farquharson alex contributor (6 risultati)

Paperback. Condizione: Brand New. 64 pages. 5.00x3.00x0.25 inches. In Stock.

Paperback. Condizione: Brand New. 64 pages. 5.00x3.00x0.25 inches. In Stock.

Paperback. Condizione: Brand New. 64 pages. 5.00x3.00x0.25 inches. In Stock.

hardcover. Condizione: New. First Edition. Publisher: Tate, London, 2015. FINE Hardcover in black cloth-covered, pictorial, boards, as issued. First Edition. Printing Unstated. New.

Soft cover. Condizione: Fine. Color Plates (illustratore). Bilingual edition. Since the early 1990s, Sean Landers has made some of the most fascinating and repeatedly irritating art in circulation. The polar opposites of tormented self-doubt and endless self-aggrandizement run like threads through the artist's practice, as do several masks of failure that Landers uses as a strategy to preserve himself from impending loser-status. As the artist puts it, "My original idea was to make conceptual art entertaining, sloppy, emotional, human, and funny. Over the years I got so far out on this conceptual limb that I went around full circle until I was a traditional artist again. I tried to be ironic about it but eventually became sincere. Now I'm a happy victim of my own charade." This monograph presents an overview of Lander's oeuvre and includes works from 1992 to the present.

Soft cover. Condizione: New. Color Plates (illustratore). Bilingual edition. Brand new book, still sealed in publisher's shrink wrap. Since the early 1990s, Sean Landers has made some of the most fascinating and repeatedly irritating art in circulation. The polar opposites of tormented self-doubt and endless self-aggrandizement run like threads through the artist's practice, as do several masks of failure that Landers uses as a strategy to preserve himself from impending loser-status. As the artist puts it, "My original idea was to make conceptual art entertaining, sloppy, emotional, human, and funny. Over the years I got so far out on this conceptual limb that I went around full circle until I was a traditional artist again. I tried to be ironic about it but eventually became sincere. Now I'm a happy victim of my own charade." This monograph presents an overview of Lander's oeuvre and includes works from 1992 to the present.