Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Condizione: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.
Condizione: good. USED book in GOOD condition. Great binding, pages and cover show normal signs of wear from use.
Da: Jackson Street Booksellers, Omaha, NE, U.S.A.
Prima edizione
Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. As New in As New Jacket. 1st Printing.
EUR 19,72
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Lingua: Inglese
Editore: Rutgers University Press, New Brunswick, NJ, 2020
ISBN 10: 1978808828 ISBN 13: 9781978808829
Prima edizione
Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good. First Edition. First edition, hardcover, has a slight lean to the binding, light bumps to the spine ends and upper front cover corner, and a touch of smudging to the edges of the text block. Overall, this is a solid, Very Good+ copy in a Very Good, unclipped dust jacket, which has light bumps to the corners and spine ends with a short tear to the tail of the spine, and rubbing to the covers with mild smudging to the back.
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 23,42
Quantità: 15 disponibili
Aggiungi al carrelloCondizione: New. 2024. Paperback. . . . . .
EUR 24,16
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 270 pages. 8.00x5.19x0.71 inches. In Stock.
EUR 29,89
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New.
Da: The Book House, Inc. - St. Louis, St. Louis, MO, U.S.A.
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Fine Hardcover with Fine dustjacket.
Condizione: New. 2024. Paperback. . . . . . Books ship from the US and Ireland.
Condizione: New. New in Paperback edition NO-PA16APR2015-KAP.
Lingua: Inglese
Editore: Rutgers University Press, US, 2020
ISBN 10: 1978808828 ISBN 13: 9781978808829
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 44,77
Quantità: 2 disponibili
Aggiungi al carrelloHardback. Condizione: New. Lawrence of Arabia, The Miracle Worker, To Kill a Mockingbird, The Manchurian Candidate, Gypsy, Sweet Bird of Youth, The Longest Day, The Music Man, What Ever Happened to Baby Jane, and more. Most conventional film histories dismiss the early 1960s as a pallid era, a downtime between the heights of the classic studio system and the rise of New Hollywood directors like Scorsese and Altman in the 1970s. It seemed to be a moment when the movie industry was floundering as the popularity of television caused a downturn in cinema attendance. Cinema '62 challenges these assumptions by making the bold claim that 1962 was a peak year for film, with a high standard of quality that has not been equaled since. Stephen Farber and Michael McClellan show how 1962 saw great late-period work by classic Hollywood directors like John Ford, Howard Hawks, and John Huston, as well as stars like Bette Davis, James Stewart, Katharine Hepburn, and Barbara Stanwyck. Yet it was also a seminal year for talented young directors like Sidney Lumet, Sam Peckinpah, and Stanley Kubrick, not to mention rising stars like Warren Beatty, Jane Fonda, Robert Redford, Peter O'Toole, and Omar Sharif. Above all, 1962-the year of To Kill a Mockingbird and The Manchurian Candidate-gave cinema attendees the kinds of adult, artistic, and uncompromising visions they would never see on television, including classics from Fellini, Bergman, and Kurosawa. Culminating in an analysis of the year's Best Picture winner and top-grossing film, Lawrence of Arabia, and the factors that made that magnificent epic possible, Cinema '62 makes a strong case that the movies peaked in the Kennedy era.
Editore: Rutgers University Press 2020, 2020
Da: Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, Nuova Zelanda
Membro dell'associazione: IOBA
EUR 16,90
Quantità: 1 disponibili
Aggiungi al carrelloSuper octavo hardcover (VG+) in d/w (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book may reduce your overall postage costs.
EUR 48,89
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New.
Condizione: New.
EUR 41,37
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Lingua: Inglese
Editore: Rutgers University Press, US, 2020
ISBN 10: 1978808828 ISBN 13: 9781978808829
Da: Rarewaves.com UK, London, Regno Unito
EUR 41,33
Quantità: 2 disponibili
Aggiungi al carrelloHardback. Condizione: New. Lawrence of Arabia, The Miracle Worker, To Kill a Mockingbird, The Manchurian Candidate, Gypsy, Sweet Bird of Youth, The Longest Day, The Music Man, What Ever Happened to Baby Jane, and more. Most conventional film histories dismiss the early 1960s as a pallid era, a downtime between the heights of the classic studio system and the rise of New Hollywood directors like Scorsese and Altman in the 1970s. It seemed to be a moment when the movie industry was floundering as the popularity of television caused a downturn in cinema attendance. Cinema '62 challenges these assumptions by making the bold claim that 1962 was a peak year for film, with a high standard of quality that has not been equaled since. Stephen Farber and Michael McClellan show how 1962 saw great late-period work by classic Hollywood directors like John Ford, Howard Hawks, and John Huston, as well as stars like Bette Davis, James Stewart, Katharine Hepburn, and Barbara Stanwyck. Yet it was also a seminal year for talented young directors like Sidney Lumet, Sam Peckinpah, and Stanley Kubrick, not to mention rising stars like Warren Beatty, Jane Fonda, Robert Redford, Peter O'Toole, and Omar Sharif. Above all, 1962-the year of To Kill a Mockingbird and The Manchurian Candidate-gave cinema attendees the kinds of adult, artistic, and uncompromising visions they would never see on television, including classics from Fellini, Bergman, and Kurosawa. Culminating in an analysis of the year's Best Picture winner and top-grossing film, Lawrence of Arabia, and the factors that made that magnificent epic possible, Cinema '62 makes a strong case that the movies peaked in the Kennedy era.