Farber manny (99 risultati)

Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Condizione: NEW.

Condizione: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

paperback. Condizione: As New. Book is in excellent condition, text is unmarked and pages are tight.

Paperback. Condizione: Good.

Paperback. Condizione: Acceptable. ex libris w/markings & wear Oversized.

Soft cover. Condizione: Good. Lower portion of book is pressed in and shows the indentation damage. Otherwise it's a clean copy with unmarked and undamaged pages. Outer cover has slight wear.

Condizione: good. Paperback Book.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread copy in mint condition.

Condizione: New.

Condizione: New.

Softcover exhibition catalog, unpaginated with 15 color plates, very good condition, no internal marks, clean and crisp.

Paperback. Condizione: new. Paperback. New in paperback, the definitive collection of one of America's most distinctive film criticsA stunning showcase of film critic Manny Farber's best writing on classic movies and film titans, from Martin Scorsese to Werner HerzogFarber was an early discoverer of many filmmakers later acclaimed as American masters: Val Lewton, Preston Sturges, Samuel Fuller, Raoul Walsh, Anthony Mann. A prodigiously gifted painter himself, he brought to his writing an artist's eye for what was on the screen. Alert to any filmmaker, no matter how marginal or unsung, who was "doing go-for-broke art and not caring what comes of it," he was uncompromising in his contempt for pretension and trendiness, for, as he put it, directors who "pin the viewer to the wall and slug him with wet towels of artiness and significance."The excitement of his criticism, however, has less to do with his particular likes and dislikes than with the quality of attention he paid to each film as it unfolds, to the "chains of rapport and intimate knowledge" in its moment-to-moment reality. To transcribe that knowledge he created a prose that, in Robert Polito's words, allows for "oddities, muddles, crises, contradictions, dead ends, multiple alternatives, and divergent vistas." The result is critical essays that are themselves works of art.Farber on Film brings together this extraordinary body of work in its entirety for the first time, from his early and previously uncollected weekly reviews for The New Republic and The Nation to his brilliant later essays (some written in collaboration with his wife Patricia Patterson) on Godard, Fassbinder, Herzog, Scorsese, Altman, and others. Featuring an introduction by editor Robert Polito that examines in detail the stages of Farber's career and his enduring significance as writer and thinker, Farber on Film is a landmark volume that will be a classic in American criticism. "A special publication of the Library of America." Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

hardcover. Condizione: Very Good.

Condizione: very_good. This book is in Very good condition. There may be a few flaws like shelf wear and some light wear.

Hardcover. Condizione: Near Fine. No Jacket. 1st Edition. This is a clean copy signed and inscribed by the previous owner as well as the editor, Robert Polito, but otherwise unmarked. Inscribed by Author(s).

Paperback. Condizione: New.

Paperback. Condizione: New.

Paperback. Condizione: Fine. First Edition. 44 pp.; color illustrations; 22 x 26 cm (quarto). Bright, sharp, clean copy with no ownership markings. Well packaged in a box; ships with tracking.

Condizione: New. pp. 824.

Paperback. Condizione: Good.

Paperback. Condizione: Like New. First Edition. First Edition, First Printing. Published by Museum of Contemporary Art San Diego, 2003. Folio. Paperback. Book is like new.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover. Condizione: As New. Leichte Kratzer / Abnutzungen / Druckstellen. Manny Farber (1917-2008) was a distinctive American movie critic known for his concept of "termite art," which emphasizes focused, eccentric virtuosity over grandiosity. His unique prose style, characterized by jazz-like phrasing and vibrant twists, made each review an engaging experience. Esteemed by peers, Susan Sontag hailed him as "the liveliest, smartest, most original film critic," while Peter Bogdanovich praised his sharp perceptions and brilliance. Farber was an early supporter of many filmmakers who later became American masters, such as Val Lewton, Preston Sturges, and Samuel Fuller. As a talented painter, he infused his writing with an artist's perspective, keenly recognizing filmmakers dedicated to "go-for-broke art." He openly criticized pretension, rejecting directors who overwhelmed viewers with "wet towels of artiness." The essence of his criticism lies in the attentive exploration of each film's unfolding reality, capturing its complexities and nuances. His prose embraces "oddities, muddles, crises, contradictions," resulting in critical essays that are works of art themselves. This collection presents Farber's complete works, including early reviews and later essays on directors like Godard and Scorsese, alongside an introduction by Robert Polito that reflects on Farber's career and lasting impact on American criticism.…