Fairchild dr charles (29 risultati)

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: new. Paperback. This book marks the tenth anniversary of The Grey Album. The online release and circulation of what Danger Mouse called his art project' was an unexpected watershed in the turn-of-the-century brawls over digital creative practice. The album's suppression inspired widespread digital civil disobedience and brought a series of contests and conflicts over creative autonomy in the online world to mainstream awareness. The Grey Album highlighted, by its very form, the profound changes wrought by the new technology and represented the struggle over the tectonic shifts in the production, distribution and consumption of music. But this is not why it matters. The Grey Album matters because it is more than just a clever, if legally ambiguous, amalgam. It is an important and compelling case study about the status of the album as a cultural form in an era when the album appears to be losing its coherence and power. Perhaps most importantly, The Grey Album matters because it changes how we think about the traditions of musical practice of which it is a part. Danger Mouse created a broad, inventive commentary on forms of musical creativity that have defined all kinds of music for centuries: borrowing, appropriation, homage, derivation, allusion and quotation. The struggle over this album wasn't just about who gets to use new technology and how. The battle over The Grey Album struck at the heart of the very legitimacy of a long recognised and valued form of musical expression: the interpretation of the work of one artist by another. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: new. Paperback. Capturing the fraught moment in popular music history as reflected in and anticipated by Since I Left You (2000), the debut studio album from electronic music group The Avalanches.Since I Left You has a reputation amongst its advocates that exceeds those of nearly all of its closest peers. Yet despite the inordinate amount of attention this album has received, it has never been thoroughly examined in context. While repeatedly celebrated for its artistry, technical skill, and emotional resonance - in particular its sample-based material and then-cutting edge technological feats within the electronic music genre - it has never been definitively placed in the world that produced it. Charles Fairchild studies this album in a way no one else has. Since I Left You is placed in its historical, technological, and cultural contexts and is examined for the social and aesthetic attributes it was said to possess at the time of its release. There is a focus on the clear set of aesthetic aspirations that guided the album's creators and how those creators pasted together the fragments of many sound worlds. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New. Series: 33 1/3. Num Pages: 160 pages. BIC Classification: AVGP; AVGR; AVH. Category: (G) General (US: Trade). Dimension: 166 x 121 x 10. Weight in Grams: 156. . 2014. Paperback. . . . .

paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: New. Series: 33 1/3. Num Pages: 160 pages. BIC Classification: AVGP; AVGR; AVH. Category: (G) General (US: Trade). Dimension: 166 x 121 x 10. Weight in Grams: 156. . 2014. Paperback. . . . . Books ship from the US and Ireland.

paperback. Condizione: New.

Condizione: New. 2021. Paperback. . . . . .

Condizione: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 3 working days.

Paperback. Condizione: new. Paperback. Capturing the fraught moment in popular music history as reflected in and anticipated by Since I Left You (2000), the debut studio album from electronic music group The Avalanches.Since I Left You has a reputation amongst its advocates that exceeds those of nearly all of its closest peers. Yet despite the inordinate amount of attention this album has received, it has never been thoroughly examined in context. While repeatedly celebrated for its artistry, technical skill, and emotional resonance - in particular its sample-based material and then-cutting edge technological feats within the electronic music genre - it has never been definitively placed in the world that produced it. Charles Fairchild studies this album in a way no one else has. Since I Left You is placed in its historical, technological, and cultural contexts and is examined for the social and aesthetic attributes it was said to possess at the time of its release. There is a focus on the clear set of aesthetic aspirations that guided the album's creators and how those creators pasted together the fragments of many sound worlds. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condizione: new. Paperback. This book marks the tenth anniversary of The Grey Album. The online release and circulation of what Danger Mouse called his art project' was an unexpected watershed in the turn-of-the-century brawls over digital creative practice. The album's suppression inspired widespread digital civil disobedience and brought a series of contests and conflicts over creative autonomy in the online world to mainstream awareness. The Grey Album highlighted, by its very form, the profound changes wrought by the new technology and represented the struggle over the tectonic shifts in the production, distribution and consumption of music. But this is not why it matters. The Grey Album matters because it is more than just a clever, if legally ambiguous, amalgam. It is an important and compelling case study about the status of the album as a cultural form in an era when the album appears to be losing its coherence and power. Perhaps most importantly, The Grey Album matters because it changes how we think about the traditions of musical practice of which it is a part. Danger Mouse created a broad, inventive commentary on forms of musical creativity that have defined all kinds of music for centuries: borrowing, appropriation, homage, derivation, allusion and quotation. The struggle over this album wasn't just about who gets to use new technology and how. The battle over The Grey Album struck at the heart of the very legitimacy of a long recognised and valued form of musical expression: the interpretation of the work of one artist by another. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condizione: new. Paperback. This book marks the tenth anniversary of The Grey Album. The online release and circulation of what Danger Mouse called his art project' was an unexpected watershed in the turn-of-the-century brawls over digital creative practice. The album's suppression inspired widespread digital civil disobedience and brought a series of contests and conflicts over creative autonomy in the online world to mainstream awareness. The Grey Album highlighted, by its very form, the profound changes wrought by the new technology and represented the struggle over the tectonic shifts in the production, distribution and consumption of music. But this is not why it matters. The Grey Album matters because it is more than just a clever, if legally ambiguous, amalgam. It is an important and compelling case study about the status of the album as a cultural form in an era when the album appears to be losing its coherence and power. Perhaps most importantly, The Grey Album matters because it changes how we think about the traditions of musical practice of which it is a part. Danger Mouse created a broad, inventive commentary on forms of musical creativity that have defined all kinds of music for centuries: borrowing, appropriation, homage, derivation, allusion and quotation. The struggle over this album wasn't just about who gets to use new technology and how. The battle over The Grey Album struck at the heart of the very legitimacy of a long recognised and valued form of musical expression: the interpretation of the work of one artist by another. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Paperback. Condizione: new. Paperback. Capturing the fraught moment in popular music history as reflected in and anticipated by Since I Left You (2000), the debut studio album from electronic music group The Avalanches.Since I Left You has a reputation amongst its advocates that exceeds those of nearly all of its closest peers. Yet despite the inordinate amount of attention this album has received, it has never been thoroughly examined in context. While repeatedly celebrated for its artistry, technical skill, and emotional resonance - in particular its sample-based material and then-cutting edge technological feats within the electronic music genre - it has never been definitively placed in the world that produced it. Charles Fairchild studies this album in a way no one else has. Since I Left You is placed in its historical, technological, and cultural contexts and is examined for the social and aesthetic attributes it was said to possess at the time of its release. There is a focus on the clear set of aesthetic aspirations that guided the album's creators and how those creators pasted together the fragments of many sound worlds. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condizione: New. &Uumlber den AutorCharles FairchildInhaltsverzeichnisIntroductionPart 1: The Place We ve Ended Up1. The Democratic [sic] Vistas of Popular Culture2. Neoliberalism s Firmaments of Fame.

Hardcover. Condizione: Fair. No Jacket. xiii, 628 pages : illustrations ; 24 cm OCLC 760180 ; brown textured cloth with embossed lettering ; no dustjacket ; repair to back gutter ; dig to bottom of spine ; Contents:IN MEMORIAM-Henry Watterson -- BIOGRAPHICAL SKETCH-Joel Chandler Harris -- MEMORIAL SKETCH--Marion Verdery -- SPEECHES -- THE NEW SOUTH-Delivered at the Banquet of the New England Club New York December 21 1886 -- THE SOUTH AND HER PROBLEM-At the Dallas Texas State Fair October 26 1887 -- AT THE AUGUSTA EXPOSITION-In November 1887 -- AGAINST CENTRALIZATION-Before the Society of the University of Virginia June 25 1889 -- THE FARMER AND THE CITIES-At Elberton Georgia in June 1889 -- AT THE BOSTON BANQUET-Before the Merchants' Association in December 1889 -- BEFORE THE BAY STATE CLUB-1889 -- WRITINGS -- SMALL JANE -The Story of a Little Heroine -- DOBBS--A Thumb-nail Sketch of a Martyr-A Blaze of Honesty-The Father of Incongruity-Five Dollars a Week A Conscientious Debtor -- A CORNER LOT -- THE ATHEISTIC TIDE SWEEPING Over The CONTINENT-The threatened Destruction of the Simple Faith of the Fathers by the Vain Deceits of Modern Philosophers -- ON THE OCEAN WAVE-An Amateur's Experience on a Steamship-How Sea-Sickness Works-The Sights of the SeaThe Lovers and the Pilot-Some Conclusions not Jumped at -- TWO MEN WHO HAVE THRILLED THE STATE-An Accidental Meeting on the Street in which Two Great Men areRecognized as the Types of Two Clashing Theories-Toombs's Successes-Brown's Judgment -- ??? How AN OLD MAN COME HOME -A Story Without a Moral Picked out of a Busy Life -- COTTON & ITS KINGDOM IN PLAIN BLACK AND WHITE-Reply to Mr Cable -- THE LITTE BOY IN THE BALCONY -- POEMS BY VARIOUS HANDS -- GRADY-F L Stanton -- ATLANTA-Josephine Pollard -- HENRY W GRADY-James Whitcombe Riley -- A REQUIEM IN MEMORY OF HIM THAT'S AWA Montgomery M Folsom -- HENRY WOODFIN GRADY-Henry O'Meara -- HENRY W GRADY-Henry Jerome Stockard -- WHO WOULD CALL HIM BACK ?-Belle Eyre -- HENRY W GRADY-G W Lyon -- WHAT THE MASTER MADE-Mel R Colquitt -- IN ATLANTA CHRISTMAS 1889-Henry Clay Lukens -- IN MEMORY OF HENRY WOODFIN GRADY-Lee Fairchild -- A SOUTHERN CHRISTMAS DAY-N C Thompson -- IN MEMORY OF HENRY W GRADY-Elizabeth J Hereford -- HENRY W GRADY-Mary E Bryan -- THE OLD AND THE NEW-J M Gibson -- HENRY W GRADY-E A B from the Boston Globe -- AT GRADY'S GRAVE-Charles W Hubner -- MEMORIAL MEETINGS -- THE ATLANTA MEMORIAL MEETING -- The Chi Phi Memorial -- Address of Hon Patrick Walsh -- Hon B II Hill -- Julius L Brown -- Hon Albert Cox -- Walter B Hill -- Judge Howard Van Epps -- Prof H C White -- Hon John Temple Graves -- Governor Gordon -- Resolutions -- MEMORIAL MEETING AT MACON GA -- Alumni Resolutions -- Address of Mr Richardson -- Mr Boifeuillet -- Major Hanson -- Judge Speers -- Mr Washington -- Mr Patterson -- PERSONAL TRIBUTES -- THOUGHTS ON H W GRADY-By B H Samett -- SEARGENT S PRENTISS AND HENRY W GRADY Similarity of Genius and Patriotism-By Joseph F Pon -- SERMON-By Dr T De Witt Talmage -- TRIBUTES OF THE NORTHERN PRESS -- He was the Embodiment of the Spirit of the New South From the New York World -- A Thoroughly American Journalist-From the New York Herald -- A Loss to the Whole Country--From the New York Tribune -- What Henry W Grady Represented-From the New York Commercial Advertiser -- A Far-sighted Statesman-From the New York Star -- An Apostle of the New Faith-From the New York Times -- The Foremost Leader-From the New York Christian Union -- Glorious Mission-From the Albany N Y Argus -- His Lofty Ideal-From the Philadelphia Press -- His Patriotism-From the Philadelphia Ledger -- Oratory and the Press-From the Boston Advertiser -- Lesson of Mr Grady's Life-From the Philadelphia Times -- His Loss a General Calamity-From the St Louis Globe Democrat -- Saddest of Sequels-From the Manchester N H Union -- A Life of Promise-From the Chicago Inter- Ocean -- Electrified the Whole Country-From the Pittsburg Dispatch -- A Large Brain and a Large Heart; FAIR. Book.…

Condizione: New.

Condizione: New.

Paperback. Condizione: new. Paperback. In recent years, popular music museums have been established in high profile locations in many of the presumed musical capitals of the world, such as Los Angeles, Liverpool, Seattle, Memphis, and Nashville. Most of these are defined by expansive experiential infrastructures centered around spectacular, high-tech displays of varying sizes and types. Through over-the-top acts of display, these museums influence and reflect the values and priorities in the public life of popular music. This book examines the phenomenon of the popular music museum outside the typical and familiar frames of heritage and tourism. Instead, it looks at these institutions as markers of the broader entertainment industry in the era of its rise to global dominance. It highlights the multiple manifestations of power as read across a range of institutions and material forms and discusses how this contributes to shaping the experience of popular culture. "An examination of the popular music museum and its relationship to commercialism and neoliberalism"-- This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: new. Paperback. In recent years, popular music museums have been established in high profile locations in many of the presumed musical capitals of the world, such as Los Angeles, Liverpool, Seattle, Memphis, and Nashville. Most of these are defined by expansive experiential infrastructures centered around spectacular, high-tech displays of varying sizes and types. Through over-the-top acts of display, these museums influence and reflect the values and priorities in the public life of popular music. This book examines the phenomenon of the popular music museum outside the typical and familiar frames of heritage and tourism. Instead, it looks at these institutions as markers of the broader entertainment industry in the era of its rise to global dominance. It highlights the multiple manifestations of power as read across a range of institutions and material forms and discusses how this contributes to shaping the experience of popular culture. "An examination of the popular music museum and its relationship to commercialism and neoliberalism"-- This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. &Uumlber den AutorCharles FairchildInhaltsverzeichnisOverview: All Media Are Social Media: Concepts, Materials, MethodsKey Reading: From Music Publishing to MP3: Music and Industry in the 20th Century .…

Hardcover. Condizione: new. Hardcover. Capturing the fraught moment in popular music history as reflected in and anticipated by Since I Left You (2000), the debut studio album from electronic music group The Avalanches.Since I Left You has a reputation amongst its advocates that exceeds those of nearly all of its closest peers. Yet despite the inordinate amount of attention this album has received, it has never been thoroughly examined in context. While repeatedly celebrated for its artistry, technical skill, and emotional resonance - in particular its sample-based material and then-cutting edge technological feats within the electronic music genre - it has never been definitively placed in the world that produced it. Charles Fairchild studies this album in a way no one else has. Since I Left You is placed in its historical, technological, and cultural contexts and is examined for the social and aesthetic attributes it was said to possess at the time of its release. There is a focus on the clear set of aesthetic aspirations that guided the album's creators and how those creators pasted together the fragments of many sound worlds. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: new. Hardcover. Capturing the fraught moment in popular music history as reflected in and anticipated by Since I Left You (2000), the debut studio album from electronic music group The Avalanches.Since I Left You has a reputation amongst its advocates that exceeds those of nearly all of its closest peers. Yet despite the inordinate amount of attention this album has received, it has never been thoroughly examined in context. While repeatedly celebrated for its artistry, technical skill, and emotional resonance - in particular its sample-based material and then-cutting edge technological feats within the electronic music genre - it has never been definitively placed in the world that produced it. Charles Fairchild studies this album in a way no one else has. Since I Left You is placed in its historical, technological, and cultural contexts and is examined for the social and aesthetic attributes it was said to possess at the time of its release. There is a focus on the clear set of aesthetic aspirations that guided the album's creators and how those creators pasted together the fragments of many sound worlds. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Hardcover. Condizione: new. Hardcover. In recent years, popular music museums have been established in high profile locations in many of the presumed musical capitals of the world, such as Los Angeles, Liverpool, Seattle, Memphis, and Nashville. Most of these are defined by expansive experiential infrastructures centered around spectacular, high-tech displays of varying sizes and types. Through over-the-top acts of display, these museums influence and reflect the values and priorities in the public life of popular music. This book examines the phenomenon of the popular music museum outside the typical and familiar frames of heritage and tourism. Instead, it looks at these institutions as markers of the broader entertainment industry in the era of its rise to global dominance. It highlights the multiple manifestations of power as read across a range of institutions and material forms and discusses how this contributes to shaping the experience of popular culture. "An examination of the popular music museum and its relationship to commercialism and neoliberalism"-- This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Explains the larger purpose of pop music institutions as they reflect the changing status of popular music more generally: the steady expansion of popular music museums in the US, UK and Europe over the last two decades is a particularly potent s.…

Hardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Hardcover. Condizione: new. Hardcover. In recent years, popular music museums have been established in high profile locations in many of the presumed musical capitals of the world, such as Los Angeles, Liverpool, Seattle, Memphis, and Nashville. Most of these are defined by expansive experiential infrastructures centered around spectacular, high-tech displays of varying sizes and types. Through over-the-top acts of display, these museums influence and reflect the values and priorities in the public life of popular music. This book examines the phenomenon of the popular music museum outside the typical and familiar frames of heritage and tourism. Instead, it looks at these institutions as markers of the broader entertainment industry in the era of its rise to global dominance. It highlights the multiple manifestations of power as read across a range of institutions and material forms and discusses how this contributes to shaping the experience of popular culture. "An examination of the popular music museum and its relationship to commercialism and neoliberalism"-- This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Hardcover. Condizione: new. Hardcover. Sounds, Screens, Speakers provides a broadly comprehensive survey of the emerging field of music and media. Music has been present at the advent of nearly every new media form since the turn of the 20th century. Whether we look at the start of sound recording, film, television or the Internet, music has been a crucial participant in the social changes brought about by these new tools for making and listening to music. This book examines such changes starting in the late 19th century to the present. From the introduction of the microphone all the way through to music in reality television, the purpose of each section is not simply to move chronologically towards the present, but to focus especially on the tangible social relationships created through specific forms of mediation. With readings at the end of most chapters, key questions to facilitate additional discovery and research, and direction to additional readings and resources on popular websites and news sources, this text serves as the ideal introduction to popular music and media. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Hardcover. Condizione: new. Hardcover. Sounds, Screens, Speakers provides a broadly comprehensive survey of the emerging field of music and media. Music has been present at the advent of nearly every new media form since the turn of the 20th century. Whether we look at the start of sound recording, film, television or the Internet, music has been a crucial participant in the social changes brought about by these new tools for making and listening to music. This book examines such changes starting in the late 19th century to the present. From the introduction of the microphone all the way through to music in reality television, the purpose of each section is not simply to move chronologically towards the present, but to focus especially on the tangible social relationships created through specific forms of mediation. With readings at the end of most chapters, key questions to facilitate additional discovery and research, and direction to additional readings and resources on popular websites and news sources, this text serves as the ideal introduction to popular music and media. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …