felix greissle (15 risultati)

Hardcover. Condizione: Good. The book is in good condition, with a solid hardcover binding. There is no dust jacket. The cover features gold embossing and minimal wear, while the pages are clean and intact. The spine is strong, showing no signs of cracking or damage.

Hardcover. Condizione: Good. This hardcover volume is in good condition, showing some signs of wear typical for its age. The cover has minor scuff marks, and the spine is intact with no significant damage. The pages are clean and free of inscriptions or library markings. There is no dust jacket, but the book's structural integrity is well-preserved.

Hardcover. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. Condizione sovraccoperta: No Dust Jacket. None stated. 4to 11" - 13" tall; 314 pages; Book Tight. Text is clean no markings seen. No Dust Jacket.

Hardcover. Condizione: Very Good. The University Society Inc. 1962 Very Good/ Light wear to Burgundy cloth spine with gold lettering and decorations. Off-white simulated leather boards with gold lettering, piano drawing and decorations. Spine reinforced with clear library tape. Hinges mended. Last 2 pages and back end papers are stained. Coffee o/w text is bright and unmarked. Published in 1960, Printed in 1965. x+260 pages plus Invitation to the Piano 64 pages. 334 pages in all. 2.69 Pounds. Size: 11 1/4 x 8 3/4 x 1 inches. No Exp.

Hardcover. Condizione: Collectible, Near Fine. Condizione sovraccoperta: No Dj. Quarto, hardcover, tiny name on endpaper else fine in burgundy cloth spine, cream boards, gilt decorations and lettering. Frontis of group around piano singing. Includes American Ballads and Folk Songs, songs of other nations, favorite songs of many lands, Gilbert & Sullivan, rounds, lullabies, Negro spirituals, Christmas carols, hymns of devotion, Patriotic songs. Words and Music to hundreds of songs. Book.

GREISSLE, Felix 1894-1982 (arr.) (illustratore). Folio. Stapled. Original publisher's printed wrappers. 1f. (title), 3-7, [1] (blank) pp. With publisher's catalogue "Arnold Schönbergs Werke in der Universal-Edition" dated "IV [April] 1925" to verso of lower wrapper. Slightly worn; wrappers partially split. First Edition of this arrangement. Rufer (E), p. 38. Satoh, pp. 13-14. The full score was published by Universal-Edition in 1920. The text of Herzgewächse (Foliage of the Heart) is by Maurice Maeterlinck, translated by Karl Klammer and Friedrich von Oppeln-Bronikowski. The arranger, Felix Greissle, was Schoenberg's son-in-law. "The vocal part is perhaps the most technically difficult in Schönberg's entire oeuvre; the scope lies initially within the low octave range, but soon leaps much wider. Toward the end, the part calls for the F above the treble staff in quadruple piano, before dropping again into the low octave." Matthias Schmidt, website of the Arnold Schönberg Center, Vienna.

GREISSLE, Felix 1894-1982, arr. (illustratore). Small folio. Full dark green cloth, titling gilt to spine. 1f. (title, performance notes), [3]-72 pp. With "To Anton von Webern" printed to head of first page of music. Binding slightly rubbed. Minor browning to edges; tone row annotations in red and black pencil to first three pages of music. First Edition of this arrangement. Rufer (E) pp. 60-62. GA B/15, p. 15. "The question of whether sonata and concerto form can be combined in orchestral music was examined by Schönberg for the first time in the violin concerto. The supposed incompatibility of the demand for a densely structured, polyphonic compositional technique and the traditional concessions to the brilliant and effective virtuosity of the solo part was evidently a fundamental compositional incentive for the composer. The beginning of each movement is characterised by two overlapping row constellations as a combination of the original row and the inversion, untransposed or transposed by a fifth respectively. In addition, the row constellation that is based on the principal part is initially presented horizontally each time. The row technique cannot be systematised within the movement and reveals numerous irregularities in the interpretation of the strict methodology. Although Schönberg intended the form of his concerto to have a "classical" three-movement structure, the recapitulation of the first movement, for example, is hardly more than the exposition and its form is altered by a developmental section which extends almost until the end of the movement. In such a construction, the virtuoso shaping of the violin part is ultimately entirely absorbed and also strangely defamiliarised by the thematic work." Arnold Schönberg Center.

Hardcover. Condizione: Very Good. First Edition. 16 volume set: All volumes are in VG condition with light rubbing to edges & covers, light bumping to spine ends, Vol. 14 has owner's name/inscription to front board else all volumes bright & solid. Volume 16 is comprised of 4 supplemental booklets housed in a slipcase. SA 2/22; 4to - over 9¾ - 12" tall.

Condizione: Gut. Jahr: 1926. Einband: Broschur. Beschreibung: Für Klavier und hohes Instrument bearbeitet von Felix Greissle. VN/Pl. no. U.E. 8375 8376 u. U.E. 8376a. c1926. Ausgabe v. 1926 (Datierung nach der Angabe auf dem hinteren Umschlag). Mit [Vorbemerkung] (Dt./Frz./Engl.) zur Bezeichnung und Ausführung. Umschlag etwas nachgedunkelt, sonst sehr gut und sauber erhalten. Sprache: de. 32, 20 S.

Condizione: New. for String Quartet .

Condizione: New. for Piano at 4 Hands .

Condizione: New. for Clarinet and Piano .

Condizione: New. for Violin (or Flute) and Piano .