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Condizione: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Condizione: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Condizione: Neu. Broschiert Neu Folienschutzverschweisst. OVP. Buch ist in der Original-Folienschutzverpackung verschweisst Zustand: 11, Neu, Broschiert Kerber Verlag. Folienschutzverschweisst. OVP , 2019 , Ost Deutsch Now. Folienschutzverschweisst. OVP. Buch ist in der Original-Folienschutzverpackung verschweisst, Sebastian Jung. Folienschutzverschweisst. OVP, 3735606474, BU392764.…

Paperback. Condizione: New. 1. Edition.

paperback. Condizione: New. 1st.

Taschenbuch. Condizione: Neu. Neuware -Despite the doubts about the representability of the Holocaust, thousands of works of art and visual artifacts were created by prisoners in Nazi camps and ghettos during and immediately after the Holocaust. Yet, both art historians and historians rarely dealt with them for decades. Because of their mostly figurative language, researchers and memory institutions often reduced such images to the status of spiritual and political resistance, praised their artistic quality, or consulted them as illustrations of 'how it was'. But these images do not speak for themselves, they require analysis. In this volume, 19 international scholars, curators, and educators explore the potential of analytical approaches to drawings, albums, paintings, and prints created by victims and witnesses of the Nazi regime. They consolidate current approaches to these multifaceted objects and take the images seriously as images. 352 pp. Englisch.…

Taschenbuch. Condizione: Neu. Neuware -Despite the doubts about the representability of the Holocaust, thousands of works of art and visual artifacts were created by prisoners in Nazi camps and ghettos during and immediately after the Holocaust. Yet, both art historians and historians rarely dealt with them for decades. Because of their mostly figurative language, researchers and memory institutions often reduced such images to the status of spiritual and political resistance, praised their artistic quality, or consulted them as illustrations of 'how it was'. But these images do not speak for themselves, they require analysis. In this volume, 19 international scholars, curators, and educators explore the potential of analytical approaches to drawings, albums, paintings, and prints created by victims and witnesses of the Nazi regime. They consolidate current approaches to these multifaceted objects and take the images seriously as images. 352 pp. Englisch.…

Condizione: New.

Condizione: New.

Paperback. Condizione: Brand New. 280 pages. 9.06x6.06x0.59 inches. In Stock.

paperback. Condizione: New.

Taschenbuch. Condizione: Neu. Neuware -Despite the doubts about the representability of the Holocaust, thousands of works of art and visual artifacts were created by prisoners in Nazi camps and ghettos during and immediately after the Holocaust. Yet, both art historians and historians rarely dealt with them for decades. Because of their mostly figurative language, researchers and memory institutions often reduced such images to the status of spiritual and political resistance, praised their artistic quality, or consulted them as illustrations of 'how it was'. But these images do not speak for themselves, they require analysis. In this volume, 19 international scholars, curators, and educators explore the potential of analytical approaches to drawings, albums, paintings, and prints created by victims and witnesses of the Nazi regime. They consolidate current approaches to these multifaceted objects and take the images seriously as images.Böhlau-Verlag GmbH, Ursulaplatz 1, 50668 Köln 352 pp. Englisch.…

Paperback. Condizione: New. 1. Edition.

weicher Einband. 352 S., zahlr. s/w u. farb. Abb auf Taf. Br. *nahezu neuwertig* Despite the doubts about the representability of the Holocaust, thousands of works of art and visual artifacts were created by prisoners in Nazi camps and ghettos during and immediately after the Holocaust. Yet, both art historians and historians rarely dealt with them for decades. Because of their mostly figurative language, researchers and memory institutions often reduced such images to the status of spiritual and political resistance, praised their artistic quality, or consulted them as illustrations of 'how it was'. But these images do not speak for themselves, they require analysis. In this volume, 19 international scholars, curators, and educators explore the potential of analytical approaches to drawings, albums, paintings, and prints created by victims and witnesses of the Nazi regime. They consolidate current approaches to these multifaceted objects and take the images seriously as images Sprache: Englisch.…