Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
Da: PBShop.store US, Wood Dale, IL, U.S.A.
HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Da: ISD LLC, Bristol, CT, U.S.A.
Prima edizione
hardcover. Condizione: New. 1st.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
Da: Revaluation Books, Exeter, Regno Unito
EUR 146,34
Quantità: 2 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 425 pages. 11.00x8.50x1.00 inches. In Stock.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 146,78
Quantità: 8 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 149,39
Quantità: 8 disponibili
Aggiungi al carrelloCondizione: New.
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 173,91
Quantità: 3 disponibili
Aggiungi al carrelloHardback. Condizione: New.
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
EUR 168,79
Quantità: 3 disponibili
Aggiungi al carrelloHRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condizione: new. Hardcover. The lyric stage is a cultural site at which constructions of gender have been developed, mitigated and, at times, hindered by musical performance. From the castrati of the seventeenth century to Mozart and Massenet's cross-dressed Cherubinos, musical works created for lyric stages have often complicated traditional and normative readings of the gender and sexual identities of their characters, allowing composers, performers, and audiences to move beyond simple biological understandings of gender and sex. The erotically charged sights and sounds of such productions called into question accepted generic conventions, thus revealing the very instability of normative identity and musical convention that European societies presumed integral to their social codes and generic constructs. The fourteen case studies in this volume explore these topics through various geographical, historical, and musical perspectives: from Italian opera seria to Parisian music-hall ballet and Greek operetta during the interwar years, these essays shed new light on the complex and complementary ways in which gender and the production of gendered identities were invariably contingent upon - but nevertheless moved beyond - the expectations of genre on the lyric stage. From Italian opera seria to Parisian music-hall ballet and Greek operetta during the interwar years, these essays shed new light on the complex and complementary ways in which gender and the production of gendered identities were invariably contingent upon - but nevertheless moved beyond - the expectations of genre on the lyric stage Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 211,54
Quantità: 11 disponibili
Aggiungi al carrelloCondizione: New. 2025. hardcover. . . . . .
Da: Rarewaves.com UK, London, Regno Unito
EUR 164,38
Quantità: 3 disponibili
Aggiungi al carrelloHardback. Condizione: New.
Da: Kennys Bookstore, Olney, MD, U.S.A.
Condizione: New. 2025. hardcover. . . . . . Books ship from the US and Ireland.
Da: AussieBookSeller, Truganina, VIC, Australia
EUR 297,39
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: new. Hardcover. The lyric stage is a cultural site at which constructions of gender have been developed, mitigated and, at times, hindered by musical performance. From the castrati of the seventeenth century to Mozart and Massenet's cross-dressed Cherubinos, musical works created for lyric stages have often complicated traditional and normative readings of the gender and sexual identities of their characters, allowing composers, performers, and audiences to move beyond simple biological understandings of gender and sex. The erotically charged sights and sounds of such productions called into question accepted generic conventions, thus revealing the very instability of normative identity and musical convention that European societies presumed integral to their social codes and generic constructs. The fourteen case studies in this volume explore these topics through various geographical, historical, and musical perspectives: from Italian opera seria to Parisian music-hall ballet and Greek operetta during the interwar years, these essays shed new light on the complex and complementary ways in which gender and the production of gendered identities were invariably contingent upon - but nevertheless moved beyond - the expectations of genre on the lyric stage. From Italian opera seria to Parisian music-hall ballet and Greek operetta during the interwar years, these essays shed new light on the complex and complementary ways in which gender and the production of gendered identities were invariably contingent upon - but nevertheless moved beyond - the expectations of genre on the lyric stage Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.