Ezra pound author (17 risultati)

paperback. Condizione: Good. PAPERBACK; 31st Ptg. GOOD Condition, Page 33 has long ink poem in margin, 5 or 6 pages a bit dog eared, else quite nice. clean ; dramatic cover showing side photo portrait of author.White spine strip. ; 184pg pages; Biography, Compact, Representative Selection Of His Poems. Illustrated by Author Cameo Cover Photo (illustratore).…

Condizione: Very Good. Softcover in a pictorial wrapper, 71 pages. A small masterpiece, Pea?s lyrical autobiographical novel paints a fiery and intimate portrait of an old man through the bold brushstrokes of his grandson. The passions and tensions between the old eccentric and his brothers play themselves out in mythical sketches before a vivid backdrop of the hills of Lunigiana. Moscardino, the first novella of his tetralogy, Il romanzo di Moscardino, is anarchic and haunting. Pound conducts Pea?s vernacular song, allowing images to flow from the land, the flesh, and beyond. Clean, bright copy. Record # 471923.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 1st Edition. The spine of the dust jacket is sunned and has become gray. It has also is chipped along the edges and has a few small tears and areas of paper loss. All corners of the flaps are clipped, but this appears to be the way jacket was made as the price, $6.00, on the bottom of the front flap remains. The black cloth covering of the boards is clean and without marks, and the silver lettering on the spine remains bright. There is a previous owner's name on the front free end paper and there is even age toning to edges and paper. On the rear pastedown a small tag with another book seller's information. The interior of the book is clean. A clear removable cover has been added to protect the dust jacket.…

Paperback. Condizione: Brand New. 320 pages. 7.75x5.00x1.00 inches. In Stock.

Trade Paperback. Condizione: Like New. 45 pp. Nearly flawless copy with minimal external wear, crisp pages and clean text. Literally like new. John Miller (Cover Design) (illustratore).

Paperback. Condizione: Brand New. 192 pages. Spanish language. 5.12x0.44x7.28 inches. In Stock.

Paperback. Condizione: Brand New. 454 pages. 6.00x0.92x9.00 inches. In Stock.

Paperback. Condizione: Brand New. 468 pages. Spanish language. 6.00x0.94x9.00 inches. In Stock.

Trade Paperback. Condizione: Good. 475 pp. Solidly bound copy with moderate use and clean text. Relevant newspaper article included from previous owner. Pages slightly warped. Slight damage to front and back covers along edges. Damage to front cover near spine. Water stain on back cover along spine. Light foxing on page edges. Alvin Langdon Coburn (Cover Photo); Gertrude Huston (Design) (illustratore). …

Paperback. Condizione: Brand New. 478 pages. French language. 6.00x0.96x9.00 inches. In Stock.

Hardcover. Condizione: Very Good. No Jacket. 184 pp. Solidly bound copy with moderate external wear, crisp pages and clean text. No dust jacket.

Paperback. Condizione: Brand New. 462 pages. Italian language. 6.00x0.93x9.00 inches. In Stock.

Soft cover. Condizione: Fine. 1st Edition. 1st Printing. Signed. 215 pages. Published in 1989. The author's debut book. One of Wayne Koestenbaum's finest achievements, and his rarest book. The first regular trade edition. Precedes and should not be confused with all other subsequent editions, particularly the 2017 Reissued Edition, published twenty-eight years later. Published in a small and limited first print run as the inaugural volume of the "Literature And Sexuality" Routledge Series. The First Edition is now rare. Presents Wayne Koestenbaum's "Double Talk: The Erotics of Male Literary Collaboration". A subject the author was naturally born to write about: Men writing books together. "Sigmund Freud and Josef Breuer on hysteria, J. A. Symonds and Havelock Ellis on sexuality, a novel by Ford Madox Ford (and Joseph Conrad), 'The Waste Land' of T. S. Eliot (and Ezra Pound), even the 'Lyrical Ballads' of Wordsworth (and Coleridge). Koestenbaum's startling interpretation of literary collaboration focusses on homosexual desire: Men write together in order either to express - or to evade homosexual feelings. Their writing becomes a 'textual intercourse', the book at once a female body they can share and the child of their partnership. These man-made texts steal a generative power that women's bodies represent. Seen as the site of a struggle between homosexual and homophobic energies, the texts Koestenbaum explores - works of psychoanalysis, sexology, fiction, and poetry - emerge as more complex, more revealing. They crystallize and refract the anxiety of male sexuality, and open up a deeper understanding of connections between the erotic and the literary. Koestenbaum connects male collaboration and the exchange of women within patriarchy. He peers into both medical texts and imaginative literature, disturbing our ready acceptance of the co-authored work. This strong and unsettling book transforms our understanding of the creative process, providing a new sense of what both collaborative and solitary artistry mean" (Publisher's blurb). The original Cover (since censored by Amazon and other platforms) is especially, even disturbingly, apt: It reproduces George Platt Lynes' great "homoerotic" photograph, "The Birth of Dionysus", one of the most imaginative male nude images ever conceived and realized. It shows a baby boy emerging from a naked man's ample thigh, Platt Lynes' serenely imagined substitute to a woman giving birth. An absolute "must-have" title for Wayne Koestenbaum collectors. This copy is very prominently, neatly, and beautifully signed, dated (shortly after publication), and inscribed in black ink-pen on the title page by the author: "10 June 1989, With love and gratitude, Wayne". It is signed directly on the page itself, not on a tipped-in page. There is NO recipient explicitly named. But this copy comes from the Estate of the late great poet, editor, and translator, J.D. ("Sandy") McClatchy, who was a first-name basis, close friend and colleague of the author. This title is a contemporary classic. This is the only such signed, publication-year dated, and inscribed copy of the First Edition/First Printing available online and is in fine condition: Clean, crisp, and bright. Please note: Precedes and should not be confused with the 2017 Reissued Edition, published twenty-eight years later. A rare, one-of-a-kind signed copy thus. One of the most brilliant culture critics of our time. A fine collectible copy. (SEE ALSO OTHER WAYNE KOESTENBAUM TITLES IN OUR CATALOG) ISBN 0415790077. Signed by Author(s). …

Paperback. Condizione: Brand New. 498 pages. German language. 6.00x1.00x9.00 inches. In Stock.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. 1st Printing. 215 pages. Published in 1989. The author's debut book. One of Wayne Koestenbaum's finest achievements, and his rarest book. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions, particularly the regular trade edition, which was a softcover original only. Published in a small and limited first print run as the Library Edition, for distribution to libraries and university collections only, and as the inaugural volume of the "Literature And Sexuality" Routledge Series. Precedes and should not be confused with the 2017 Reissued Edition, published twenty-eight years later. The First Edition is now very rare. Presents Wayne Koestenbaum's "Double Talk: The Erotics of Male Literary Collaboration". A subject the author was naturally born to write about: Men writing books together. "Sigmund Freud and Josef Breuer on hysteria, J. A. Symonds and Havelock Ellis on sexuality, a novel by Ford Madox Ford (and Joseph Conrad), 'The Waste Land' of T. S. Eliot (and Ezra Pound), even the 'Lyrical Ballads' of Wordsworth (and Coleridge). Koestenbaum's startling interpretation of literary collaboration focusses on homosexual desire: Men write together in order either to express - or to evade homosexual feelings. Their writing becomes a 'textual intercourse', the book at once a female body they can share and the child of their partnership. These man-made texts steal a generative power that women's bodies represent. Seen as the site of a struggle between homosexual and homophobic energies, the texts Koestenbaum explores - works of psychoanalysis, sexology, fiction, and poetry - emerge as more complex, more revealing. They crystallize and refract the anxiety of male sexuality, and open up a deeper understanding of connections between the erotic and the literary. Koestenbaum connects male collaboration and the exchange of women within patriarchy. He peers into both medical texts and imaginative literature, disturbing our ready acceptance of the co-authored work. This strong and unsettling book transforms our understanding of the creative process, providing a new sense of what both collaborative and solitary artistry mean" (Publisher's blurb). The original DJ Cover (since censored by Amazon and other platforms) is especially, even disturbingly, apt: It reproduces George Platt Lynes' great "homoerotic" photograph, "The Birth of Dionysus", one of the most imaginative male nude images ever conceived and realized. It shows a baby boy emerging from a naked man's ample thigh, Platt Lynes' serenely imagined substitute to a woman giving birth. An absolute "must-have" title for Wayne Koestenbaum collectors. This title is a contemporary classic. This is one of very few copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright. Please note: Should NOT be confused with the regular trade edition, which was a softcover original only. Published in a small and limited first print run as the Library Edition, for distribution to libraries and university collections only. Precedes and should not be confused with the 2017 Reissued Edition, published twenty-eight years later. A rare copy thus. One of the most brilliant culture critics of our time. A fine collectible copy. (SEE ALSO OTHER WAYNE KOESTENBAUM TITLES IN OUR CATALOG) ISBN 0415790077. no.…

Paperback. Condizione: Brand New. 320 pages. 7.75x5.00x1.00 inches. In Stock. This item is printed on demand.

Condizione: Brand New. 1500 pages. German language. 6.18x1.97x9.76 inches. In Stock.