fenton james and (28 risultati)

Trade paperback. Condizione: Fine. Trade paperback (US). Glued binding. 128 p. Contains: Illustrations. For Wimps. Audience: General/trade. No previous owner's name. Clean, tight pages. No bent corners. SC 228.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good+. First US Edition; First Printing. 130 pages; B&W photographs. Light rubbing to DJ. Minor tear to DJ front's bottom corner. Very Good condition otherwise. No other noteworthy defects. No markings. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. 70pp. Collection of eighteen poems. Red cloth with gilt lettering on spine. Touch of crease to cloth at tail of spine, else in fine condition. Unclipped white dust jacket with black lettering and red illustrated border on front cover. Black lettering on white b/g to spine. Appears unread.

Softcover. Condizione: Near Fine. First Penguin Books edition. Trade paperback. Rubbing to the wrappers, else near fine. Poetry.

hardcover. Condizione: Very Good in Dustjacket. Condizione sovraccoperta: Very Good. First Edition. London. 1987. Viking Press/Salamander. 1st British Edition. Very Good in Dustjacket. 0948681055. 70 pages. hardcover. Cover illustration by Merrily Harpur. keywords: Europe England Literature Poetry World Literature. DESCRIPTION - Destined to become a classic of light verse, Partingtime Hall is the work of James Fenton and John Fuller, two of our wittiest and most resourceful poets. A few of these pieces have already appeared in various magazines to fugitive renown, but the majority have been specially written for this volume. Collected together, they demonstrate conclusively what the poetry world already suspected that Fuller and Fenton belong in the front rank of our funny poets. Technically adroit, inventive, whimsical, anarchic, risqué, and, in their strangely heightened way, true, these poems deserve the large enthusiastic audience which has been waiting impatiently for this definitive joint performance. inventory #11788.

No Binding. Condizione: NF. FM-11. A fair to good original release 8 x 10 still. Photographic Image.

Softcover. Condizione: Near Fine. Vol. 10, No. 4. Slim quarto. 64pp. Stapled wrappers. Slightest curvature (from storage, not moisture), light wear, near fine. Prints twelve poems by Derek Mahon, as well as poems by Tom Paulin, James Fenton, Tony Harrison, and others.

Hardcover. Condizione: Near Fine Hardback. Condizione sovraccoperta: Very Good + Dj. First Published.

Condizione: Fair. Acceptable condition. (Collections, Glass Ware, Fenton glass, Catalog, reference) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Hardcover. Condizione: VG++. Condizione sovraccoperta: VG++. First. SUBTITLED : ` The Autobiography of Someth May '. Someth May contacted Fenton in December 1979, and set-up the contrasting image for Fenton, of Christmas carol-singers in busy London and political opponents of the Khmer Rouge regime in Refugee Camps on the Thai-Cambodian border. The intro. notes that Western views of that time and place are somewhat common, but native Cambodian views of it are NOT - because autobiography is not a usual activity of the oriental mind. 287 pages. Cond: Black boards, undecorated, with silver spine lettering. D.J. is also black with a colour cover illus. - Yellow torso, over green leaves background - former being HELD down by brown hands. VERY GRAPHIC. Except for minor chipping and one sm. wrinkle/crease on d.j. top edge, this one approaches AS NEW ! Clean but edges lightly yellowed. No names, nor folds, nor tears but a BLACK `R' on end-paper. TIGHTand bright !! Quote (p.104) : " I stood by the gate again. A new group arrived. They looked as if they feared they might be attacked at any moment. My father called me back into the house, and as I went in some Khmer Rouge followed me, asking." Size: 8vo.

Cloth. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Size: 8vo - over 7¾" - 9¾" tall.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. First Edition (first printing). Slim 8vo. 70pp. Red boards lettered in gold at the spine. A fine copy in fine non-price-clipped dust wrapper. Eighteen jointly-authored poems.

Soft cover. Condizione: Very Good Plus. Clean & flat. Dispatched ROYAL MAIL FIRST CLASS with TRACKING next working day or sooner securely boxed in cardboard. ref C13.

first edition 70pp NF (small bump to spine head) in VG+ d/w (sl.rubbing, sl.glue residue to rear edges).

Hardcover. Condizione: Fine. xiv, 455 p. : ill. ; 24 cm. ; ISBN: 0897664949 (alk. paper); 9780897664943 (alk. paper) ; LCCN: 89-9363 ; OCLC: 19623688 ; stiff paper wrappers ; authors include P W Basham, Robert V Witman, Leonardo Seeber, John G Armbruster, John Adams, Mark & Ma ry Lou Zoback, Edward Woodhouse, Davied Boore, Paul Somerville, Gail Atkinson, Robin McGuire, Gabriel Toro, Daniele Venezano, Luc Chouinard, Ricardo Dobry, R E Weems, S F Obermeier, R B Jacobson, G S Gohn, Martitia P Tuttle, Leonardo Seeber, Steven G Wesnousky, Eugene S Schweig, Silvio K Pezzopane, W j Hall, S L McCabe, M Shinozuka, K Moriyama, Frank E McClure, Guy J P Nordenson, Jack P Moehle, V C Fenton, Glenn R Hill, Thomas A Schwartz, James H Gates, T D O'Rourke, Christopher Rojahn, Chris D Poland, M Elisabeth Pate-Cornell, Rene W Luft, Warner Howe, Charles Scawthorn, and Stephen K Harris ; FINE. Book.

First Edition. First edition. Softcover. 491 pages. Features texts by Elizabeth Sussman, Luc Sante, Cookie Mueller, Darryl Pinckney, Marvin Heiferman, Joachim Sartorius, James Fenton, and David Wojnarowicz. Also features the text of conversations between Goldin and Hoberman and Goldin and David Armstrong and Walter Keller. Includes a retrospective look at the first 25 years of Goldin's career with numerous color images, a checklist, list of previous exhibitions, and a selected bibliography. A clean and tight near fine copy in wrappers.

Everyman's Library. 1995. First edition thus. Hardback with DW. Boards and contents clean. Slight lean to spine. Very slight stains to cover. Otherwise a very clean and sound copy.

1983. (4to stiff paper covers) Very good. 222pp. Photographs, illustrations, maps, charts, tables, plan, bibliography. Book about Radiocarbon Dates. Contributors include Bruce F. Ball (Radiocarbon Estimates from the Sibbald Creek Site, EgPr 2), John H. and Carol A. Rushworth Brumley (A Summary and Appraial of Alberta Radiocarbon Dates), Roderick J. Heitzmann (A Comment on Bone Pegs and Stone Circles), James W. Helmer (Interim Report of the 1982 University of Calgary, Archaeology Field School at the Strathcona Site (FjPi-29)), John W. and Karie Hardie Ives (Occurences of Tertiary Hills Welded Tuff in Northern Alberta), John W. and Mark Fenton Ives (Continued Research on Geological Sources of Beaver River Sandstone), Kathleen Connor Learn (The Black Fox Island Project, End-Of-Season Report, Permit 82-66), Heinz Pyszczyk (Trends on Historic Surfaces: Estimating Densities and Distributions of Archaeological Remains by Synagraphic Mapping Techniques), Brian M. Ronaghan (Historic Resources Impact Assessment and Conservation Studies, Genesee Power Project), J. Roderick Vickers (An Introduction to Alberta Radiocarbon Dates), Milton J. and Bruce F. Ball Wright (First Results from Dry Island Buffalo Jump Provincial Park, 1982). Publisher series: Archaeological Survey of Alberta Occasional Paper No. 21 . Foreword by Paul F. Donahue (Archaeology in Alberta: 1982). Locale: Alberta; Beaver River--Alberta; Black Fox Island--Alberta; Buffalo Jump Provincial Park--Alberta; Prairie Provinces; Western Canada. (Archaeology).

296 pp.; 28 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. Extensive illustrations, artist's biographies, bibliography. Artists within exhibition: Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edward Ruscha, David Seymour, Robert Smithson, Thomas Struth, Hiroshi Sugimoto, Charles Thurston, Thompson, Jeff Wall, Christopher Williams, Fred Wilson, Garry Winogrand. Endpapers of book by Daniel Buren. "Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; 'personal museums' and 'cabinets of curiosities' by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York." -- publisher's statement. Very Good. Light wear to dust-jacket including a 6 mm. tear to spine edge and bumping of upper edge of recto. Light yellowing of page edges. Contents otherwise clean and unmarked.

gebundene Ausgabe. Condizione: Gut. 200 Seiten; illustriert; Das hier angebotene Buch stammt aus einer teilaufgelösten wissenschaftlichen Bibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel.); leichte altersbedingte Anbräunung des Papiers; der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 540.

Hardcover. Condizione: Very Good. Tall 8vo ([iv] 175. Original publishers yellow cloth over blue cloth spine lettered gilt with printed title label onset to cover. Illustrated throughout. Contributors include Pico Iyer, Andrew Motion, Simon Partridge, David Profumo, James Fenton. Covers faintly marked otherwise clean VG+. 200 copies only.

Kartoniert / Broschiert. Condizione: New. Norman Fenton, PhD, is a professor of risk information management at Queen Mary London University and the chief executive officer of Agena, a company that specializes in risk management for critical systems. He is renowned for his work i.

Taschenbuch. Condizione: Neu. Neuware - Why should a poet feel the need to be original What is the relationship between genius and apprenticeship James Fenton, Oxford Professor of Poetry 1994-1999 and winner of the Whitbread Prize for Poetry, examines some of the most intriguing questions behind the making of the art - issues of creativity and the 'earning' of success, of judgement, tutorage, rivalry, and ambition. With the contextual richness of a former foreign-correspondent, Fenton goes on to consider the juvenilia of Wilfred Owen, the 'scarred' lines of Philip Larkin, the inheritance of imperialism, and issues of 'constituency' in Seamus Heaney. He looks too at Marianne Moore, Elizabeth Bishop, Sylvia Plath, and their contrasting 'feminisms', at D. H. Lawrence, 'welcoming the dark'; and in the end, W. H. Auden - that defining influence upon Fenton's own poetry - who receives extended coverage in the final quarter of the book.Immensely readable, The Strength of Poetry is a major account of modern poetry from one of its leading figures.

First Edition. Very good paperback copy; edges slightly creased as with age. Clean internally. Remains well-preserved overall. Signed by both authors. Physical description; 69 pages ; 22 cm. Notes; Originally published: London : Viking Salamander, 1987. Subjects; English poetry 20th century. Narrative poetry, English. Humorous poetry, English. 3 Kg.

First Edition. Very good paperback copy; edges slightly creased as with age. Clean internally. Remains well-preserved overall. Signed by both authors. Physical description; 69 pages ; 22 cm. Notes; Originally published: London : Viking Salamander, 1987. Subjects; English poetry 20th century. Narrative poetry, English. Humorous poetry, English. 1 Kg.

Full-Leather. Condizione: Good. Third Edition. Two Volumes. Third Edition from 1720. Volume I contains mainly verses by Alexander Pope: 'particularly' I Windsor Forest, II Essay on Criticism, III Rape of the Lock, IV Ode on St. Cecilia's Day, V Verses to the Memory of a Lady, VI To Mr Jervas, with Fresnoy's Art of Painting, VII To a Young Lady, with the Works of Voiture, and VIII Eloisa to Abelard. Volume II, Miscellaneous Poems, Translations and Imitations, contains works by a number of authors with the most significant being Dr. William King, Mr. Elisha Fenton, the Revd. Mr. Broome, the Revd. Mr. James Ward and the Reverend Mr. Archdeacon Danie. Volume II contains an index to the contents of both volumes. Both volumes are bound in contemporary full leather binding with five raised bands to the spine. The title and volume labels on the spine are lost although the volume numbers are blind stamped to the spine. The spines have chipping at the top and bottom and some edge cracking. The corners are bumped with some rubbing. Wale Family bookplate to the front pastedowns and the second volume has another family name, Lady Wale, to the front free endpaper. Browning around the edges of the endpapers. Creasing to the top corners of pages 37 to 62 in the first volume. Two sections of the text protrude a little from the rest of the text block in volume II. There is also some browning to the title pages and the frontispiece in Volume I which is a portrait of Pope and the pages are browned but are otherwise generally unmarked.

First edition. 8vo., cloth, pictorial dust jacket by Merrily Harpur. London, Viking Salamander. Signed on the title page by John Fuller, loosely inserted one TLS from Fuller to the booksellers Alan and Joan Tucker, offering to send copies of Roy Fuller's spoof poems written as 'Mark Members', taken from Anthony Powell's 'A Dance to the Music of Time', and an ALS, with the original envelope, again from Fuller to the same bookseller offering a new volume of poems by David Harsent. An excellent copy.

no binding. Condizione: good. First Edition. Original Printed patent disbound with printed front blue wrapper present but not the back wrapper (both often lacking in early patents) About 27cm by 18cm some wear and tear due to the disbinding.