Lingua: Inglese
Editore: University of Virginia Press (edition Illustrated), 2020
ISBN 10: 0813943981 ISBN 13: 9780813943985
Da: BooksRun, Philadelphia, PA, U.S.A.
Paperback. Condizione: Fair. Illustrated. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.
Lingua: Inglese
Editore: University of Virginia Press, 2020
ISBN 10: 0813943981 ISBN 13: 9780813943985
Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Lingua: Inglese
Editore: University of Virginia Press, 2020
ISBN 10: 0813943981 ISBN 13: 9780813943985
Da: Riverby Books (DC Inventory), Fredericksburg, VA, U.S.A.
paperback. Condizione: Very Good. Softcover. Bound in matte pictorial paper. Covers are crisp and clean. Binding is tight and secure. Pages are crisp, clean, and bright. 303 pages. University of Virginia Press. Copyright page dated 2020. A very good copy. We ship everyday from a real neighborhood bookstore. This description is written by an actual person, who is holding the book in front of them to make sure it?s properly described. Please contact us with questions or if you would like to see photographs.
Lingua: Inglese
Editore: University of Virginia Press, 2020
ISBN 10: 0813943981 ISBN 13: 9780813943985
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 47,12
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Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: University of Virginia Press, US, 2020
ISBN 10: 0813943981 ISBN 13: 9780813943985
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 51,78
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Aggiungi al carrelloPaperback. Condizione: New. Accounts of the rise of American literature often start in the 1850s with a cluster of "great American novels"-Hawthorne's The Scarlet Letter, Melville's Moby-Dick and Stowe's Uncle Tom's Cabin. But these great works did not spring fully formed from the heads of their creators. All three relied on conventions of short fiction built up during the "culture of beginnings," the three decades following the War of 1812 when public figures glorified the American past and called for a patriotic national literature. Decentering the novel as the favored form of early nineteenth-century national literature, Lydia Fash repositions the sketch and the tale at the center of accounts of American literary history, revealing how cultural forces shaped short fiction that was subsequently mined for these celebrated midcentury novels and for the first novel published by an African American. In the shorter works of writers such as Washington Irving, Catharine Sedgwick, Edgar Allan Poe, and Lydia Maria Child, among others, the aesthetic of brevity enabled the beginning idea of a story to take the outsized importance fitted to the culture of beginnings. Fash argues that these short forms, with their ethnic exclusions and narrative innovations, coached readers on how to think about the United States' past and the nature of narrative time itself. Combining history, print history, and literary criticism, this book treats short fiction as a vital site for debate over what it meant to be American, thereby offering a new account of the birth of a self-consciously national literary tradition.
Lingua: Inglese
Editore: University of Virginia Press, 2020
ISBN 10: 0813943981 ISBN 13: 9780813943985
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 49,47
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Lingua: Inglese
Editore: University of Virginia Press, 2020
ISBN 10: 0813943981 ISBN 13: 9780813943985
Da: Ria Christie Collections, Uxbridge, Regno Unito
EUR 45,04
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Aggiungi al carrelloCondizione: New. In.
Lingua: Inglese
Editore: University of Virginia Press 2020-04, 2020
ISBN 10: 0813943981 ISBN 13: 9780813943985
Da: Chiron Media, Wallingford, Regno Unito
EUR 41,48
Quantità: 10 disponibili
Aggiungi al carrelloPF. Condizione: New.
Lingua: Inglese
Editore: University of Virginia Press, 2020
ISBN 10: 0813943981 ISBN 13: 9780813943985
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 44,43
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Aggiungi al carrelloCondizione: New.
Lingua: Inglese
Editore: University of Virginia Press, 2020
ISBN 10: 0813943981 ISBN 13: 9780813943985
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 49,53
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Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Da: Revaluation Books, Exeter, Regno Unito
EUR 69,62
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 304 pages. 9.00x6.00x0.75 inches. In Stock.
Lingua: Inglese
Editore: University of Virginia Press, 2020
ISBN 10: 0813943973 ISBN 13: 9780813943978
Da: Ria Christie Collections, Uxbridge, Regno Unito
EUR 73,58
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Aggiungi al carrelloCondizione: New. In.
Lingua: Inglese
Editore: University of Virginia Press, US, 2020
ISBN 10: 0813943981 ISBN 13: 9780813943985
Da: Rarewaves.com UK, London, Regno Unito
EUR 46,02
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New. Accounts of the rise of American literature often start in the 1850s with a cluster of "great American novels"-Hawthorne's The Scarlet Letter, Melville's Moby-Dick and Stowe's Uncle Tom's Cabin. But these great works did not spring fully formed from the heads of their creators. All three relied on conventions of short fiction built up during the "culture of beginnings," the three decades following the War of 1812 when public figures glorified the American past and called for a patriotic national literature. Decentering the novel as the favored form of early nineteenth-century national literature, Lydia Fash repositions the sketch and the tale at the center of accounts of American literary history, revealing how cultural forces shaped short fiction that was subsequently mined for these celebrated midcentury novels and for the first novel published by an African American. In the shorter works of writers such as Washington Irving, Catharine Sedgwick, Edgar Allan Poe, and Lydia Maria Child, among others, the aesthetic of brevity enabled the beginning idea of a story to take the outsized importance fitted to the culture of beginnings. Fash argues that these short forms, with their ethnic exclusions and narrative innovations, coached readers on how to think about the United States' past and the nature of narrative time itself. Combining history, print history, and literary criticism, this book treats short fiction as a vital site for debate over what it meant to be American, thereby offering a new account of the birth of a self-consciously national literary tradition.
Da: Revaluation Books, Exeter, Regno Unito
EUR 118,16
Quantità: 2 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 304 pages. 9.50x6.25x1.00 inches. In Stock.
Lingua: Inglese
Editore: University of Virginia Press, 2020
ISBN 10: 0813943973 ISBN 13: 9780813943978
Da: Mispah books, Redhill, SURRE, Regno Unito
EUR 170,05
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
EUR 44,90
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Lingua: Inglese
Editore: University of Virginia Press, 2020
ISBN 10: 0813943981 ISBN 13: 9780813943985
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
EUR 51,39
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Aggiungi al carrelloPaperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
EUR 74,26
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Aggiungi al carrelloHRD. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Lingua: Inglese
Editore: University of Virginia Press, 2020
ISBN 10: 0813943981 ISBN 13: 9780813943985
Da: moluna, Greven, Germania
EUR 48,93
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Decentreing the novel as the favoured form of early nineteenth-century national literature, Lydia Fash repositions the sketch and the tale at the centre of accounts of American literary history, revealing how cultural forces shaped short fiction that was su.
Lingua: Inglese
Editore: University of Virginia Press, 2020
ISBN 10: 0813943973 ISBN 13: 9780813943978
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
EUR 86,15
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Aggiungi al carrelloHardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Lingua: Inglese
Editore: University of Virginia Press, 2020
ISBN 10: 0813943973 ISBN 13: 9780813943978
Da: Majestic Books, Hounslow, Regno Unito
EUR 104,14
Quantità: 4 disponibili
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Lingua: Inglese
Editore: University of Virginia Press, 2020
ISBN 10: 0813943973 ISBN 13: 9780813943978
Da: Books Puddle, New York, NY, U.S.A.
Condizione: New. Print on Demand.
Lingua: Inglese
Editore: University of Virginia Press, 2020
ISBN 10: 0813943973 ISBN 13: 9780813943978
Da: Biblios, Frankfurt am main, HESSE, Germania
EUR 105,73
Quantità: 4 disponibili
Aggiungi al carrelloCondizione: New. PRINT ON DEMAND.
Lingua: Inglese
Editore: University Of Virginia Press, 2020
ISBN 10: 0813943981 ISBN 13: 9780813943985
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 60,67
Quantità: 1 disponibili
Aggiungi al carrelloTaschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Accounts of the rise of American literature often start in the 1850s with a cluster of 'great American novels'--Hawthorne's The Scarlet Letter, Melville's Moby-Dick and Stowe's Uncle Tom's Cabin. But these great works did not spring fully formed from the heads of their creators. All three relied on conventions of short fiction built up during the 'culture of beginnings,' the three decades following the War of 1812 when public figures glorified the American past and called for a patriotic national literature. Decentering the novel as the favored form of early nineteenth-century national literature, Lydia Fash repositions the sketch and the tale at the center of accounts of American literary history, revealing how cultural forces shaped short fiction that was subsequently mined for these celebrated midcentury novels and for the first novel published by an African American.In the shorter works of writers such as Washington Irving, Catharine Sedgwick, Edgar Allan Poe, and Lydia Maria Child, among others, the aesthetic of brevity enabled the beginning idea of a story to take the outsized importance fitted to the culture of beginnings. Fash argues that these short forms, with their ethnic exclusions and narrative innovations, coached readers on how to think about the United States' past and the nature of narrative time itself. Combining history, print history, and literary criticism, this book treats short fiction as a vital site for debate over what it meant to be American, thereby offering a new account of the birth of a self-consciously national literary tradition.
Lingua: Inglese
Editore: University of Virginia Press, 2020
ISBN 10: 0813943973 ISBN 13: 9780813943978
Da: moluna, Greven, Germania
EUR 78,09
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Decentreing the novel as the favoured form of early nineteenth-century national literature, Lydia Fash repositions the sketch and the tale at the centre of accounts of American literary history, revealing how cultural forces shaped short fiction that was su.
Lingua: Inglese
Editore: University Of Virginia Press, 2020
ISBN 10: 0813943973 ISBN 13: 9780813943978
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 96,79
Quantità: 1 disponibili
Aggiungi al carrelloBuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Accounts of the rise of American literature often start in the 1850s with a cluster of 'great American novels'--Hawthorne's The Scarlet Letter, Melville's Moby-Dick and Stowe's Uncle Tom's Cabin. But these great works did not spring fully formed from the heads of their creators. All three relied on conventions of short fiction built up during the 'culture of beginnings,' the three decades following the War of 1812 when public figures glorified the American past and called for a patriotic national literature. Decentering the novel as the favored form of early nineteenth-century national literature, Lydia Fash repositions the sketch and the tale at the center of accounts of American literary history, revealing how cultural forces shaped short fiction that was subsequently mined for these celebrated midcentury novels and for the first novel published by an African American.In the shorter works of writers such as Washington Irving, Catharine Sedgwick, Edgar Allan Poe, and Lydia Maria Child, among others, the aesthetic of brevity enabled the beginning idea of a story to take the outsized importance fitted to the culture of beginnings. Fash argues that these short forms, with their ethnic exclusions and narrative innovations, coached readers on how to think about the United States' past and the nature of narrative time itself. Combining history, print history, and literary criticism, this book treats short fiction as a vital site for debate over what it meant to be American, thereby offering a new account of the birth of a self-consciously national literary tradition.