Fayyaz parwana (36 risultati)

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

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Paperback. Condizione: New. A New Statesman Book of the Year 2021 A White Review Book of the Year 2021 In this remarkable first collection, Parwana Fayyaz evokes events in the lives of Afghan women, past and present - their endurance and achievements, told from their points of view. John McAuliffe writes of the 'remarkable litanies, which haunt her poems' occasions' and the title poem, with which she won the 2019 Forward Prize for Best Single Poem, is such a litany, conjuring and commemorating. The poems are not judgmental: they witness. The reader infers the contexts. As well as the human stories there is a spectacular landscape, unfamiliar villages and cities, and a rich history which the Western press in reporting contemporary news foreshortens and diminishes. 'Storytelling has a long tradition in Afghan culture. Stories are passed down orally. Every woman even or especially those who are illiterate knows and has memorized a few important stories - to share [.] I grew up among women who never went to school - my grandmothers, my mother, my aunts.' As the poet grew away from that tradition, in which patience was the chief virtue, she lost patience and began her resistance, their resistance, in her poems which hover between cultures and languages, thinking in one and understanding in another. Each language has its history and value systems: 'it was learning English that gave me my voice as a poet, enabling me to distance myself as well as to comprehend the connection with the tradition I was brought up in.'.…

Condizione: good. A book that has been read but is in overall good condition. Very minimal wear damage to the cover including scuff marks, but no major holes or tears. The dust jacket if applicable may not be included. Binding may have minimal wear. The majority of pages are undamaged with minimal creasing or tearing. May have minimal pencil underlining and or highlighting of text and possible small amounts of writing. No missing pages. May have some light marks on the page edges or a remainder mark. May have pale yellow yellowed pages. Fast Shipping, safe and secure mailers. Stock photo used.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. A New Statesman Book of the Year 2021 A White Review Book of the Year 2021 In this remarkable first collection, Parwana Fayyaz evokes events in the lives of Afghan women, past and present - their endurance and achievements, told from their points of view. John McAuliffe writes of the 'remarkable litanies, which haunt her poems' occasions' and the title poem, with which she won the 2019 Forward Prize for Best Single Poem, is such a litany, conjuring and commemorating. The poems are not judgmental: they witness. The reader infers the contexts. As well as the human stories there is a spectacular landscape, unfamiliar villages and cities, and a rich history which the Western press in reporting contemporary news foreshortens and diminishes. 'Storytelling has a long tradition in Afghan culture. Stories are passed down orally. Every woman even or especially those who are illiterate knows and has memorized a few important stories - to share [.] I grew up among women who never went to school - my grandmothers, my mother, my aunts.' As the poet grew away from that tradition, in which patience was the chief virtue, she lost patience and began her resistance, their resistance, in her poems which hover between cultures and languages, thinking in one and understanding in another. Each language has its history and value systems: 'it was learning English that gave me my voice as a poet, enabling me to distance myself as well as to comprehend the connection with the tradition I was brought up in.'.…

Paperback. Condizione: new. Paperback. A New Statesman Book of the Year 2021A White Review Book of the Year 2021In this remarkable first collection, Parwana Fayyaz evokes events in the lives of Afghan women, past and present their endurance and achievements, told from their points of view. John McAuliffe writes of the 'remarkable litanies, which haunt her poems' occasions' and the title poem, with which she won the 2019 Forward Prize for Best Single Poem, is such a litany, conjuring and commemorating.The poems are not judgmental: they witness. The reader infers the contexts. As well as the human stories there is a spectacular landscape, unfamiliar villages and cities, and a rich history which the Western press in reporting contemporary news foreshortens and diminishes. 'Storytelling has a long tradition in Afghan culture. Stories are passed down orally. Every woman even or especially those who are illiterate knows and has memorized a few important stories to share [.] I grew up among women who never went to school my grandmothers, my mother, my aunts.' As the poet grew away from that tradition, in which patience was the chief virtue, she lost patience and began her resistance, their resistance, in her poems which hover between cultures and languages, thinking in one and understanding in another. Each language has its history and value systems: 'it was learning English that gave me my voice as a poet, enabling me to distance myself as well as to comprehend the connection with the tradition I was brought up in.' Debut collection recalling the lives, experiences, and bravery of women in Afghanistan, which includes the 2019 Forward Prize-winning poem Forty Names. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

paperback. Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condizione: Very Good. as new unused.

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Paperback. Condizione: Brand New. 96 pages. 8.25x5.25x0.50 inches. In Stock.

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Condizione: New. 2021. Paperback. . . . . .

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Taschenbuch. Condizione: Neu. Neuware - A New Statesman Book of the Year 2021 In this remarkable first collection, Parwana Fayyaz evokes events in the lives of Afghan women, past and present - their endurance and achievements, told from their points of view. John McAuliffe writes of the 'remarkable litanies, which haunt her poems' occasions' and the title poem, with which she won the 2019 Forward Prize for Best Single Poem, is such a litany, conjuring and commemorating.…

Condizione: New. Brand New.

Paperback. Condizione: new. Paperback. A New Statesman Book of the Year 2021A White Review Book of the Year 2021In this remarkable first collection, Parwana Fayyaz evokes events in the lives of Afghan women, past and present their endurance and achievements, told from their points of view. John McAuliffe writes of the 'remarkable litanies, which haunt her poems' occasions' and the title poem, with which she won the 2019 Forward Prize for Best Single Poem, is such a litany, conjuring and commemorating.The poems are not judgmental: they witness. The reader infers the contexts. As well as the human stories there is a spectacular landscape, unfamiliar villages and cities, and a rich history which the Western press in reporting contemporary news foreshortens and diminishes. 'Storytelling has a long tradition in Afghan culture. Stories are passed down orally. Every woman even or especially those who are illiterate knows and has memorized a few important stories to share [.] I grew up among women who never went to school my grandmothers, my mother, my aunts.' As the poet grew away from that tradition, in which patience was the chief virtue, she lost patience and began her resistance, their resistance, in her poems which hover between cultures and languages, thinking in one and understanding in another. Each language has its history and value systems: 'it was learning English that gave me my voice as a poet, enabling me to distance myself as well as to comprehend the connection with the tradition I was brought up in.' Debut collection recalling the lives, experiences, and bravery of women in Afghanistan, which includes the 2019 Forward Prize-winning poem Forty Names. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Paperback. Condizione: new. Paperback. A New Statesman Book of the Year 2021A White Review Book of the Year 2021In this remarkable first collection, Parwana Fayyaz evokes events in the lives of Afghan women, past and present their endurance and achievements, told from their points of view. John McAuliffe writes of the 'remarkable litanies, which haunt her poems' occasions' and the title poem, with which she won the 2019 Forward Prize for Best Single Poem, is such a litany, conjuring and commemorating.The poems are not judgmental: they witness. The reader infers the contexts. As well as the human stories there is a spectacular landscape, unfamiliar villages and cities, and a rich history which the Western press in reporting contemporary news foreshortens and diminishes. 'Storytelling has a long tradition in Afghan culture. Stories are passed down orally. Every woman even or especially those who are illiterate knows and has memorized a few important stories to share [.] I grew up among women who never went to school my grandmothers, my mother, my aunts.' As the poet grew away from that tradition, in which patience was the chief virtue, she lost patience and began her resistance, their resistance, in her poems which hover between cultures and languages, thinking in one and understanding in another. Each language has its history and value systems: 'it was learning English that gave me my voice as a poet, enabling me to distance myself as well as to comprehend the connection with the tradition I was brought up in.' Debut collection recalling the lives, experiences, and bravery of women in Afghanistan, which includes the 2019 Forward Prize-winning poem Forty Names. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Brossura. Condizione: new. A cura di Lea Niccolai.Testo Italiano e Inglese.Perugia, 2022; br., pp. 168, cm 15x21.(Lapsus Calami. 14). Quaranta nomi, esordio in lingua inglese della scrittrice afghana Parwana Fayyaz, è una raccolta di componimenti in versi che forgia la sua materia prima - le storie narrate all'interno del microcosmo familiare e rurale negli anni dell'infanzia di Parwana stessa - in potenti ritratti di figure femminili al tempo stesso concretissime e leggendarie. La poesia diventa così un gesto simbolico in cui si intrecciano omaggio e sfida, compassione e ricerca di riparazione: restituire voce alle donne a cui è stata tolta, donne conosciute solo come figlie o madri o mogli di uomini, e il cui nome, a volte assente persino sulla tomba, è sradicato a forza dalla memoria collettiva. Tra il fuoco incrociato della guerra e dell'onore e contro questa violenza maschile perpetua, Parwana Fayyaz cerca di recuperare tutti i fili invisibili della rete di amore e coraggio che tiene insieme le donne della sua famiglia e del suo popolo, fra echi della mistica medievale persiana, miti ancestrali e cruda realtà storica. Libro.…

Paperback. Condizione: New. A New Statesman Book of the Year 2021 A White Review Book of the Year 2021 In this remarkable first collection, Parwana Fayyaz evokes events in the lives of Afghan women, past and present - their endurance and achievements, told from their points of view. John McAuliffe writes of the 'remarkable litanies, which haunt her poems' occasions' and the title poem, with which she won the 2019 Forward Prize for Best Single Poem, is such a litany, conjuring and commemorating. The poems are not judgmental: they witness. The reader infers the contexts. As well as the human stories there is a spectacular landscape, unfamiliar villages and cities, and a rich history which the Western press in reporting contemporary news foreshortens and diminishes. 'Storytelling has a long tradition in Afghan culture. Stories are passed down orally. Every woman even or especially those who are illiterate knows and has memorized a few important stories - to share [.] I grew up among women who never went to school - my grandmothers, my mother, my aunts.' As the poet grew away from that tradition, in which patience was the chief virtue, she lost patience and began her resistance, their resistance, in her poems which hover between cultures and languages, thinking in one and understanding in another. Each language has its history and value systems: 'it was learning English that gave me my voice as a poet, enabling me to distance myself as well as to comprehend the connection with the tradition I was brought up in.'.…