrument. A rotatable horn loudspeaker pitchforks a sound like a pinball into the 110-yard Kunstbau, where it rebounds on the pillars, cants, splinters, is gathered back in, and dies down. One by one, additional sounds from a virtually inexhaustible repertoire are sent out into the space and modulated. Percussive devices operated by robots interject analog acoustic accents. Sequences of different lengths are continuously rearranged so that no two of them recur in the same order. The audience experiences the orchestrated unfolding of a dynamic composition in three dimensions. The space and the sounds generated from it clash and respond to each other, resulting in an acoustic dialogue. A dedicated illumination program is coordinated with the music, seconding the sonic movements and sometimes standing in for them."--Publisher's Website. Good+ (lower corners bruised/bumped & curled. upper, back spine gutter bump & creased. lower spine edge rubbed to board).…

Hardcover without dustjacket as issued, 184 pages, in English and German; very good condition; except the corners of the covers are lightly bumped; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Gut bis sehr gut. 1. Auflage. B : 24,5 x 31 cm, 352 Seiten, 130 Abbildungen plus 1.600 Abbildungen, Leinen. - Die KiCo Sammlung hat sich in den letzten 20 Jahren zu einer der wichtigsten Kollektionen zeitgenössischer Kunst entwickelt. Ausgehend von der Farbmalerei umfasst sie heute das gesamte Spektrum bildbezogener Gegenwartskunst, vom Tafelbild bis zur Installation. Der Katalog zeigt zentrale Werkblöcke der Sammlung, u.a. von Marcia Hafif, Maria Lassnig, Katharina Grosse, Wolfgang Tillmans und Olafur Eliasson.…

Condizione: Sehr gut. 352 S. Aus Privatankauf. Leichte Lager-/Gebrauchsspuren, sonst sehr guter - gelesener - Zustand. Sprache: Englisch Gewicht in Gramm: 2381.

Erste Auflage. 23 x 17 cm. 114 S. Illustriertes OLeinen mit OBauchbinde. Sehr gutes, frisches Exemplar. Edition Lenbachhaus, 07. Durchgehend mit Abbildungen versehen. Sprache: Deutsch und Englisch.

hardcover. Condizione: Gut. 136 Seiten; 9783775725576.3 Gewicht in Gramm: 1.

Hardcover. grey boards w/ illustrations, black printing. illustrated pastedowns & endpapers. 181 pgs. This book explores the eclectic practice of artist Sheela Gowda and her ongoing engagement with the paradoxes and predicaments of urban and rural life in modern India. With an emphasis on her sprawling installations, we see her use of distinctive materials from her native India, whose textures, colors and scents lend her work narrative form as well as metaphorical force. Through the imaginative employment of cow dung, kumkum powder, coconut fibers, hair, threads, stones, tar barrels and tarpaulins, which carry magical, cult and ritual, personal and functional connotation, Gowda blends traditions of craftsmanship and practical application with poetic intensity. Gowda began her career as an oil painter, testing out themes and approaches that would shape her later practice: the everyday life of middle-class India, the conflicts women confront at work and at home, appropriating media images that touch on political and social tensions. In the early 1990s she first adopted cow dung as a medium (initially in paintings, later in three-dimensional pieces and installations), exploring its relevance to the Hindu cult of the cow and omnipresence in today's India, from practical uses (in construction, flooring, insulation), to its purifying, healing properties and sacred significance.--WorldCat. VG (spine ends crinkled; corners bumped & curled. two indentations to upper front board edge. tightly bound).…

Hardcover. Condizione: Fine. 1st Edition. Paper covered boards (hardcover), 181 p. : illustrations (chiefly in color), 27 cm. Fine/very good, clean, crisp, no internal marks. This book explores the eclectic practice of artist Sheela Gowda and her ongoing engagement with the paradoxes and predicaments of urban and rural life in modern India. With an emphasis on her sprawling installations, we see her use of distinctive materials from her native India, whose textures, colors and scents lend her work narrative form as well as metaphorical force. Through the imaginative employment of cow dung, kumkum powder, coconut fibers, hair, threads, stones, tar barrels and tarpaulins, which carry magical, cult and ritual, personal and functional connotation, Gowda blends traditions of craftsmanship and practical application with poetic intensity. Gowda began her career as an oil painter, testing out themes and approaches that would shape her later practice: the everyday life of middle-class India, the conflicts women confront at work and at home, appropriating media images that touch on political and social tensions. In the early 1990s she first adopted cow dung as a medium (initially in paintings, later in three-dimensional pieces and installations), exploring its relevance to the Hindu cult of the cow and omnipresence in today's India, from practical uses (in construction, flooring, insulation), to its purifying, healing properties and sacred significance.…

172 S. Leinen Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: deu.

Condizione: New. Das Environment zeige deine Wunde von Joseph Beuys hat eine von heftigen oeffentlichen Diskussionen begleitete Geschichte. 1976 von Beuys selbst im Muenchner Kunstforum in der Maximiliansunterfuehrung installiert, loeste sein Ankauf durch die Staedtische Galerie.