Ferit edgü (200 risultati)

paperback. Condizione: Like New. May have light shelf wear and/or a remainder mark. Complete. Clean pages.

Condizione: New.

Paperback. Condizione: New.

Condizione: New.

Paperback. Condizione: New.

Paperback or Softback. Condizione: New. Noone. Book.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New.

Paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paper Back. Condizione: New.

Condizione: New.

Trade Paperback. Condizione: New. New. 'The talk should be interrupted every now and then in my opinion. Disrupt, dismember, disperse. Right, says the First Voice. To not to lose ourselves too much in our voice, our exuberance, our memories, our moments. Especially in the flow of time, says the Second Voice. Time meaning the events that surround us, says the First Voice. Also to resist the drift of words, says the Second Voice. To stay all by ourselves, says the First Voice. To the best of our ability, says the Second Voice. To protect our integrity, says the First Voice. To the best of our ability, says the Second Voice. And our reality, says the First Voice. They remain silent. Then: In your dream you can be the one who kills, but he, I mean your victim, I mean the one killed, with whose voice could he shout? With his own voice of course, says the First Voice. How could that be? says the Second Voice. Is there another within yourself? You're the one who saw the dream. He, I mean your victim, I mean the one killed, I mean the one you killed, is a dream being, I mean one who can only be in your dream, I mean, more precisely, a non-being being. But he shouted, says the First Voice. Possible, says the Second Voice. But only you can hear his scream. I, on the other hand, can only hear your scream. a whole, broken up, some of its pieces have vanished, only some pieces remain. Or a useless (almost) single piece. Can a whole be formed with it? Based on it, can a whole be remomented? Recreated?' ~ Publisher.…

Condizione: new.

Paperback. Condizione: New. Condition Notes: New from the publisher.

Paperback. Condizione: Very Good+. Karalama/Mes k; Color Plates; 10.0 X 9.0 X 0.5 inches; 58 pages.

Soft cover. Condizione: New. Paperback pbo, in English, color ills, 16, 63 page, 32 x 23 cm.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Condizione: Brand New. 186 pages. 7.99x5.00x0.40 inches. In Stock.

Condizione: New. In English.

Condizione: New. 2023. Paperback. . . . . . Books ship from the US and Ireland.

Softcover. Condizione: Fair. Front cover repaired with tape.

Paperback. Condizione: New. New from the publisher.

Condizione: New.

Other. Condizione: Fine. Leichte Gebrauchsspuren; Leichte Verschmutzung / Farbtonveränderung; Einriss bis 1 cm. In den aubersten Osten der Türkei wird er als Lehrer geschickt. Die Menschen sprechen eine fremde Sprache, gehen barfub im Schnee, und noch kein Stadter hat es bisher geschafft, einen Winter lang ihr Leben zu teilen. Er steht vor einer Welt voller Ratsel und Schweigen. Sein Wissen, sein Erinnern, all das, was er mitgebracht hat, macht ihn nur einsam und verloren.…

Soft cover. Condizione: Very Good. 1st Edition. Paperback pbo, in Turkish, 190, 2 page, 24 x 17 cm.

Dust jacket. Condizione: Fine. Condizione sovraccoperta: Fine. Original bdg. Dust wrapper. Oblong large 8vo. (23 x 24 cm). In Turkish. [2], [69] p. Anadolu günesi. Dünkü ve bugünkü Türkiye. Designed, scenario, texts by Ferit Edgü. Creative fashion design: Necla Seyhun. Photographs by Ara Güler.

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: New. Paperback. [16], 63 p. Color ills. "The first Turkish art to be "discovered" by occidentals was carpet weaving, and from the 15th century onwards Turkish carpets were sought after by Europe s wealthy aristocrats to furnish their chateaux and palaces. The prominent place accorded to these carpets in contemporary paintings reflects their status as prized works of art. As interest in Turkish carpets snowballed, impressive collections were formed in Western Europe (and from the 19th century onwards in the United States), and they became a stock-in-trade of ethnographic and Islamic arts museums. There accumulated a correspondingly large body of literature on the Turkish carpet and-from the 1950s onwards- the kilim. French, Italian, English, German and Russian studies and commentaries on the history, regional characteristics, symbolic motifs, and technique of Turkis carpet weaving today constitutes a large specialist library.".…

Soft cover. Condizione: New. Paperback. 4to. In English. [16], 63 p. Color ills. "The first Turkish art to be "discovered" by occidentals was carpet weaving, and from the 15th century onwards Turkish carpets were sought after by Europe s wealthy aristocrats to furnish their chateaux and palaces. The prominent place accorded to these carpets in contemporary paintings reflects their status as prized works of art. As interest in Turkish carpets snowballed, impressive collections were formed in Western Europe (and from the 19th century onwards in the United States), and they became a stock-in-trade of ethnographic and Islamic arts museums. There accumulated a correspondingly large body of literature on the Turkish carpet and-from the 1950s onwards- the kilim. French, Italian, English, German and Russian studies and commentaries on the history, regional characteristics, symbolic motifs, and technique of Turkis carpet weaving today constitutes a large specialist library.".…