fernand porter (13 risultati)

Condizione: Very Good. *Price HAS BEEN REDUCED by 10% until Monday, June 1 (SALE item)* paper wrappers, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Condizione: Very Good. *Price HAS BEEN REDUCED by 10% until Monday, June 1 (SALE item)* 47 pp., Paperback, minor library markings, else text clean and binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Couverture souple. Condizione: Très bon. Oeuvre des Tracts, no 359, mai 1949, 16 p. Couverture en partie insolée. code 1903.

Couverture rigide. Condizione: Bon. Studies in Sacred Theology no 31, xxxii, 332 p. Exemplaire de bibliothèque (trace de cote, cachets (sur la tranche), ex libris, porte-cartes). code 966 / 1947.

Couverture souple. Condizione: Bon. 332 p. + dépliant promotionnel. Couverture un peu défrîchie. Exemplaire en grande partie non coupé. Code 1313, 1982.

Condizione: Aceptable. : Vivre En France es un libro de texto para el aprendizaje del francés, publicado en 1974. Escrito por Fernand Marty, Winifred Porter y Ella Etewart, el libro consta de 175 páginas y está diseñado para ayudar a los estudiantes a comprender y desenvolverse en la cultura francesa. Es una herramienta útil para aquellos que desean aprender francés y conocer más sobre la vida en Francia. EAN: 9788426604095 Tipo: Libros Categoría: Educación Título: Vivre En France Autor: Fernand Marty| Winifred Porter| Ella Etewart Idioma: fr Páginas: 175.

Couverture souple. Condizione: Très bon. Montréal, Éditions franciscaines, 1954, deuxième édition, 47 p. code1013 / 1463.

Couverture rigide. Condizione: Très bon. 333 p. Trace de collant de prix sur la couverture avant. Cachet.

Hardcover. Condizione: Very Good-. No Jacket. 555 pages in very good condition. Text is in FRENCH. Pages are clean and unmarked, facsimile reprints of the 1702 edition. Previous owner's markings on the ffep. Page edges are lightly darkened. Bound in grey cloth with black titles. Lightly bumped and worn on the corners. Spine is lightly darkened. VG-/- -. Book.

Broché. Condizione: Etat moyen. in-8 Description :333 pp. Tampons et cotes de bibliothèque. Couverture insolée et piquée. Accrocs, petites déchirures sur la couverture. Langue : Français Nb de volumes : 1.

SOFTCOVER. Condizione: Fine. 1st Edition. Large 4to. in colour printed stiff glossy card covers, 175pp on glossy art paper, colour plates, illustrations in text, extensive bibliography, etc. Text in French . [CONDITION: A well preserved almost AS NEW unmarked copy (hint of tanning to covers) ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Condizione: Gut. Zustand: Gut | Produktart: Bücher | Keine Beschreibung verfügbar.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.