ewald karl (651 risultati)

1 Includes illustrations. Good. TRADE PAPERBACK, moderate shelfwear, ex museum stamps, good service copy.

brosch. 64 S. Abb. neuwertig.

Hardcover. Condizione: Good. Ex-Library.

Hardcover. Condizione: Good+. Condizione sovraccoperta: Good. Minor foxing on book cover spine, with a slight abrasion on back cover. Book cover has slight edge wear. Remainder marks on top and bottom edges of book. Dust jacket is lightly yellowed, with edge wear.

Hardcover. Condizione: New. B collectible This copy, 199 pages w list of plates, bibliography, ,is as NEW. White spine on glossy cover,black title.

Halbleinen, mit Schutzumschlag, 79 S. im Format ca. 13,5 x 20 cm. Geringe Alterungs- und Gebrauchsspuren, guter Zustand. Aus dem Inhalt: Meister Adebar. Jedem das Seine. Die Polizei. [[2-KJB]] 400 gr.

Translated from the German. 196 pp. Illustrated throughout, including some color. 4to, publisher's cloth-backed boards illustrated in color. Near fine. List of plates laid in.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good.

Broschiert. Condizione: Gut. 3., verm. u. verb. Aufl. 184 S. : Mit 184 Abb. ; Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. Sprache: Deutsch Gewicht in Gramm: 360.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First US Edition. Cover and dustjacket have very minor edge wear.; Small 4to 9" - 11" tall; 198 pages.

139(5) S. m. zahlr. Illustrationen. Ln. SU. Umschlag m. leichten Altersspuren, Schnitte wenig angestaubt, sonst gut erhalten. de.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Near Fine. Folded list of plates laid in.

Paperback. Condizione: Very Good. First Edition. 26 pages; Clean and secure in original glossy photographic wrappers with portrait of the artist on front wrapper. OCLC 1072064688 Includes an Introductory text by Ewald Rathke, the catalogue, twelve pages of reproductions (including 2 in color), and a Biographical Chronology, five full page illustrated ads at rear. Oswald Petersen (1903 - 1992) was a German painter who was part of the Düsseldorf painting school. From 1927 to 1933 he lived in Paris , where he studied at the Académie Lhote, founded by André Lhote in 1922 in the Rue d'Odessa on Montparnasse . The cubist painter, sculptor and art theorist's students included Tamara de Lempicka , Henri Cartier-Bresson , Alf Bayrle , Hans Hartung , Anna Eva Bergman , Aurélie Nemours , Fred Klein and William Klein. In 1932, the French poet and surrealist Robert Valençay described Oswald Petersen as "extremely sensitive in playing with colors" in the "Revue d'Allemagne et des pays de langue allemande". This sensitivity is "more a matter of temperament than school". In addition, he developed his emotions "to a conscious constructive ability" and thus disciplined them. He called him a main representative of current young painting in Germany. The French poet and art critic André Salmon , an advocate and pioneer of Cubism, attested him "a rare intelligence in visual design". 1937 he exhibited his landscapes in the Düsseldorf Reich Exhibition Schaffendes Volk , an externally important propaganda show in Germany during National Socialism. From 1945 the art dealer Hella Nebelung exhibited its works in the ruin of a patrician house bombed by the war at Düsseldorf Hofgartenstraße 10 and from 1955 in the southern Ratinger Tor . In 1946 Oswald Petersen joined the Rhenish Secession , in 1949 the New Rhenish Secession and in 1950 the German Association of Artists , in whose first annual exhibitions he participated until 1954. His works have their own character between abstract and classical forms and occupy an important position, especially in painting after 1945. Supported by the gallery owner Hella Nebelung, he had exhibitions in 1957, 1968 ( watercolors ) and 1977 ( portraits ) in the municipal art collection in Düsseldorf, in 1960 at the Kunstverein für die Rheinlande und Westfalen and in 1967 in Oldenburg (Oldenburg). From the 1960s on, Petersen devoted himself to watercolor painting, in addition to portraiture. This is how light-flooded watercolors with informal color flows from gorges on Ischia and in Spain were created. The Kunsthalle Düsseldorf showed them from November 29, 1968 to January 1, 1969 in the solo exhibition "Oswald Petersen - New Aquarelle". Since the 1980s, near Bad Gastein, large-format "forest" watercolors and "forest clearings" painted in oil with an abstract effect have been created.

HARD BACK MULTI. Condizione: GOOD. JACKET: SOILED DJ. ENGLISH ED. General wear: small bookplate, foxing; worn slipcase with foxing and small bookplate, reasonably sturdy Full color and b&w photos and illustrations DATE PUBLISHED: 1966 EDITION: ENGLISH ED 196.

Hardcover. Condizione: Gut. Schutzumschlag. Ill.: Willy Planck. 79 S., 20cm, ill.OPp + farb.ill. Umschlag (Etwas angestaubt) Märchensammlung zu verkaufen.

Broschur 21x15 cm, Einband etwas abgegriffen, 76 S. Gewicht in Gramm: 150.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

weicher Einband. Condizione: Befriedigend. Heft mit dünnem Papiercover, 14x9,5cm 87 Seiten.Frakturschrift. Etwas schief gelesen, Cover mit Knicken und kleinen Randrissen. Rücken unten leicht beschädigt. Namenseintrag auf der Titelseite. Im Inhaltsverzeichnis ist einiges mit Bleistift angestrichen. Papier nachgedunkelt, etwas fleckig. Die Seiten sind am unteren Rand ungleich lang, insgesamt guter altersgemäßer Zustand. Schöne alte Ausgabe aus der Reclam Universalbibliothek.n Nr. 5604 40 gr.

o. J.; 92 Seiten; Format 14 x 10 cm; Leinen-Einband, Frakturschrift; gut erhalten.

Heft; Condizione: Gut. 54 Seiten; Das Heft befindet sich in einem ordentlich erhaltenen Zustand; Sprache: Deutsch Gewicht in Gramm: 100 Literarische Monatsschrift 26. Jahrgang, 5 Mai, 1971.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good+ dust. Price-sticker left small area of residue on front endpaper. ; 24 full color plates and 80 b/w photographs. Other text illustrations. Primarily toys made in Germany. Historical aspects and the instructional value of toys. ; 4to; 194 pages.

Hardcover. Condizione: Very Good. Very good with light wear to the corners, front free endpaper missing, short ink notation on the front pastedown, rear hinge starting.

29.-32. Tsd.; 144 S.; Halbleinen mit OSU; 13,5x19,5cm. SU etwas gerändert u. unfrisch; Ebd.-Ecken teils etwas eingebogen; Namens- u. Adress-Stempel; solide.

Paperback. Condizione: Very Good. First Edition. 24 pages; Clean and secure in original glossy photographic wrappers with portrait of the artist on front wrapper. OCLC 1021369806 Includes an essay "Der Fufnte Zustend" by Renato Berolli, an essay "Phantasie in der Wirklichkeit" by Franco Rusolli, the catalogue, eight pages of reproductions (one in color), and a Biographical dates and exhibitions, three full page ads (some illustrated) at rear. Renato Birolli (1905 1959) was a 20th century Italian painter. In 1923 he moved to Milan where he formed an avantguardist group with artists such as Renato Guttuso, Giacomo Manzù and Aligi Sassu. In 1937 he was a member of the artistical movement Corrente di Vita. In the same year he was arrested by the Fascist government for opposing the regime. He subsequently cast painting aside to devote himself to support Communist causes and, later, the partisan resistance.After World War II, in 1947, Birolli moved to Paris. Here his painting style changed under the influence of Henri Matisse and Pablo Picasso, moving first to a post-Cubist position and then to a somehow abstract form of lyrism.He died suddenly in Milan in 1959.