ferguson russel (14 risultati)

Cloth. Condizione: Near Fine. Condizione sovraccoperta: No Jacket, As Issued. 64 pages color illustrations throughout. Previous owner's bookplate to the inside front free endpaper. Illustrated boards. Isabella Stewart Gardner Museum, Boston, May 31-Sept. 2001. Includes new drawings made exclusively for the publication, as well as several textile works from the museum's collection that inspired her during her residency of Spring 2000.

Paperback. Condizione: As new. GILLIAN WEARING: a trilogy, the exhibition catalog for her 2002 Vancouver, Canada show. Texts by Daina Augaitis, Mark Beasley, Russel Ferguson and Marina Ray. Some of the video works shown include, "Drunk," "I Love You" and "Prelude." 32 pages, paper with stiff cover. Black & white stills from the videos. 10 1/2" x 8 3/4". As new.

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Jacket corners are bumped. Bottom corners of fabric covers very lightly bumped. Spine is shaken. Inside is clean, bright, and unmarked.

Hardcover without dustjacket as issued, 108 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condizione: Good. 4to. 127 pp., illus. Near fine, red hardcover. This publication accompanied the exhibition LIz Larner organized by Russell Ferguson and presented at The Museum of Contemporary Art, L. A. 2 Dec. 2001 - 10 March, 2002.

Imperial octavo softcover (VG); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples.Ordering more than one book will reduce your overall postage cost.

Hardcover. Condizione: Wie neu. Top-Zustand! Nichtraucherhaushalt.---.

Broschiert Broschiert. Condizione: Sehr gut. Mit zahlreichen Abbildungen, 255 Seiten, Zust.: Sehr gutes Exemplar. Schneller Versand und persönlicher Service - jedes Buch händisch geprüft und beschrieben - aus unserem Familienbetrieb seit über 25 Jahren. Eine Rechnung mit ausgewiesener Mehrwertsteuer liegt jeder unserer Lieferungen bei. Wir versenden mit der deutschen Post. Sprache: Englisch Gewicht in Gramm: 1420.

hardcover with dust jacket. This book examines the innovative work of thirty-four-year-old Scottish artist Douglas Gordon. Gordon is perhaps best known for installations that feature classic films by directors such as Alfred Hitchcock, Otto Preminger, and Martin Scorsese. In each of these works the original film has been manipulatedà slowed down, mirrored by the use of split screen or dual projection, or had its soundtrack alteredà to emphasize the artist's own signature themes, which include trust, guilt, madness, confession, deception, and doubling.Produced in conjunction with a survey of Gordon's work at the Museum of Contemporary Art in Los Angeles, the book features essays by MOCA assistant curator Michael Darling, exhibition curator Russell Ferguson, Scottish novelist Francis McKee, and Guggenheim Museum curator Nancy Spector. DarlingÃs essay places Gordon's work in the context of the Romantic tradition. Ferguson's essay looks at Gordon's work to date. It focuses on the issue of trust as it weaves its way from early works such as the performance/installation Trust Me, through his tattoo and instruction works, to more recent works such as Feature Film, which incorporates the Hitchcock film Vertigo. McKee compiles GordonÃs literary sources into a kind of hybridized text. Spector's essay focuses on the autobiographical nature of Gordon's oeuvre, showing how he shifts between revealing details of his personal lifeà for example, the ongoing List of Names lists all the people he has met in a given period of timeà -and obscuring other aspects of his identity. Designed by the studio of Bruce Mau in close collaboration with Gordon himself, this book promises to be the definitive reference on one of today's most exciting young artists.Text: Fergusson Russel, Darling Michael.cm 23,5x30,5; pp. 183; COL; hardcover with dust jacket. book.

Large 4to, hb, illustrated, 119 p. In very good condition. K13.

paperback. In 1997 Belgian artist Francis Alys (b. 1959) created a performance work called "The Loop for InSITE", a biennial group exhibition held in Tijuana, Mexico. Addressing the idea of international borders and the contemporary ease/unease of global travel, Alys' contribution was a journey that started in Tijuana and ended in the nearby border town of San Diego - never, however, crossing the Mexico-U.S. border. The artist instead took the long way, skirting the Pacific rim from Mexico to Panama, Sydney, Bangkok, Vancouver, Los Angeles and finally San Diego. The Loop took Alys one month and five days rather a few minutes - an absurd journey that called attention to Mexico and America's frought attitudes to their shared border. Combining humour, sensitivity and an extremely personal connection to the people and places where he works, Francis Alys often employs the basic human activity of walking to create performances, photo documentation, videos, slide projections and paintings. The artist first came to international attention with a performance work called "Narcotourism" ('NowHere', Lousiana Museum, 1996) in which he walked the city of Copenhagen over the course of seven days, each day under the influence of a different drug. Alys here underlined the wholly personal experience of artmaking, as well as the hyperreal and unnatural experience of contemporary tourism, reducing his travels to completely interiorized, personal 'trips'. A very independent artist belonging to no particular group, Alys' is a unique and truly international voice in today's global art world. Text: Medina Cuauhtemoc, Monterroso Augusto et al.cm 25x29; pp. 160; COL and BW; paperback. book.

Museum of Contemporary Art, Los Angeles & Harry N. Abrams, New York 2000. Small folio. 336 pages. Illustrated in b/w and colour.Original black cloth with yellow lettering to spine. Owner's name o front free endpaper. Light dust-soiling to edges and mild staining to endpapers. Very good-.

Hardcover. Condizione: New in publisher's shrink wrap. First edition. Quarto. 384pp. Original boards photo-illustrated in color with white lettering on cover and spine. Illustrated throughout with color photographs, including several gatefolds. Uta Barth's photographs are represented in the collections of the Museum of Modern Art, the Metropolitan Museum, the Guggenheim, Whitney Museum, among others. This publication is illustrated with more than three hundred color reproductions of Barth's challenging photographs of ordinary places, often blurred with one element rendered sharply. A comprehensive overview of Barth's work.

4°, 336 S., zahlr., oft farb. Abb., OLwd. m. OU, OU etw. gebrauchsspurig, kl. Besitzerstempel a. Vs., sonst tadellos. Dt. EA. Erschienen anlässlich der Ausstellung in Köln. 3100 gr. Schlagworte: Architektur - Allgemein.